Die Auslander: ¿Quién es el extranjero, el foráneo, el otro? Es ella - polca, pero oprlal edad. Es él,. marroquí en Alemania. La mirada: Primera escena - congelkados, listos para emjuicicar, ella es vista al fondo, en uputio de fuga del cuadro. Enmaracad, toda la atención se dirige con ytencoón diagonal a ella. Alegoría visual de lo que trata de la película. ç lAs vrcians de lla, por la puerta, escaleras, de arriba a abao y de abajo a arriba ñ- jucicio- Verfremdungseffekt or alienation effect of Epic Theatre into his cinema. acerca el drmaa social, el conetxto, análisis de la represnetaciómn TEatro Épico de Bertold Brecht: Este sentido de distanciamiento es dado por la actuación y dramaturgia , no por cámara. Los lanos más bien sn estáticos: “The technical possibilities which the camera offers only destroy a clear dramaturgy and spoil the clarity of a film,” Fassbinder said in a 1969 interview with Christoph Knebusch. n the tradition of Epic Theatre, all characters in Fassbinder are essential because the films are not merely about the lives of the lead character is as though Fassbinder is suggesting to us, and possibly he is correct, that perhaps all relationships should be structured like Brechtian theatre. s, but are commentary on society as a whole. racism and ageism As many know, this story sprung from the director’s own experience in his relationship with El Hedi ben Salem, who would tragically end his own life in prison in the wake of his failed relationship with Fassbinder. The racism shown in the film was encountered by the couple, but the gay relationship was in Ali replaced by an intergenerational one no less scorned and mocked by society. e actors’ faces are frozen, and it is not only their individual expressions but how each seems to work in accordance with the whole that is so very striking—in what Brecht termed gest or gestus, not simply individual gesture, but the communal gestures and attitudes conveyed by the troupe as a whole. cross-ethnic worker solidarity, polaizaiñon moralista bueno y malo (SIRK) comoplejo : él en gaña, no es voivyima ella es enjucidia pero admite haver sido parte del nazismo The key formal elements of melodrama (restrained non-verbal storytelling, using mise en scène for framing purposes and the telling of socially and politically relevant stories) are showcased in both films in different ways. https://www.filminquiry.com/melodrama-remake-fassbinder/
El actor inglés cumple 76 años y para celebrarlo haremos un repaso por sus algunos de sus personajes más icónicos
TIM CURRY:
1976 - The Rocky Pciture Horrror Show personaje Dr. Frank N. Furter,
1985 - Leyenda, Ridlye Scott, El señor de las tiniewblas
1990- IT, payaso Pennywise
1998 -LA reunión de los Locos Adams, Gómez Adams
VOZ del emperador en - "Star Wars: La Guerra de los Clones"
Infarto - solo narrador - Remake en vez del detetcive
By Patricia Morrisroe, from the Rocky Horror Picture Show Official 1979 Magazine. Richard Hartley is the original arranger for The Rocky Ho
4 músicos para teatros
orequesta para opelicula
ajustaron el timbre para las vices de Susan Sarandon, Barry Bostwick y Meatloaf.
I
Jim Sharman is going through a bit of a time warp.
Jim Sharman was born in Sydney, the son of boxing tent impresario He was educated in Sydney, though his upbringing included time spent on Australian showgrounds, where his father ran a travelling sideshow of popular legend, founded by his own father, called "Jimmy Sharman's Boxing Troupe".[3] This brought him into contact with the world of circus and travelling vaudeville.
DENTIDAS SEXUAL FLUIDA
LO BINARTIO NO ES SUFCIENTE
O BRIEN - SI HIBIERA SIFDO MUJER
“What I’ve always wanted to be was whole — centrally whole and complete,” “But I have so much girl in me it doesn’t make any sense. I think it would have made more sense had I been born a girl. That’s true. But it is a patriarchic, misogynistic fucking world. So aren’t I lucky? Because I’ve been able to walk down streets and go places that I wouldn’t ever have been able to go down had I been a girl. You just have to put everything in perspective, really.
However he dislikes sexual labels and refuses to refer to himself as straight, gay, or bi. At a 2007 charity auction, he declared that "I have slept with 300 women, 30 or 40 men and around 12 transsexuals".
richard o brien
COMICS, SICNEIA FICCÓN, POELÑ´CULAS B
Obra de teatro, la dirige Jim Sharman
QUéia ser ocky, Fue a un gmnasio a buscar a rocky y se topa copm Tim Cyurrty,
Richard O’Brien has revealed that the inspiration for Dr. Frank N. Furter, was inspired by his own experiences cross-dressing and grappling with his gender identity as a young aspiring actor from New Zealand living in London in the early 1970s.
O’Brien, 81, has been married three times, to three different women, and has three children from the first two marriages — two sons and a daughter. When it comes to his own gender identity, however, he says no binary answer is sufficient.
Barry Bostwick "Brad Majors"
Susan Sarandon - Had her breakout role in “Rocky Horror” as Janet Weiss, the wholesome young woman who discovers her wild side.
Susan Sarandon _ in The Rocky Horror Picture Show, challenged traditional gender norms and embraced sexuality as a form of empowerment. Sarandon advocates for open, non-judgmental conversations about sexuality and supports empowering women to make their own choices.
MEat LOaf
Meat Loaf landed the onscreen role of delivery boy/brain donor Eddie after he played the part in the Broadway production.
B -Movie Cult film references
. FRANKENSTEIN (1931)
DOCtor X .- 1932 .- primera película de horrro en color
El Hombre invisible,. basada en novela de HG Wells, Dir,. James Whale, esfectso especiales el set y cámara
THE BRIDE OF FRANKENSTEIN (1935) - Magenta rocks a zany new hairstyle for Rocky Horror’s thrilling climax. Her arresting coiffure was more or less directly lifted from The Bride of Frankenstein. In this spectacular sequel, the title character dons a streaky, upright hairdo that was modeled after a famous bust of Nefertiti, an ancient Egyptian queen.
THE DAY THE EARTH STOOD STILL (1951) - “Science Fiction/Double Feature” acknowledges one of the most topical films of 1951. Once the Cold War arrived, sci-fi movies began to grow more overtly political. In The Day the Earth Stood Still, a benevolent alien named Klaatu (played by Michael Rennie) warns the human race that its increasing usage of nuclear weapons has made other planets nervous enough to consider wiping out all life on Earth in a preemptive strike
The Night of the Hunter - Los tatuajes de Ediie - love an dHate
TARANTULA (1955) -mencionadas en los labios
IT CAME FROM OUTER SPACE (1953) - también la menciona los labios
WHEN WORLDS COLLIDE (1951) -la canción de los labios menciona uan frase el oproductor de pelñuclas de sci fi
KING KING 1932 - ; los labios cantan sobre KIng King, el vestido de la actriz al final. Rocky himself climbing up a model radio tower, RKO’s logo, before falling to his death.
The Rise and Fall of Ziggy Stardust and the Spiders from Mars (often shortened to Ziggy Stardus
is the fifth studio album by the English musician David Bowie, released on 16 June 1972
loose concept album and rock opera, Ziggy Stardust focuses on Bowie's titular alter ego Ziggy Stardust, a fictional androgynous and bisexual rock star who is sent to Earth as a saviour before an impending apocalyptic disaster.
Milos Forman made a spectacle of Amadeus over 20 years ago. He talks about achieving a mix of Old World craft and Hollywood style.
WIDSCREEN
Realismo, elementos van a apareciendo en cuadro.
Lentes larghos para primeros planos.
Compare con : Th Favotite / Yorgos Lantimos, tambiñen toene close upos, 35mm y aklgo de 6mm
Compare : Diana , Pablo Larraín ,
NO STORYBOARD!
I never use storyboards. I always like to come on the set and see the reality around me. Then I rehearse with the actors in the space, which is already finalized by the prop man, set decorator, set designer and costume designer. Only then do I decide how to cover the scene. Here, I wanted to show what the father has to deal with. Now Mozart has got himself in the fun of getting the mask and costumes. But it’s a little sinister. That’s why I put the camera a little lower, so we look from down to up.
CISTUME DESIGN - Theodor Pistek
These masks were created by costume designer . He manufactured them individually for each of the characters so that they could breathe, act and behave not as actors but as human beings.
Lograron filmar en la Vienna State Opera House. A esta locación se regresa a lo largo de la hiostoria, cada vez se represneta más oscura , más claroscuros, comforme en la memoria de Salieri se profundiza su amargor.
Velas iluminan el lugar
Ahead of her four-day stand in Beverly Hills, the legendary choreographer talks about shooting behind the iron curtain and working with grea
Working on location in Prague, Tharp choreographed and directed the opera sequences for the film. The sequences were created for a contemporary audience and are not exact reconstructions of eighteenth century dances. The operas included in the film are: The Marriage Of Figaro, Abduction From The Seraglio, The Magic Flute and Don Giovanni.
"Music, even in situations of the greatest horror, should never be painful to the ear but should flatter and charm it, and thereby always remain music."
2087
germansingergirl
izzy806
gummygunk
