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@amat0rie
what doesn't kill you makes you weird at intimacy
every ICE agent could die right now and they'd all deserve it
really helpful technique ^ once you know how to divide by halves and thirds it makes drawing evenly spaced things in perspective waaay easier:
"I'm still kicking" is such a funny way to say "I'm still alive". Like lol. I'm still thrashing. Flailing. Writhing even. The violence remains.
sorry this was going to be a tags addition because I only get to use my coated pantone swatchbook like 6 times a year when i have a new enamel pin to design, but...
METALLIC GOLD PANTIES ????
Need to investigate the flooding situation on my dash lately
Alligator Body Language and You, or: How To Know When An Alligator On Social Media is Being Stressed for Views
Alligators are wild animals. Despite the idiotic claims of animal abusers like Jay Brewer, they cannot be domesticated, which means they are always going to react on the same natural instincts they've had for millions of years. Habituated, yes. Tamed, yes. Trained, definitely. Crocodilians can form bonds with people- they're social and quite intelligent. They can solve problems, use tools, and they're actually quite playful. Alligators are also really good at communicating how they're feeling, but to somebody who doesn't spend much time around them, their body language can be a bit mystifying. And it doesn't help when social media influencers are saying shit like this:
That is not what a happy gator looks like.
That's a terrified, furious gator who isn't attacking because the ogre handling her has her in a chokehold. She's doing everything she can to express her displeasure, and he's lying about it because he knows his audience doesn't even know how to think critically about what he's doing. He knows that because his audience doesn't know anything about these animals, he can get away with it. This I think is why I hate him so much- he deliberately miseducates his audience. He knows what he's doing is factually inaccurate, he just doesn't care because attention means more to him than anything else in the world.
Let's change that! Here are two really important lessons for understanding alligator body language on social media.
Lesson 1: Alligators Don't Smile (in fact, most animals don't)
So what's going on in this video? Jay Brewer is aggressively choking his white alligator Coconut while scrubbing algae off of her with a toothbrush. And make no mistake, he is digging into the creature's throat while she is visibly distressed. He claims she's happy- but she's not. He is willfully misrepresenting what this animal is feeling. That's a problem, because people... well, we actually kind of suck at reading other species' body language. The reason for this is that we tend to overlay our own responses on their physical cues, and that's a problem. For example, let's look at an animal with a really similar face to ours, the chimpanzee. Check out Ama's toothy grin!
Wait, no. That's not a happy smile. That's a threat display. When a chimpanzee "smiles," it's either terrified and doing a fear grimace, or it's showing you its teeth because it intends on using them in your face.
How about a dog? Look at my smiling, happy puppy!
Oh wait no, this is a picture of Ryder when he was super overwhelmed by noise and people during a holiday party. He'd hopped up in my sister's lap to get away from stuff that was happening on the floor and was panting quite heavily. See the tension in the corners of his mouth and his eyes? A lot of the time when a dog "smiles," the smile isn't happy. It's stress! Why Animals Do The Thing has a nice writeup about that, but the point is, our body language is not the same as other species. And for reptiles, body language is wildly different.
For instance, look at these two alligators. Pretty cute, right? Look at 'em, they're posing for a Christmas card or something! How do you think they're feeling?
Well, I'll tell you how the normal one is feeling. He's annoyed! Why is he annoyed? Because the albino just rolled up, pushed another gator off the platform, and is trying to push this guy, too. I know this because I actually saw it happen. It was pretty funny, not gonna lie. He's not gaping all the way, but he was hissing- you can actually see him getting annoyed in the sequence I took right before this shot. Look at him in this first shot here- he's just relaxing, and you can see he isn't gaping even a little bit.
By the end, he's expressing displeasure, but not enough to actually do anything about it. He's annoyed, but he's comfy and that's where one of the best basking areas is, so he'll put up with it.
Reptiles open their mouths wide for a lot of reasons, but never because they are actively enjoying a sensation. Unless they're eating. No reptile smiles- they can't. They don't even have moveable lips. If a reptile is gaping, it's doing so because:
It is doing a threat display.
It is making certain vocalizations, all of which are threats. Alligators are one of the rare reptiles that do regularly vocalize, but most of their calls aren't made with a wide open mouth.
It is about to bite something delicious or somebody stupid. Check out this video- virtually all of the gaping here is anticipatory because these trained gators know darn well that the bowl is full of delicious snacks. (I have some issues with Florida's Wildest, but the man knows how to train a gator AND he is honest about explaining what they're doing and why, and all of his animals are healthy and well-cared for, and he doesn't put the public or his staff at risk- just himself.)
It's too hot and it has opened its mouth to vent some of that heat and thermoregulate. This is the main reason why alligators will often have their mouths part of the way open, but sometimes they'll open all the way for thermoregulation. This is what a thermoregulatory gape looks like- usually it's not all the way open, kinda more like < rather than V, but you can't say that 100% of the time. Additionally, a thermoregulatory gape... typically happens when it's hot out. If they're inside, maybe they've been under their basking light for too long. Heat's the dominant factor, is what I'm getting at.
There is another reason that a captive crocodilian might be gaping, and that's because it's doing so on command. Some places have their gators trained to gape on cue, like St. Augustine Alligator Farm and other good zoos. They have the animals do this in presentations that are genuinely educational. They ask the animals to open their mouths so that they can show off their teeth and demonstrate how their tongues seal off the back of their mouth. They'll also do it as part of routine healthcare, because looking at their teeth is important.
In this case, the animals aren't gaping because they're stressed, they're gaping because they know they're gonna get a piece of chicken or fish if they do it. And what's more, they're doing it on cue. They have a specific command or signal that tells them to open wide. It's not an instinctive response to a situation. It's trained. If the animal provides the behavior after a cue, the situation is much less likely to be negatively impactful.
It's also important to remember that there's a difference between a partially open mouth and a gape! As discussed above, alligators will often have their mouths a little bit open just to maintain temperature homeostasis. It helps them stay comfy, temperature-wise. These guys are all doing thermoregulatory open-mouthed behavior- that slight open and relaxed body posture is a dead giveaway. (That and it's the hottest spot in the enclosure.)
Lesson 2: A Happy Gator Is A Chill Gator
So if alligators don't smile or have facial expressions other than the :V that typically signifies distress, how else can you tell how they're feeling? One way is stillness. See, alligators subscribe to the philosophy of if it sucks... hit da bricks.
Basically, if they hate it, they'll leave. Unless, y'know, somebody has their meaty claws digging into their throat or is otherwise restraining them. (Restraint isn't always bad, btw. Sometimes the animal is going through a medical thing or needs to be restrained for their safety- which a responsible educator will explain.)
Let's look at a very similar scenario, in which a captive alligator is getting his back scrubbed.
As you can see, it's quite different. First, he's not being restrained at all. Second, look at how relaxed he is! He's just chilling there vibing! He could simply get up and leave if he wanted to, because he's not being held. Towards the end of the video, as he lifts his head, you can see that his respiratory rate is very even as his throat flutters a bit. I'm not sure what this facility is, so I can't comment on care/general ethics, but like. In this specific case, this is an alligator enjoying being scrubbed! And you can tell because he's not doing anything. A happy gator is content to be doing what they're doing.
Why Should I Listen To You?
Now, you should ask yourself, why should you listen to me? Why should you trust me, who does not own an alligator, versus Jay Brewer, who owns several?
Well, first off, there's no profit for me in telling you that what you're seeing on social media is in fact not what you're being told you're seeing. I'm not getting paid to do this. That's the thing with people who make social media content. The big names aren't doing it just for fun. They're doing it for money. Whether that's profit through partnerships or sponsorships, or getting more people to visit their facilities, or ad revenue, you can't ignore the factor of money. And this is NOT a bad thing, because it allows educators to do what they're passionate about! People deserve to be paid for the work that they do!
But the problem starts when you chase the algorithm instead of actually educating. A "smiling" alligator gets the views, and if people don't know enough to know better, it keeps getting the views. People love unconventional animal stories and they want those animals to be happy- but the inability to even know where to start with critically evaluating these posts really hinders the ability to spread real information. Like, this post will probably get a couple hundred notes, but that video of Coconut being scrubbed had almost 400,000 likes when I took that screenshot. Think about how many eyeballs that's reached by now. What I'm saying here is that it's just... really important to think critically about who you're getting your information from. What do dissenters say in the comments? What do other professionals say? You won't find a single herpetologist that has anything good to say about Prehistoric Pets, I can tell you that right now.
Another reason you can trust me is that my sources are not "just trust me bro," or "years of experience pretending my pet shop where animals come to die is a real zoo." Instead, here are my primary sources for my information on alligator behavior:
Dragon Songs: Love and Adventure among Crocodiles, Alligators, and Other Dinosaur Relations- Vladimir Dinets
The Secret Social Lives of Reptiles- J. Sean Doody, Vladimir Dinets, Gordon M. Burghardt
Social Behavior Deficiencies in Captive American Alligators (Alligator mississippiensis)- Z Walsh, H Olson, M Clendening, A Rycyk
Social Displays of the American Alligator (Alligator mississippiensis)- Kent Vliet
Social Signals and Behaviors of Adult Alligators and Crocodiles- Leslie Garrick, Jeffery Lang
Never smile at a crocodile: Gaping behaviour in the Nile crocodile at Ndumo Game Reserve, South Africa- Cormac Price, Mohamed Ezat, Céline Hanzen, Colleen Downs (this one's Nile crocs, not American alligators, but it's really useful for modeling an understanding of gape behaviors and proximity)
Thermoregulatory Behavior of Captive American Alligators (Alligator mississippiensis)- Cheryl S. Asa, Gary D. London, Ronald R. Goellner, Norman Haskell, Glenn Roberts, Crispen Wilson
Unprovoked Mouth Gaping Behavior in Extant Crocodylia- Noah J. Carl, Heather A. Stewart, Jenny S. Paul
Thank you for reading! Here's a very happy wild alligator from Sanibel for your trouble.
“hes a woman to me” IS HE? or are you equating women with submissive character traits you've arbitrarily put on a random man
“he’s a woman to me” “ummm isn’t that kind of misogynistic? are you equating womanhood with submission—”
BARK BARK BARK BARK BARK BARK BARK sorry i couldn’t hear you over the sound of me putting a fictional man in a slutty apron and calling him mommy. sorry. i was too busy hand-feeding him strawberries and then writing 12k of emotional devastation and domestic porn. sorry i gendered him like a little fucked up doll in a victorian nursery.
YES. HE’S A WOMAN TO ME. HE’S A HOUSEWIFE. HE’S A HIGH-FEM BRAT. HE’S A PRETTY LITTLE THING WHO GETS RAWED IN THE MOONLIGHT AND MAKES SOFT WHIMPERS AND BAKES BREAD TO COPE. AND I DO NOT CARE IF IT MAKES SENSE.
HE IS MADE OF TROPES. HE IS MADE OF VIBES. HE IS MADE OF GLITTER AND TEARS AND POST-WAR PTSD. HE IS WHATEVER THE FUCK I WANT. HE IS NOT A MAN. HE IS NOT A WOMAN. HE IS A TRAGEDY IN LACE.
you’re talking about “misogyny” like i didn’t just write a fic where he gets folded in half by a feral beast of a love interest and then cries because he’s “too used to not being touched gently.” BABE. THERE IS NO DIGNITY HERE. ONLY CATHARSIS.
your academic thinkpiece cannot survive the heat of my horny little monkey brain. you want to talk about gender roles?? I WANT TO PUT HIM IN A COLLAR. I WANT TO GIVE HIM A GENDERCRISIS VIA DICK. I WANT TO MAKE HIM THE MAID AND THE MUSE AND THE MADONNA.
and also? sometimes i call him a manwhore for getting railed twice in one chapter and still being emotionally unavailable. because HE DESERVES IT. because I SAID SO. because it’s FUNNY and UNHINGED and that’s the POINT.
you are not fixing the world. i am not breaking it. we are both feral rats arguing over a Barbie doll in a trench coat. take your discourse and go. i’ve got work to do. i’m about to make him lactate out of spite.
this is already an absolutely tone-deaf and borderline transmisogynistic response but i think it gets even more jawdropping when your blog makes it really obvious youre talking about alexander hamilton
Dᴏɪɴɢ ᴡʜᴀᴛ I ᴄᴀɴ, ᴛʀʏɪɴɢ ᴛᴏ ʙᴇ ᴏғ ʜᴇʟᴘ Aɴᴅ ᴇᴠᴇʀʏ ᴛɪᴍᴇ I sᴇᴇ ʏᴏᴜ, ʙᴀʙʏ, I ᴄᴀɴ ʜᴇᴀʀ ᴛʜᴇ sᴏᴜɴᴅ ᴏғ ʙʀᴇᴀᴋɪɴɢ ᴅᴏᴡɴ
my watery friend... are you too brushed with the pattern of the dappled light...?
ID: first a photo of a seal lying on a rock, its fur is patterned like the veins of light in water, and this is shown side-by-side a photo of light blue water with sunlight creating patterns across it. Below is a photo of a fawn lying in grass, compared to a photo of dappled sunlight on the floor of a forest, which resembles the spotted pattern of the fawn's fur. End ID.
"stop commenting on actress's bodies" nah actually I think I will continue to comment on the fact that since the rise of ozempic every second actress looks like she's about to blow away in a strong wind because I lived through heroin chic and normalised eating disorders and insane body expectations the FIRST fucking time and saw the damage it did so I'm personally not going to stay silent and let choice feminism make extreme weight loss "acceptable" just because tiktok has convinced some of yall that any choice a woman makes is Valid just because she's a fucking woman like are you all fucking serious right now
and I actually think we SHOULD be shaming these women like we should be calling them out for undoing 2+ decades of body positivity all so they can prance around with giant heads and skeletal wrists and visible ribs and I actually don't give a fuck about it being their "choice" because while they have the money and access to lose weight with a medication that wasn't fucking made for them (and then say oh no it's just a healthy diet and exercise tee hee 🤭), the 12 or 13 year old girls seeing them and thinking that's how they should look are going to use the only methods at their disposals to look like that and it is going to KILL THEM and I dont give a FUCK if it hurts some rich cunt's feelings or makes me a bad feminist if I say she's an irresponsible piece of shit for promoting such an extreme and unhealthy body image for the millions of young girls growing up on a new wave of insane body dysmorphia I don't give a FUCK!!!!!!!
were I to create an original piece of media I would create bait so queer in order to create a fanfic environment I like. I find you guys do your best work under duress.
I’d say “jeez can two people not be friends anymore?” and then I’d give one of them amnesia in which they only recognize the other above anyone else
very funny to me when people act like animal farm and 1984 are revolutionary anti government texts that the Powers That Be dont want you to read when they have literally been a part of every standard middle/highschool english lit cirriculum in the usa and beyond for decades. precisely because theyre such convenient primers to propagandize that Commies = Bad. the government is quite literally making kids read them
also, animal farm is not just anti-communist, but anti-revolution in general. the whole point of the story is if you overthrow your oppressor the new order will just become the same as the one it replaced! the story offers no suggestion of how the animals could have overthrown the farmer without the pigs becoming exactly like them, it just seems to begin and end with "never overthrown your oppressor because you'll end up right back where you started anyways." bleak and ugly story.
Not to be super English major about it, but Animal Farm was NOT an “anti-revolution” story. According to Orwell, it was inspired specifically by the Russian Revolution that led to the Stalinist regime. The story of animal farm is essentially what happened to the Russian people: they had a revolution against the tyrannical ruling class, only for the very people who had promised them freedom to turn into tyrants themselves.
The moral of the story is not “don’t have a revolution,” it’s that you should always be suspicious of those who promise you this utopian idea of freedom while still aiming to maintain power. The pigs never wanted to actually make everyone free, they just wanted to be the ones in charge. The novel details every small instance of the farm sliding further and further into fascism until it’s too late for anyone to do anything about it.
And 1984 doesn’t have much to do with communism at all. It’s about totalitarianism and fascism. There’s nothing pro-capitalist about the book. A totalitarian government like Big Brother’s could exist in either a capitalist or communist society. The point is the control they have over their people, and how important the flow of information is to that control.
George Orwell literally risked his life fighting fascists, so I think it’s pretty unfair to reduce his books to “anti-commie” propaganda. He was intensely critical of any state that maintained too much power over its people, and at the time, one of the worst examples of that was the recent communist revolution in Russia, which deposed a monarchy to install a dictator in its place.
orwell didn't pick up a gun to shoot fascists in spain alongside anarchist revolutionaries and write The book on it just so y'all can pretend the man favored inaction and the status quo.
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What the fuck
This is absolutely fascinating. I've now been looking at Alex Colville's paintings and trying to work out what it is about them that makes them look like CGI and how/why he did that in a world where CGI didn't exist yet. Here's what I've got so far:
- Total lack of atmospheric perspective (things don't fade into the distance)
- Very realistic shading but no or only very faint shadows cast by ambient light.
- Limited interaction between objects and environment (shadows, ripples etc)
- Flat textures and consistent lighting used for backgrounds that would usually show a lot of variation in lighting, colour and texture
- Bodies apparently modelled piece by piece rather than drawn from life, and in a very stiff way so that the bodies show the pose but don't communicate the body language that would usually go with it. They look like dolls.
- Odd composition that cuts off parts that would usually be considered important (like the person's head in the snowy driving scene)
- Very precise drawing of structures and perspective combined with all the simplistic elements I've already listed. In other words, details in the "wrong" places.
What's fascinating about this is that in early or bad CGI, these things come from the fact that the machine is modelling very precisely the shapes and perspectives and colours, but missing out on some parts that are difficult to render (shadows, atmospheric perspective) and being completely unable to pose bodies in such a way as to convey emotion or body language.
But Colville wasn't a computer, so he did these same things *on purpose*. For some reason he was *aiming* for that precise-but-all-wrong look. I mean, mission accomplished! The question in my mind is, did he do this because he was trying to make the pictures unsettling and alienating, or because in some way, this was how he actually saw the world?
omf i never thought i'd find posts about alex colville on tumblr, but! he's a local artist where i'm from & i work at a library/archives and have processed a lot of documents related to his art. just wanted to give my two cents!
my impression is that colville did see the world as an unsettling place and a lot of his work was fueled by this general ~malaise?? but in a lot of cases, he was trying to express particular fears or traumas. for instance, this painting (horse and train) was apparently inspired by a really tragic experience his wife had:
iirc she was in a horrible automobile crash, as the car she was in collided with a train. i find it genuinely horrifying to look at, knowing the context, but a lot of colville's work is like that? idk he just seems to capture the feeling you get in nightmares where everything is treacle-ish and slow and inevitable.