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FALLEN ANGELS (1995) dir. Wong Kar-wai
MILLY ALCOCK as KARA ZOR-EL SUPERGIRL (2026) dir. Craig Gillespie
Marvel Swimsuit Special: Brand New Beach Day #1 (2026)
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"CLUELESS" 1995, dir. Amy Heckerling
The Haunting (1999) dir. Jan de Bont
Do not turn on the sound
absolutely do turn on the sound but Be Ready
Maybe I'm just growing lame and old (23) but atp the potential of a separated couple reuniting and trying to re-learn each other after 200 years is one of the most exciting things abt the Fallout show to me. It might not happen in canon but the thought consumes my mind. The middle aged man yaoi needs to move out of the way I want to see the canon hets?? Crazy world
I personally have my doubts that there's going to be a happy reunion for Cooper when he next encounters Barb. They've made a point of paralleling Cooper's story with Lucy's in many regards, and it's his turn to experience some of the beats she had when it came to dealing with her father. House even told Cooper that he was still living in a fantasy.
Based on stuff Frances Turner and the showrunners have said in interviews, there are probably more twists coming up with Barb. I have a hard time Cooper becomes the bitter and cynical Ghoul without something bad happening in his relationship with Barb. And I think it kinda strips Barb of her agency to go with the approach of "she was coerced by the Enclave" and leave it at that. I just think Barb has more potential as a villain, because even without the Enclave's coercion, she was the one who signed off on many of the Vault experiments and likely worked alongside people like Stanislaus Braun. And you don't get to that position in a company like Vault-Tec unless you're willing to be morally flexible.
Cooper's likely to find Barb and Janey, only to find out that they're not good people at all. Barb is fully committed with the Enclave, and maybe Janey has been indoctrinated by the Enclave to see ghouls like her own dad as impurities to be eradicated.
They've made a point of paralleling Cooper's story with Lucy's in many regards [...]
True, however this is one of their weaker parallels, seeing how Coop found out about Barb well before losing her, while Lucy never even doubted her father until she found him again.
House even told Cooper that he was still living in a fantasy.
Keep in mind that right after this, Coop goes on to call Barb a monster. The fantasy of Barb had already been shattered.
[...] there are probably more twists coming up with Barb. I have a hard time Cooper becomes the bitter and cynical Ghoul without something bad happening in his relationship with Barb.
Three things:
"The twist" might have already happened in the sense that Barb is not as bad as s1e8 made us think she would be.
I will concede that she might have had an idea about the President's connection to the "other player" and knew that giving the diode to anyone else would be a death sentence. It could be that she lied to Coop by omission, knowing the fate of the world would not be changed, but thinking that at least his urge to play the hero would be pacified and he'd eventually be safe with her and Janey in a vault.
I think the big upset will be Barb divorcing Coop to keep her and Janey's spot in the vault. There's more than enough bitterness between this and 200 years of pain and murder to make Coop end up the way he does. Him smiling at Barb's handwriting - the fact that she left him a message at all! - and immediately refuting House's pessimism with hope does not indicate a lack of faith in her.
[...] it kinda strips Barb of her agency to go with the approach of "she was coerced by the Enclave" [...]
It is her own agency that got her into this mess. It is her own agency that had the Mr. House, wealthiest man in America, on the edge of his seat ever since Janey's birth. It is her choice to lie to Coop until he confronts her about it. She exercises agency constantly and arguing that a limit on said agency is "stripping" her of it is a misuse and/or misunderstanding of the term. It's like me saying that the laws of physics take away my agency to fly.
[...] Barb has more potential as a villain, because even without the Enclave's coercion, she was the one who signed off on many of the Vault experiments [...]
"Villain", as per Oxford Language: "A character whose evil actions or motives are important to the plot."
Barb was a villain until s2e6. Same as the Ghoul was a villain until the s1 finale. While Barb's evil (which she selfishly commits for the survival of her family) was vital to Coop's plot, the Ghoul's evil (which he selfishly commits for the survival of his family) was vital to Lucy's - and so, the plot moves on, with him taking on a different role in the story as soon as his sympathetic motivation comes to light. I see a pattern here.
On the other hand, it WOULD be very interesting to have a villain who is a parent, who is secretly Enclave, who fucks over their spouse, and whole-heartedly believes that the surface needs to be wiped in order for their daughter to thrive... oh shit wait
On the bright side: the truly evil villain with nearly unlimited agency that you're looking for in Barb might be brilliantly portrayed by the one and only Clancy Brown next season! :D I certainly hope he'll be a recurring character.
Cooper's likely to find Barb and Janey, only to find out that they're not good people at all.
It's my pet theory that the Howards have a monster theme and that the apple doesn't fall far from the tree. Barb signed off on endless suffering, Coop's on a 200 year killstreak of god knows how many people, and if Janey's an Enclave adult by now, she could be a pretty bad mix of the two. Considering how old the members of Arcade's Enclave remnant are by the 2nd Battle of Hoover Dam, I wouldn't be surprised if the Colorado Enclave yoinked Janey out of cryo some years ago while leaving Barb asleep because they needed fresh blood. Free child right there!
I'm not optimistic about a happy Barb and Coop reunion, either, but I would very happily tolerate a partial rehash of FO4's Shawn twist if it meant that I get to watch these two awesome, complex characters overcome their 200 years of difference and confront their straying daughter.
Barb was a villain until s2e6. Same as the Ghoul was a villain until the s1 finale. While Barb's evil (which she selfishly commits for the survival of her family) was vital to Coop's plot, the Ghoul's evil (which he selfishly commits for the survival of his family) was vital to Lucy's - and so, the plot moves on, with him taking on a different role in the story as soon as his sympathetic motivation comes to light. I see a pattern here. On the other hand, it WOULD be very interesting to have a villain who is a parent, who is secretly Enclave, who fucks over their spouse, and whole-heartedly believes that the surface needs to be wiped in order for their daughter to thrive... oh shit wait
What I'm saying is that Barb would be better as a character if she's still a villain when Cooper finds her. And I think there's something more compelling about that, seeing her do bad things and using "protecting her daughter" to justify them. Because as Cooper said it himself, a good "bad guy" doesn't see themselves as the bad guy.
If anything, the way Barb uses "protecting Janey" to justify doing bad things, even to her own husband, could be paralleled to Hank doing the same with Lucy. I wouldn't be surprised if perhaps Barb was in on the Enclave having Cooper framed as a Communist.
As one user nicely put it on Twitter, "From a narrative perspective, Barb betraying Coop makes more sense [...] with how they paralleled the Lucy + Hank and Coop + Barb devastating revelations in the S1 finale. Hank and Barb both being loyal to their employers but wanting to protect family makes more sense than Barb being totally defanged and just a poor victim of the Enclave threatening her and her going along with Coop’s silly hope of the president saving the world. Unless they totally changed their minds after S1, it feels like Barb should have another twist in her story or else from a narrative perspective, her arc just doesn’t make sense [...]. It takes away so much of what made her interesting in S1 if she was truly good and on Coop’s side with no ulterior motives. Let Barb be morally gray again in S3!"
Frances Turner: "There's a lot of ground to cover between that moment in the airport and the birthday party... there's still a lot to learn there."
I take that as proof there's another Barb twist coming up, especially since family reunions in the Fallout universe never go according to plan.
What I'm saying is that Barb would be better as a character if she's still a villain when Cooper finds her. And I think there's something more compelling about that, seeing her do bad things and using "protecting her daughter" to justify them.
But Barb has already done bad things to protect Janey and Cooper, unless being a Vault-Tec exec suddenly isn't bad anymore?
She also stops paralleling Hank in season 2. The text does nothing to show him in a positive light from the moment Lucy finds out about his secrets, meanwhile Barb is portrayed as sympathetic. He gets worse, she gets better. S2 Hank kidnaps and manipulates Lucy and keeps defending his ideology while it turns out that Barb was being pressured. She tried to be as open as possible with her husband, Hank killed his wife as soon as she caught on to a sliver of the truth. Idk why we're trying so hard to bend Barb into Hank's role. They are different characters.
Also... man. That Twitter take has me wondering if that person even watched the show.
From a narrative perspective, Barb betraying Coop makes more sense [...] with how they paralleled the Lucy + Hank and Coop + Barb devastating revelations in the S1 finale.
This Hank-Barb parallel has been rendered moot by the last season. Season 2 gives us context for Barb's s1 reveal. We never get emotional context for Hank, in contrast.
So, no - at this point it does not make more sense for her to betray Coop because she straight up tells us that she's only doing this for Coop and Janey to begin with. We have known this since s1. She practically shouts it at Coop. She tells us what she's all about the same way Hank tells his employer in s2e1 that he still wants his promotion, after everything. I think their respective priorities are clear, here.
Hank and Barb both being loyal to their employers but wanting to protect family [...]
... This is just describing Hank again Hank is loyal to his employer but wants to protect his family... well, part of it, anyway, and only as long as it's useful. Barb is loyal to her family but must obey her employer. They're literally opposites.
For Hank, family serves the company - the company being the Enclave's America, in this case. For Barb, the company serves family. And we see her learn in real-time that that is not how things work in reality.
Hank and Barb both being loyal to their employers but wanting to protect family makes more sense than Barb being totally defanged and just a poor victim of the Enclave threatening her and her going along with Coop’s silly hope of the president saving the world.
Every time people make this argument it sounds like their takeaway from the show is that Barb's sympathetic circumstances excuse her actions. I find this worrying. For the love of all that's holy, she's not been "defanged", she still made decisions that hurt untold numbers of people! She's not "just a poor victim", she is still part of the system that brought the world to an end. She just happens not to be at the top of the food chain because she is not filling the role of "Evil CEO of Everything" in this show.
She's a lot like Coop, actually. US Marine. Propagandist. He "just" did what his superiors and his wife told him to do. "Our boys in Canada keep the peace." That one wasn't him, but it might as well have been. Maybe he knew those soldiers. Maybe his ads played back-to-back with that public execution of the Canadian rebel. He means well, but he's part of the death machine. Just like Barb.
But you know what they say about fandom - people always want nuanced female characters until they are presented with one.
It takes away so much of what made her interesting in S1 if she was truly good and on Coop’s side with no ulterior motives. Let Barb be morally gray again in S3!
What ulterior motive? Where has an ulterior motive been set up? Is that just what this person wants to see? Because I'm starting to think so. Truthfully, I only ever see this Barb-villain-argument coming from fans of a particular ship. And it makes sense! After all, that ship works a lot better if Coop is for some reason inclined to love his wife a little less. And for him to feel that way, she'd have to be a villain, or at least not as redeemable as s2 shows her to be.
But enough of that. The s2 "twist" of Barb not being what she seems was teased in s1 with the shady figure above the meeting room. People were already launching Enclave theories back then, it really wasn't hard to see that something would be up with her. Her "ulterior motive", if there must be one, has turned out to be love. She is similar to Hank, but selfless love is where they, in retrospect, differ. (Also, I'd like to know what OP's definition of "morally gray" is because if they think Barb is a goodie in s2, it's gotta be a doozy.)
Finally, I'm glad you brought up that interview! For my part, I found this thing Frances said at the end rather more substantial:
"I would never say that she was super gung-ho. She was always there for a purpose, right? And that line [between her family and Vault-Tec] starts to move when she realizes, oh, there are things happening above what I'm even aware of, this doesn't feel right. So she does try to take a step to do something, you know, even if the first step is just to gain more Information, right, and then get stopped at that. So just to show her point of view, her humanity, that she is trying to do the right thing, but it's not a straight line. So I hope where she goes - I mean, we know there have been so many twists and turns with Barb so far, so I'm excited for more of that, and I trust that. I trust wherever it's going to go."
She tells us - in a very roundabout, "one of the writers is sitting right next to me" way - that more twists might be in store. However, she also confirms that Barb, as this season showed, has this internal sense of justice, of "this is so wrong", that Hank doesn't have at all. She is on a path to goodness. Said path is not a straight line. That's that.
She's a lot like Coop, actually. US Marine. Propagandist. He "just" did what his superiors and his wife told him to do. "Our boys in Canada keep the peace." That one wasn't him, but it might as well have been. Maybe he knew those soldiers. Maybe his ads played back-to-back with that public execution of the Canadian rebel. He means well, but he's part of the death machine. Just like Barb.
Uh, "just following orders" didn't fly at the Nuremberg trials. And Cooper following the orders of his CO isn't the same thing as Barb going along with nuking America because her boss told her to.
What ulterior motive? Where has an ulterior motive been set up? Is that just what this person wants to see? Because I'm starting to think so. Truthfully, I only ever see this Barb-villain-argument coming from fans of a particular ship. And it makes sense! After all, that ship works a lot better if Coop is for some reason inclined to love his wife a little less. And for him to feel that way, she'd have to be a villain, or at least not as redeemable as s2 shows her to be.
Ghoulcy fans aren't arguing for Barb to be a villain so as to prop up their ship. They're arguing for Barb to be a villain because she's more compelling as a narrative foil to Cooper that way.
And for all we know, Cooper has probably fallen out of love with Barb, and she only matters to him now as "the mother of his child". And there's plenty of evidence to support this:
Right in the very first episode, some of the guests at the party where Cooper is performing speculate that he's paying Barb alimony and child support.
While Cooper is trying to stave off turning feral while skewered on that pole, he only mentions Janey's name. "My name is Cooper Howard. I have a daughter. Her name is Janey Howard." If he still loved Barb in any capacity beyond "as the mother of my child," I think he'd have mentioned her. He'd have said, "I have a wife. Her name is Barbara" somewhere in here.
When Norm and Claudia are in Barb's office, they find just a photo of Janey, and not the family photo that we see Barb looking at in the 2x06 flashbacks.
From behind the scenes photos, we know that Cooper was originally going to experience hallucinations of Lucy and Janey while he was at the super mutant's lair. He would've hallucinated his daughter and the woman he'd been traveling with for the past month...but not his ex-wife.
But enough of that. The s2 "twist" of Barb not being what she seems was teased in s1 with the shady figure above the meeting room. People were already launching Enclave theories back then, it really wasn't hard to see that something would be up with her. Her "ulterior motive", if there must be one, has turned out to be love. She is similar to Hank, but selfless love is where they, in retrospect, differ. (Also, I'd like to know what OP's definition of "morally gray" is because if they think Barb is a goodie in s2, it's gotta be a doozy.)
Eh, I feel like while Barb may love her daughter, she sees Janey as an extension of herself and not as her own person. Not unlike the way Hank sees Lucy. And it's worth noting that the flashback of Barb being threatened by Wilzig can't be taken at face value, because arguably it's not being framed from Barb's POV, but from Cooper's POV as Barb tells him about it. What she told him was likely not the true story, but a half-truth she told to appeal to Cooper. And given the parallels between Cooper's pre-War story and Lucy's story in the present, one needs to recall what the Ghoul said to Lucy when he realized she was related to Hank: "Well, there's what people say they did, and what they really did. I'll bet your daddy was first in line at the cookout. I bet he had a bib with a drawing of his neighbor's ass on there."
So, no - at this point it does not make more sense for her to betray Coop because she straight up tells us that she's only doing this for Coop and Janey to begin with. We have known this since s1. She practically shouts it at Coop. She tells us what she's all about the same way Hank tells his employer in s2e1 that he still wants his promotion, after everything. I think their respective priorities are clear, here.
I think Barb would be willing to betray Cooper if what he was doing put her work for the Enclave in jeopardy.
Based on how smart Barb has been presented, it feels out of character for her to go along with Cooper's plan of stealing the diode and delivering it to the President unless she's playing him all along.
When Barb is reintroduced in 2x01, she's shown standing in front of a poster for one of Cooper's old movies. In this case, a sword and sandals movie called Revenge of Brutus. In history, Brutus was Caesar's friend who betrayed him and participated in his assassination. Given the parallels we've seen between Lucy and Cooper, Barb acting like she's on Cooper's side with the diode exchange while secretly planning to betray him would parallel Cooper doing the same regarding using Lucy as a bargaining chip with her father.
On the subject of parallels, Barb betraying Cooper also would parallel Hank betraying Lucy.
There is clearly a reason why Cooper loathes who he was before the War, why he calls his past self "stupid". Barb betraying him after pretending to be on his side seems like the most logical explanation for Cooper's cynicism, the brutality he displays as the Ghoul, and why he treats Lucy the way he does. He expects Lucy to be just like Barb, and he's trying to get that side of her to come out.
That ties in with how Cooper isn't a great judge of character. We see how his opinions of Lucy are proven wrong. The same is the case where Barb is concerned.
Barb and Janey were frozen in an Enclave-owned vault. Meaning that her ties to the Enclave and Vault-Tec were still going strong up until the Great War.
Uh, "just following orders" didn't fly at the Nuremberg trials.
Funny you bring up Nürnberg because I used "just" as a direct reference to that flimsy excuse at the Trials. This is to highlight that Coop's hardly better than Barb.
And Cooper following the orders of his CO isn't the same thing as Barb going along with nuking America because her boss told her to.
No. It is the same thing. If we stick with the Nazi Germany imagery you invoke, that sort of retrospective leniency is exactly how you get the Clean Wehrmacht myth. We don't do that here. Coop, simply put, is lucky he didn't get (or that the audience didn't see him getting) overtly monstrous orders like his fellow Marines did, the ones we see carried out in Canada in the game and the show. The fact that they have red-white-and-blue yeehaw Einsatzgruppen ops going on and Coop still takes no issue with the President says everything u need to know here. And that's not even touching his willing and ignorant participation in the propaganda machine even before Barb got him for the VT ads.
Also, "going along with nuking America bc her boss told her to" is interesting framing. I personally think she is going along with it because if she doesn't, her child and husband will die.
[...] some of the guests at the party where Cooper is performing speculate that he's paying Barb alimony and child support.
Because Barb and Coop had a very public divorce. He tells her to pretend she didn't know anything as he's being arrested in 2x8. The logical consequence to "finding out" that ur husband is a traitor is a divorce in the public eye, bc what good American would stay married to a Red? Barb needs to save her reputation for Janey's sake.
He'd have said, "I have a wife. Her name is Barbara" somewhere in here.
He mentions his wife and his family plenty when he's not actively losing his mind. A child takes precedence over a spouse in a life-or-death situation.
When Norm and Claudia are in Barb's office, they find just a photo of Janey [...]
My husband took the fall so I could keep myself and my daughter in the good graces of the company who ensures our survival, let me squander his sacrifice by keeping a picture of him in my office while I'm under heavy surveillance! Surely no-one will think twice about me longingly staring at my convicted commie husband!
[...] we know that Cooper was originally going to experience hallucinations of Lucy and Janey [...]
In the final cut of the scene that we actually end up seeing, Coop says "family" again, not just "daughter".
Not unlike the way Hank sees Lucy.
Hank and Barb are inverses of each other, and besides, there is nothing in the show that would suggest Barb views Janey as a corporate extension.
And it's worth noting that the flashback of Barb being threatened by Wilzig can't be taken at face value, because arguably it's not being framed from Barb's POV, but from Cooper's POV as Barb tells him about it.
That's in 2x6, a.k.a. the episode that gives Barbara a massive "BARB" title card that Lucy, Max, and the Ghoul also got when their POVs were introduced. The point of this episode is quite literally to show the POV of a misunderstood character, no?
[...] what the Ghoul said to Lucy when he realized she was related to Hank: [...]
Coop said that to Lucy because she insisted upon her father's goodness while Coop already knew something had be iffy about Hank MacLean being alive in the year 2296. This line is meant to sow doubt about Hank and intrigue abt Cooper's past. Tying this to a feeling of bitterness towards Barb seems a little threadbare as far as arguments go.
[...] Barb acting like she's on Cooper's side with the diode exchange while secretly planning to betray him [...]
After the diode is in the President's hands, genuinely, what would she betray Coop for? His involvement ends there. And why would she leave him a note with a very personal reference to a shared, fond memory ("Colorado was nice") in her cryopod when all is said and done? Why would he smile at it like that? It doesn't add up.
There is clearly a reason why Cooper loathes who he was before the War, why he calls his past self "stupid".
Here's a parallel between Lucy and Coop: they were both oblivious to the evil of the system they were raised in, which made them blind towards the faults of America and Vault Tec respectively, and hence they were "stupid". Fallout players are meant to groan and throw up their hands when Coop hands the diode to the President without question. He's fucking stupid in that regard bc he was brought up as an American Patriot, God Bless Our Troops and all, and most of Lucy's stupid actions are caused by her upbringing as well. The show won't shut up about this type of thing.
Barb betraying him after pretending to be on his side seems like the most logical explanation for Cooper's cynicism, the brutality he displays as the Ghoul, and why he treats Lucy the way he does. He expects Lucy to be just like Barb, and he's trying to get that side of her to come out.
This contradicts what you said about the Lucy-Coop and Barb-Hank parallels. I don't even agree with the latter one especially, but I find this argument bewildering after everything. Does "I'm you, sweetie, just give it a little time" mean nothing in this economy?
Lucy and Coop have all these parallels because they are the same person. He treats her like a donkey because she's a representation how he views his old self; a stupid, naive, and thereby dangerous person who deserves to be sneered at and squashed, at least in his mind. Externalized self-loathing. He expects Lucy to be just like him if he just puts her through the same shit the world put him through. Y'know? I think 200 years of painful survival and desperate, fruitless searching without human connection would also explain his ruthlessness pretty well.
Also his face while reading a note from his wife... why would he be so optimistic, close to tears and smiling about a note from someone who betrayed him? Why trust it at all? It makes no sense. Look at him.
We see how his opinions of Lucy are proven wrong. The same is the case where Barb is concerned.
He ends up being wrong about Lucy because his arc is also about disproving his general cynicism. By misjudging her, he might realize that he's also misjudged himself.
And I imagine it's also bc he only knew Lucy for a couple months, tops, and she's not his wife of many years.
Barb and Janey were frozen in an Enclave-owned vault. Meaning that her ties to the Enclave and Vault-Tec were still going strong up until the Great War.
Yeah. He did take the fall so Barb and Janey could keep a clean enough reputation for their places in the vaults, that's the whole point. Public divorce, he and Barb separate and no longer interact to keep up her and Janey's appearance as ppl who would never get involved with unamerican activities, etc. We see this idea take shape in Coop the moment he gets arrested.
Also his face while reading a note from his wife... why would he be so optimistic, close to tears and smiling about a note from someone who betrayed him? Why trust it at all? It makes no sense. Look at him.
He's relieved to have a lead on where Janey is. He probably only cares about finding Janey, and Barb happens to be key to finding her.
Yeah. He did take the fall so Barb and Janey could keep a clean enough reputation for their places in the vaults, that's the whole point. Public divorce, he and Barb separate and no longer interact to keep up her and Janey's appearance as ppl who would never get involved with unamerican activities, etc. We see this idea take shape in Coop the moment he gets arrested.
He took the fall because he thought he was protecting Barb by doing so, not realizing he was being played.
Hank and Barb are inverses of each other, and besides, there is nothing in the show that would suggest Barb views Janey as a corporate extension.
Everything we see about Hank could just as easily be applied to Barb. And Barb is very much the type who's willing to take away the agency of her loved ones in her mind to “protect” them. Hank's line to Lucy in 1x08 ("I loved your mother. But she stopped being your mother when she left home. When she took you into danger.") sounds like something Barb would say to Janey about Cooper when trying to turn her against him.
Hank wants his daughter to be obedient to his will. That's why he plays dress-up with her in the management vault and tries to chip her when she doesn't fall in line. We could see something similar happen with Barb, where much like with her husband, she makes decisions for Janey that don't account for whether they're what Janey wants.
I think there's a lot of potential to have a story where Cooper (whether or not accompanied by Lucy) makes it to Barb, only to find she's worse than he thought as she's now calling a lot of the Enclave's shots. While Janey is a very reluctant Enclave collaborator along the lines of Wilzig, and Lucy is able to convince her to take a stand (if Cooper can't do so).
Sidenote 1: With the recent release of the season 2 episode 1 script during the Emmy campaigning, we know that the Vault-Tec meeting, the Howards' visit to Las Vegas, Cooper meeting Mr. House, handing the diode to the President, and getting arrested, all happened in 2074 (as that's the date printed on the header for the first pre-War Cooper flashback). So there's still plenty of pre-War story to explore to see the end of the Howards' marriage, including their divorce, Barb's rise in the Enclave, and the end of Cooper's career.
Sidenote 2: Another reason some of us want to see Barb as a remorseless villain is because, well, Barb had entries about the experiments on her personal terminal that Norm discovered. Hank and Steph worked underneath Barb and they were in the Enclave. It's just logical to assume that Barb thus held a high position in the Enclave too and was fully in the know about what was going on. Betty's the only pre-War Vault-Tec character we've seen who probably wasn't in the know about what the Enclave were up to.
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Francisco Negroni
The third Marie has me in tears 😭
FROZEN PLANET II 1.01 • Frozen Worlds
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I love soulmates but also this-
This is me when I play legacy families on Sims 4.
HEREDITARY (2018) dir. Ari Aster
THE WITCH (2015) dir. Robert Eggers