Sora: Can swear, does swear. Knows there’s a time and a place for swearing and the hundred acre wood is not the time nor the place.
Riku: can swear, chooses not to unless he’s mad and/or frustrated.
Kairi: swears A LOT. Like it’s impressive how many she knows.
Roxas: swears about as much as Sora but is more likely to drop an F bomb in front of Winnie the Pooh by accident.
Xion: she can but she doesn’t. Doesn’t really find it appealing to swear. She prefers yelling creative insults.
Axel: swears like punctuation. Tries to tone it down in polite company and fails.
Isa: deep, resounding, Geralt of Rivia style “fuck” when he’s inconvenienced.
Terra: doesn’t often swear but it’s not shocking to hear him mutter “gods fucking damn it” when something’s going wrong.
Aqua: dry sarcastic swearing that makes everyone else feel stupid.
Ventus: him? Swear?! He is a little lad! A child! No no, he could never! How does one even approach such a vulgar lexicon! “Fuuuuuuu…dge. No that’s not right. Shhhhhhhiiiiuuuuggger. Hm, nope. Basssssst friend! Ahhhhh” he cannot and does not swear. If Ventus is swearing, everything’s gone to shit and people need to start praying.
Vanitas: has said fuck in front of Winnie the Pooh many times. So many he is now banned from trips to 100AW.
Naminé: you’d think she can’t or wouldn’t, but both Xion and Riku have heard her mutter “what is this shit? Come on hand, play the fucking game” while she’s drawing.
the persecution of lefthandedness is insane to think about because it was so intense for so long, in some places still is, without any clear profit motivation. sheer love of the game. as late as the 70s at least they were smacking my stepdad's hands for it with a wooden ruler at school, to this day he's in weird ambidexterity situation where he's not great with either side and notably clumsy due to poor hand-eye coordination. just wtf
It is fascinating to me that people also think of handedness as an example of bigotry that just...went away. As you note, it...hasn't in some places. I know people who grew up in the mid-late 90s who still had this problem.
But also, and this is really important to keep in mind regarding bigotry that still causes in many ways larger problems, that the structural problems are not actually fixed.
If you go to any computer lab or public library, the mice will be on the right side of the computer. Sometimes they can be moved. Sometimes they can't. Many computer mice are curved to only fit in right hands.
It is impossible to find lefthanded scissors without going to a specialty store, because most scissor makers don't even make them. And it's not just a matter of grip; the slicing side of the blades is obscured if you use righty scissors in your left hand, so your cut is off.
All those signing pads with the little chained styluses? Almost always on the right side, often not even long enough to stretch to the left. Makes signing for lefties extremely difficult.
I caused actual muscular problems in college having to twist around in order to write at right-handed desks in college when there weren't enough lefty desks--and there never were. Some classrooms didn't even have a single one.
I could go on.
But the point is, bigotry isn't just a mindset shift. People can't just decide they're not bothered by that particular difference anymore and everything's fine, because society is still structured and designed to cause problems for marginalized people. And they're never even going to notice all the little ways their life is bent to convenience them that inconveniences others.
When kiddo was learning to write, their teacher—who was a beautifully kind, caring, compassionate person who even thanked me for making them aware of certain kinds of left/handed supplies, because their new toddler was a lefty and they’d never even thought about it—was teaching the kids a method for word spacing that involved placing their free index finger down at the end of each word and then writing the next one.
Pause for a moment, especially if you’re right-handed—and I’m being serious here, physically do this if you have two functioning arms and hands—and grab a writing tool in your left hand. Now place your right index finger down and try to start writing a word next to it.
Yeah. Great technique, huh? Really convenient and comfortable and easy. 🙃
I sent in a small baggie of small popsicle sticks I’d custom painted for them and labeled with their name for kiddo to use instead, but ultimately they stopped because it wasn’t as convenient when nobody else had to get something out.
Writing in English is difficult enough when you’re left-handed (most of our letters are designed with pull motions, but lefties must push), but even other foundational basics are made more difficult than they have to be, because their needs aren’t considered, even in situations where overt hostility isn’t intended.
Even now, in an older grade, they’re now all sharing a lot of the supplies, but my kiddo has their own pair of labeled lefty scissors they keep in their personal cubby. Teacher was 100% chill with me sending them in, but didn’t even consider to take the step further when I’d asked about whether or not they had them to just… get some for all the lefties. I know there are other kids, know some of them personally. (I made a set of writing spacing sticks for the single one that I knew of back in 1st grade.)
Regarding computer mice? Kiddo had standardized testing last year. They do it on chromebooks now at their school. They did their entire first day with the track pad instead of the mouse, because none of the teachers proctoring or assisting even knew you COULD switch the sides/toggle a setting to switch which button was the dominant select. We happened to have one at home thanks to remote learning during Covid’s early days, so that night we sat down together and found the setting ourselves so they could fix it the following day. But on a student account at school, they couldn’t change that setting. And? None of those teachers knew enough about technology to be able to override it. So even when I went above and beyond and personally sought out the skills and tools to help my child level the playing field on their own, the teaching staff was so unaccustomed to even considering this as a need or problem, that they weren’t able to remove the incredibly basic barriers to a fair schooling experience.
And this is honestly a good school, with staff that care and work hard and take 99% of bigotry concepts very seriously, teach about truth and compassion and how to recognize at this kid level a lot of the basic seeds that can grow into hate and hurt and also healing and helping. But the fact that left-handed needs are different? It is so ingrained to default to right-handed layouts that even left-handed staff don’t conceptualize these problems, because they were taught the exact same way.
One of the coolest parts about being a fan of fanfic is you can actually contact the author. And they will respond. And then you can message them nonstop until they allow you into their lives and then you’re becoming their beta reader and suddenly you know multiple authors of all types of fiction books and fanfic authors who will drag out their deleted fics for you to read at a moments notice.
Anyway. Comment on fics and message authors. It’s absolutely worth it.
These are rules I generally adhere to in my own writing, they aren't gospel or meant to be the end all be all of writing. Also it should be noted that like all rules, these too are made to be broken when and where it serves the text. This is not about grammar or Correct Use of King's English™, this is just a list of personal style choices.
Anyway.
1. Indicate who's speaking as quickly as possible.
See difference between:
"Wait, does anyone have an extra eraser? I could swear I brought one, but I can't find it."
"You can use mine. Though if you steal it, I will kill you."
"Nice. I'm changing my brother's name to Gerry, is that okay?"
"You had two weeks to come up with your backstory."
And:
"Wait, does anyone have an extra eraser?" Melanie asks. "I could swear I brought one, but I can't find it."
"You can use mine," Jan says. "Though if you steal it, I will kill you."
"Nice," Melanie says. "I'm changing my brother's name to Gerry, is that okay?"
Annie says, "You had two weeks to come up with your backstory."
But this looks like talking heads in a blank void talking to each other, so, give the characters bodies and physicality, which brings us to rule 2.
2. no talking heads in void.
Though people do just sit around talking without doing anything else, it's not that interesting to read and also, gotta remember that readers can't see what you see in your head while writing. You gotta actually give them something to latch a mental image onto, so. Characters should move and emote.
"Wait, does anyone have an extra eraser?" Melanie asks, rummaging through her bag. "I could swear I brought one, but I can't find it."
"You can use mine," Jan says, nudging his own eraser over. It's in the shape of an old fashioned motorcycle. "Though if you steal it, I will kill you."
"Nice," Melanie says and snatches it up to do quick edits on her character sheet. "I'm changing my brother's name to Gerry, is that okay?"
Annie gives her a flat look. "You had two weeks to come up with your backstory."
Now you can sorta tell what they're talking about. Just don't go overboard - dialogue has a momentum and a rhythm, and too much description can overwhelm it.
3. Character Action and Character Dialogue go on the same paragraph.
See difference between this:
Melanie rummaged through her backpack.
"Wait, does anyone have an extra eraser? I could swear I brought one, but I can't find it."
"You can use mine."
Jackson nudged his own eraser over. It was the shape of a motorcycle.
"Though if you steal it, I will kill you."
"Nice."
Melanie snatches it up to do quick edits on her character sheet.
"I'm changing my brother's name to Gerry, is that okay?"
Annie gives her a flat look.
"You had two weeks to come up with your backstory."
And this:
Melanie rummaged through her backpack. "Wait, does anyone have an extra eraser? I could swear I brought one, but I can't find it."
"You can use mine." Jackson nudged his own eraser over. It was the shape of a motorcycle. "Though if you steal it, I will kill you."
"Nice." Melanie snatches it up to do quick edits on her character sheet. "I'm changing my brother's name to Gerry, is that okay?"
Annie gives her a flat look. "You had two weeks to come up with your backstory."
Not only does it make the text way more cohesive and snappy but, once again, it's much more clear who is saying what - but even then, I prefer to use dialogue indicators. Text like this to me looks like maybe there's a voiceover going on or something.
4. No mixing and matching characters. One character per paragraph.
This is one of my most broken rules, but in general it's character per paragraph.
So, none of this:
Melanie rummaged through her backpack while Annie set up the DM screen. "Wait, does anyone have an extra eraser? I could swear I brought one, but I can't find it."
"You can use mine." Jackson nudged his eraser over and Melanie snatched it up "Though if you steal it, I will kill you." Melanie begun making quick edits.
"Nice. I'm changing my brother's name to Gerry, is that okay?" Beside her, Annie gave her a flat look.
"You had two weeks to come up with your backstory."
Mixing and matching who's doing what like this makes it hard to see who's saying what, it makes the dialogue messy. However, this is fine.
While Annie set up the DM screen, Melanie rummaged through her backpack "Wait, does anyone have an extra eraser?" she asked. "I could swear I brought one, but I can't find it."
"You can use mine." Jackson nudged his eraser over and Melanie snatched it up. "Though if you steal it, I will kill you," he added.
"Nice. I'm changing my brother's name to Gerry, is that okay?" Melanie ask, grinning at the look Annie gave her.
"You had two weeks to come up with your backstory," Annie says flatly.
Note that in mixing and matching like this, it's all the more important to point out who is saying what. In general though, I tend to minimise this sort of stuff.
5 is kinda rule 1 rehashed, but, again, indicate who is speaking upfront. Especially when there's a larger piece of dialogue.
Sometimes, people aren't actually reading - sometimes for various reasons they're using text to speech, or maybe someone does a podfic or something. Even in visual reading, when there's a big block of dialogue without indicators it can be hard to follow.
So instead of:
"If Melanie can change her background, can I add a cool uncle to mine? I want a cool uncle - like, a gunslinger or something. Or a wizard - oo, a wizard uncle! He can be creepy and vague and give me problematic spells!" Jackson says eagerly.
I'd rather do:
Jackson puts his hand up. "If Melanie can change her background, can I add a cool uncle to mine?" he asks eagerly. "I want to give Kaiser a cool uncle - like, a gunslinger or something. Or a wizard - oh, a wizard uncle! He can be creepy and vague and give me problematic spells!"
Especially so when there's multiple characters talking and maybe one character hasn't been talking as much as the others - if they jump back into the discussion, it should be noted.
6. Limit your bits.
But as said before, every rule is made to be broken, and I break my own rules all the time. When I do it, though, it's generally for the bit, to make the text more interesting. Stuff like bits of dialogue without any indicators who is saying what to show that there's a faceless crowd speaking all at once, or two characters going back and forth, stuff like that.
"Jackson's dude has Main Character Energy," Melanie says solemnly.
"Kaiser is the anime protagonist," Jan agrees. "We're just NPCs in his world."
"The cheerleaders of his adventurers."
"Founding members of his harem."
They nod in perfect understanding and agreement.
For a couple of lines, exchanges like this can be fun - if the back and forth goes on for 12 lines, though, it will get tiresome.
There are other bits I do, and again, I break my own dialogue writing rules a lot for stylistic reasons to make the text more interesting or to give it better rhythm, or whatever. Sometimes, there's no dialogue at all, sometimes there's no indicators. There's no actual rules in writing, even grammar is all made up. These are more guidelines than anything.
But I hope the effort makes the dialogue more readable.