INCORRECT HEATED RIVALRY QUOTES heated rivalry x shoresy edition
trying on a metaphor
i don't do bad sauce passes
we're not kids anymore.
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Sweet Seals For You, Always
Claire Keane
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Andulka
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INCORRECT HEATED RIVALRY QUOTES heated rivalry x shoresy edition
Hollanov gifs by @rozanovs
just saw someone describe heated rivalry as a HISTORICAL DRAMA because it's set in 2012
I shall start preparing my casket wardrobe
HAPPY DICKFUCK DAY!!
Love the fact that Gabin went and dressed up like a proper little hitman for "the rat job"
ĆTOILE 1.06
i am asking you all politely to go watch Ćtoile immediately
tobias said
first of all acab
i'm not snitching on my boyfriend you fucking narcs
speaking of my boyfriend, go bail him out you fucking rich frenchies
i got too optimistic and forgot kamala harris was dealing with the combined powers of racism and misogyny
HOWLING
Teachers have tried this and are amazed when their classes donāt go feral like in the book.Ā Itās almost as if the book was supposed to be satire and not a treaty on the nature of humanity.
thereās a timeskip
THEREāS A TIMESKIP
THEREāS A TIMESKIP
THEREāS A TIMESKIP
after losing control of the signal fire thereās a FUCKING TIMESKIP and when the next chapter starts everyoneās hair is several inches longer and their clothes have rotted to shreds and theyāre still just kind of chilling!!!!
IT TAKES THE TERRIBLE IMPERIALISM MIND-POISONED EXCESSIVELY BRITISH BOYS IN THE ACTUAL BOOK SEVERAL MONTHS TO COMMIT A SINGLE ACT OF INTENTIONAL VIOLENCE, EVEN THE ONE (1) CHILD WRITTEN AS AN ACTUAL SOCIOPATH
AND then when they DO turn on each other it is because
THEREāS AN UNSPECIFIED WORLD WAR HAPPENING
AND A PILOTāS CORPSE CRASH LANDS ON THE ISLAND POST-DOGFIGHT AND THE CHILDREN MISTAKE THE PARACHUTE FOR A MONSTER AND SPIRAL INTO PARANOIA
BECAUSE CHILDREN INHERIT THE LEGACY AND TRAUMA OF VIOLENCE FROM THE ADULTS WAGING WAR AROUND THEM
HURR DURR IN THE REAL WORLD IT WOULD NEVER HAPPEN LIKE IN LORD OF THE FLIES -
IT DIDNāT HAPPEN THAT WAY IN LORD OF THE FLIES EITHER YOU JUST HAVENāT READ IT SINCE HIGH SCHOOL IF EVER AND DONāT REMEMBER WHAT ACTUALLY HAPPENED IN THE GODDAMN BOOK
#tbf the dude wrote it to be a dick
yes. yes he did. iām also gonna direct you to the real life ālord of the fliesā which occured in the 1960s, when six tongan schoolboys got stranded on a desert island for over a year before being rescued by an australian fisherman (who, it should be noted, later took on all six as crewmembers because the reason they were out in the first place was because they wanted to see the world, and named his ship the Ata after the island they were stranded on). nobody died. the only injuries that occurred were accidental, and when one of the boys broke his leg falling down a cliff, the others braced it and looked after him so well that it healed perfectly. if they argued, then they would literally go to opposite sides of the island until theyād cooled off. after leaving the island, they remained friends for the rest of their lives. hereās a photo of them as adults, with their rescuer (who is third from the left) and other members of his crew.
i read about this in rutger bregmanās human kind, a book i cannot recommend highly enough, but if you donāt want to go and read a whole book about the inherent goodness of humanity (which again, you really should) then the relevant excerpt can be found here.
> sees nihilistic depiction of human nature
> looks inside
> hope :)
Iāve gone back and forth with how to read Maxine on the steps of Hell. Like, has she escaped Purgatory or an upper level like Lust? Is she just the physical manifestation of the road to Hell being paved with good intentions?
But I think I like her as Simon-coded best - she did a terrible thing to the person she liked driven by her own insecurities and is now alone, endlessly shredding paper with her thoughts. Maxine doesnāt have to be in Hell because, like Edwin said, if you punish yourself, everywhere becomes Hell.
I know "you are the brawn?" Is just because Charles is a twink but it would be infinitely funnier if Emma clocked Edwin's hell-tempered nature immediately. If that was a thing ghosts could do, or even that only some ghosts could do, then how many of them are under the impression Charles is in over his head- or at the very least more of a Watson than a second Holmes?
Like. Imagine going in to see two detectives but only one of them actually has a chair at the desk? Severe Edwardian dude with sulfur clinging to his aura. He does the talking and seems to make the decisions. His partner occasionally has to remind him to be nice and/or a bit more empathetic.
The other one is perched all pretty ON the desk? And he's visibly slimmer and notably a regular ghost but still claims he's the brawn? Gorgeous 80s guy, turns to his partner for approval almost every time he talks? Big glittery eyes? His scary companion can't quite seem to say no to him?
Emma's a Victorian ghost too so she's probably used to homosexual relationships having barely-there coverups it'd be so fucking funny if she was like "sure yeah the brawn, is that what they're calling it now?"
Here's THE masterpost of free and full adaptations, by which I mean that it's a post made by the master.
Anthony and Cleopatra: here's the BBC version, here's a 2017 version.
As you like it: you'll find here an outdoor stage adaptation and here the BBC version. Here's Kenneth Brannagh's 2006 one.
Coriolanus: Here's a college play, here's the 1984 telefilm, here's the 2014 one with tom hiddleston. Here's the Ralph Fiennes 2011 one.
Cymbelline: Here's the 2014 one.
Hamlet: the 1948 Laurence Olivier one is here. The 1964 russian version is here and the 1964 american version is here. The 1964 Broadway production is here, the 1969 Williamson-Parfitt-Hopkins one is there, and the 1980 version is here. Here are part 1 and 2 of the 1990 BBC adaptation, the Kenneth Branagh 1996 Hamlet is here, the 2000 Ethan Hawke one is here. 2009 Tennant's here. And have the 2018 Almeida version here. On a sidenote, here's A Midwinter's Tale, about a man trying to make Hamlet. Andrew Scott's Hamlet is here.
Henry IV: part 1 and part 2 of the BBC 1989 version. And here's part 1 of a corwall school version.
Henry V: Laurence Olivier (who would have guessed) 1944 version. The 1989 Branagh version here. The BBC version is here.
Julius Caesar: here's the 1979 BBC adaptation, here the 1970 John Gielgud one. A theater Live from the late 2010's here.
King Lear: Laurence Olivier once again plays in here. And Gregory Kozintsev, who was I think in charge of the russian hamlet, has a king lear here. The 1975 BBC version is here. The Royal Shakespeare Compagny's 2008 version is here. The 1974 version with James Earl Jones is here. The 1953 Orson Wells one is here.
Macbeth: Here's the 1948 one, there the 1955 Joe McBeth. Here's the 1961 one with Sean Connery, and the 1966 BBC version is here. The 1969 radio one with Ian McKellen and Judi Dench is here, here's the 1971 by Roman Polanski, with spanish subtitles. The 1988 BBC one with portugese subtitles, and here the 2001 one). Here's Scotland, PA, the 2001 modern retelling. Rave Macbeth for anyone interested is here. And 2017 brings you this.
Measure for Measure: BBC version here. Hugo Weaving here.
The Merchant of Venice: here's a stage version, here's the 1980 movie, here the 1973 Lawrence Olivier movie, here's the 2004 movie with Al Pacino. The 2001 movie is here.
The Merry Wives of Windsor: the Royal Shakespeare Compagny gives you this movie.
A Midsummer Night's Dream: have this sponsored by the City of Columbia, and here the BBC version. Have the 1986 Duncan-Jennings version here. 2019 Live Theater version? Have it here!
Much Ado About Nothing: Here is the kenneth branagh version and here the Tennant and Tate 2011 version. Here's the 1984 version.
Othello: A Massachussets Performance here, the 2001 movie her is the Orson Wells movie with portuguese subtitles theree, and a fifteen minutes long lego adaptation here. THen if you want more good ole reliable you've got the BBC version here and there.
Richard II: here is the BBC version. If you want a more meta approach, here's the commentary for the Tennant version. 1997 one here.
Richard III: here's the 1955 one with Laurence Olivier. The 1995 one with Ian McKellen is no longer available at the previous link but I found it HERE.
Romeo and Juliet: here's the 1988 BBC version. Here's a stage production. 1954 brings you this. The french musical with english subtitles is here!
The Taming of the Shrew: the 1980 BBC version here and the 1988 one is here, sorry for the prior confusion. The 1929 version here, some Ontario stuff here, and here is the 1967 one with Richard Burton and Elizabeth Taylor. This one is the Shakespeare Retold modern retelling.
The Tempest: the 1979 one is here, the 2010 is here. Here is the 1988 one. Theater Live did a show of it in the late 2010's too.
Timon of Athens: here is the 1981 movie with Jonathan Pryce,
Troilus and Cressida can be found here
Titus Andronicus: the 1999 movie with Anthony Hopkins here
Twelfth night: here for the BBC, here for the 1970 version with Alec Guinness, Joan Plowright and Ralph Richardson.
Two Gentlemen of Verona: have the 2018 one here. The BBC version is here.
The Winter's Tale: the BBC version is here
Please do contribute if you find more. This is far from exhaustive.
(also look up the original post from time to time for more plays)
The most unrealistic part of Dead Boy Detectives is easily that Jenny and Crystal not only got Niko a same day doctorās appointment, but an actual house call.
I feel like codependency in media is almost always unhealthy, but a thing that makes Dead Boy Detectives stand out is how good both Edwin and Charles are to each other. Like, do they 100% lean on each other for support 24/7? Yes. Are they so devoted the lines blur not just between friendship and romance but also between where they each start and end? 1000%. Is there no room between them for anyone else to fit? Hundo p.
Charles and Edwin are not codependent; they are interdependent.
Both of them are unique individuals with individual identities. They build each other's identities up but haven't each lost themselves in their friendship. They can't imagine being without the other, but it's not because they won't know what to do with themselves; it's because they would spend eternity mourning the loss of the other, because they rely on each other so much for so long and love each other more deeply than most people could imagine.
They both treat each other so well. They love and accept each other fully. There's no discomfort between them; there's never a divide. They're a set, but they're a set of unique individuals. And I love that for them.
charles says the most romantic shit ever, like 'i wouldn't wanna be dead with anyone else' and 'no version of this where i didn't come get you' and 'there's no one else that i would go to hell for' and 'we've got literally forever to figure out what the rest means' without even trying. can you fucking imagine what he will say when he actually tries???