posting this with the slither of internet
styofa doing anything

Kiana Khansmith

祝日 / Permanent Vacation

JVL
dirt enthusiast
art blog(derogatory)

❣ Chile in a Photography ❣

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Alisa U Zemlji Chuda
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Discoholic 🪩
Aqua Utopia|海の底で記憶を紡ぐ
Three Goblin Art
todays bird
he wasn't even looking at me and he found me

Andulka
NASA
2025 on Tumblr: Trends That Defined the Year
Claire Keane
seen from Türkiye
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@animelvrxd
posting this with the slither of internet
ONE PIECE (2023–) 2.05 "Wax On, Wax Off"
ONE PIECE (2023–) 1.08 "Worst in the East"
This has to have been done before, but I have free will and a photo editing app.
ONE PIECE (2023–) 1.07 "The Girl with the Sawfish Tattoo"
ONE PIECE (2023–) 1.08 "Worst in the East"
ONE PIECE (2023–) 1.08 "Worst in the East"
Zoro: *exists
Sanji: 🥰
The audacity of Zoro saying that Sanji is lost.
I love you Zoro, but you are the one who can't tell left from right.
#zoro girl...#that's embarrassing but I mean same
One might even say their Rivalry is…“Heated”
ONE PIECE (2023–) 1.08 "Worst in the East"
Heated Piracy (2026)
What I personally love about OPLA, despite its flaws, is the consistent nod to the resource material and you can tell that it’s a passion project from the production, costumes, the sets, even with the casting. Cherry on top is leaning towards the grittiness of the same animanga characters. A brilliant example is Buggy—is he silly in the animanga? Yes. But his actions in OPLA comes off as pure horror. Baroque Works have their funny moments in the animanga but their devil fruit powers in OPLA? Terrifying. I love that OPLA has more of its serious moments while keeping everyone in character as possible, and still acknowledging that their source material is hella bonkers with all the craziness being incorporated inasmuch as they can.