1. Silver Mexican Milagro Emblem 2. Copper Islamic Hand of Fatma Hamsa 3. Buddhist Stone Engraving in Vietnam

ellievsbear

oozey mess
Aqua Utopia|海の底で記憶を紡ぐ
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TVSTRANGERTHINGS

★
YOU ARE THE REASON

titsay
d e v o n

Andulka
will byers stan first human second

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cherry valley forever
KIROKAZE
Mike Driver
trying on a metaphor

Kaledo Art

❣ Chile in a Photography ❣
Game of Thrones Daily
Misplaced Lens Cap
seen from United States

seen from United States

seen from United States
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seen from Russia
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seen from China
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seen from Malaysia
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@annasscrapbook
1. Silver Mexican Milagro Emblem 2. Copper Islamic Hand of Fatma Hamsa 3. Buddhist Stone Engraving in Vietnam
how insidious to make young girls buy hundreds of dollars worth of makeup, to force them to read up on its theory, to make them practice it for hours in order to escape mockery, to make them feel safe only when performing this hyper femininity, and then to even have the audacity to package it in feminist language so that they firmly believe it sets them free.
1930’s Czech Art Deco Jeweled Perfume Bottle
Kate Bush as Ophelia
George Krause. Sheep. Portugal. 1970
[::SemAp Twitter || SemAp::]
sample interaction with men
gets mad at you for not being comfortable with them
USA. Wall St. NYC. 1979. Coral colored disks used both as a work of art and as backrests. By Burt Glinn
Torbjörn Zetterholm(Swedish, 1927-2007)
Strandträd(Beach Tree) 1967 woodcut via
Fallen Angel shoes at Christian Dada A/W 2013
Fruit of Paradise (Ovoce stromů rajských jíme) -1970
directed by Věra Chytilová
“Is it not possible that a place could have a huge affection for those who dwell there? Perhaps your place loves having you there. It misses you when you are away and in its secret way rejoices when you return. Could it be possible that a landscape might have a deep friendship with you? That it could feel your presence and feel the care you extend towards it? Perhaps your favorite place feels proud of you …”
— John O’Donohue, from Beauty: The Invisible Embrace.
‘Rosamund’ (1908). Portion of a frieze.
Wallpaper design by Walter Crane (1845 - 1915).
Colour woodblock print on paper. Manufactured by Jeffrey & Co.
Image and text information courtesy Victoria and Albert Museum.
© Victoria and Albert Museum, London 2017. All Rights Reserved.
Kerry James Marshall
Hiroshi Yoshida (吉田博) (1876–1950, Japan)
Mountains
Hiroshi Yoshida was a 20th century Japanese painter and print-maker. He is regarded as one of the greatest artists of the shin-hanga style of ukiyo-e woodblock printing, and is noted especially for his excellent landscape prints. Yoshida travelled widely, and was particularly known for his images of non-Japanese subjects done in traditional Japanese woodblock style, including the Taj Mahal, the Swiss Alps, the Grand Canyon, and other National Parks in the United States.
Iain Baxter& - Rebecca’s Bagged Place: A Plastic Wrapped Flat
Marie Antoinette (2006)