From teenage goth to ground-breaking Vogue cover model (with a hotline to world leaders), the supermodel tells her story in her own words

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From teenage goth to ground-breaking Vogue cover model (with a hotline to world leaders), the supermodel tells her story in her own words
Christian Dior January 2016 Couture
With Raf Simons' unexpected departure from Dior, one cannot expect the quality or style he so heartily supplied to continue, especially in a moment when the house is moving forward with no creative director to speak of. This collection, while indubitably offering aspects of the Dior look that has captivated the fashion world for the last 70 years, lacks both what Simons brought to the house, and the truly classic feeling of Dior.
The pieces, each stunning, thoughtful and well crafted, do continue in the youthful efforts Simons introduced, but in a more confusing and almost messy degree. Dresses and skirts held alternating panels of floral prints, worn with large, pointed shoes featuring large bows at the ankles. Oversized coats and jackets drew the eye to the waist, which was defined throughout the collection in each look. Deep black velvet pieces marked many looks, adding an edge compared to the brighter, florally patterned pieces in white. One bright yellow top caught the eye immediately, covered in a sparkling black print with a waving, ruffled neckline that bared the shoulders but not the arms, save for two solitary straps. One gown with a stunning vermilion skirt with layers of ruffles around the hips was one of the brighter pieces, bringing to mind Yves Saint Laurent's 1968 ostrich feather dress.
Overall, though a collection of beautiful individual pieces, the collection as an entity seemed to lack composure, and a sense of creative confusion pervades.
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azede jean-pierre: know this label
A Little Thursday Morning Inspiration
Designer Azede Jean-Pierre, a native Haitian who grew up in Georgia and relocated to New York after graduating from design school, not only produces stunning work, but does so while giving back.
For her latest spring collection, the embroidered styles were produced by female artisans in her homeland of Haiti. Employing marginalized groups and artisans from developing countries is one way in which Jean-Pierre makes a difference: âWe partnered with Boehringer Ingelheim Vetmedica, Inc., the Christian Veterinary Mission in conjunction with the CDC and Humane Society International for Spring 2016 to deliver and administer rabies vaccines to the dogs in Arcahaie, Haiti in October of 2015. We consider it a brand value and plan to continue giving back and keep growing our manufacturing in other under-developed areas like Sudan, Peru, South Africa, Kenya and Indonesia in the near future.â
Schiaparelli Couture January 2016
I thought this collection was divine. While maintaining a hold on contemporary styles and wearable pieces, Bertrand Guyon managed to capture a crucial essence of Schiaparelliâs designs, beautifully folding them into his work.
Food was a primary theme in this show, ranging from a gown patterned in plates with a set table around the hem, to to a produce covered shirt. Schiaparelliâs infamous lobster dress of 1937 was recreated on the stunningly embroidered bodice of a gown, above a veiled skirt patterned with seashells, crabs and shrimp. One dress was decorated with several appliquĂŠs of teacups, sugar bowls and milk pitchers, while a white skirt and boots were paired with a white cape that featured a yellow crack that matched its yellow blouse, giving the illusion of a cracked egg.
Between these near-comestible designs were pieces featuring delightful, vintage-looking panels of ruffles down the bodice centers, and circling geometric patterns echoed in dizzying prints. Floral references and a few pieces of organically-inspired textures brought a natural feel to the collection. The final eight gowns, while completely stunning, felt drawn straight from an Edmund Charles painting, aerial pieces in layered chiffon, sparsely decorated with intricate pins.
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Atelier Versace Couture January 2016
Sometimes certain designers can be predictable to say the least, beyond a mere âstyleâ or âaestheticâ they choose to maintain. Donatella Versace has the occasional tendency towards this, and while this season had the unmistakable markers we have come to expect of a Versace collection, there was a distinct departure as well.
The first look was a brilliantly white trouser and jacket set with a matching bandeau, featuring neon yellow straps down the jacket front that immediately made me think of a parachute. The bright, sporty feel in this collection was met with mild references to earlier eras. One of these, I felt, was a sort of 1960âs space-race inspired feel, seen in the bright, pristine and futuristic pieces such as the strappy electric blue dress, or the white jumpsuit with the baby blue Grecian halter neck. Intricate beadwork and careful cutouts created lines and delicate architectural designs, in a few cases bringing stained glass windows to mind.
Several pieces also recalled the stunning female popstars of the 1990âs and early oughts, strong yet sexy suits with plunging necklines, and especially the shiny dresses held together only by sparkling Swarovski ropes.
Overall, itâs another collection full of sexy display and curvaceous lines, though a movement towards a new mood is unmistakable.Â
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Gabriele Hackworthy, editorial fashion director at Net-a-Porter and fashion director of Porter magazine, says "Learn what you can about art history, design and photography, as these reference points will be your greatest tools."
As I read through this morning's emails, I came across this interview from Business of Fashion with Gabriele Hackworthy, Editorial Fashion Director extraordinaire. Not only does it give insight into her impressive career, but it also offers advice for those hoping to pursue a career in fashion.Â
Matchmaker, Matchmaker, Help me to Match
SO I have this tendency when it comes to matching where I either match very strictly, i.e. all black all day, maybe a white shirt in there for some spark, or I simply donât match at all. And when I say I donât match, I donât mean in a cool, clashing-pattern-that-actually-work-together way, but rather in a your-mother-still-dresses-you-and-sheâs-hungover way. To be completely honest, my monochromatic blandness is due in equal parts to fear and laziness.
Therefore I am making it one of my goals for life in general to attempt more experimental, exciting matching, including clashing-pattern-that-actually-work-together.
Additionally, I have compiled a few tips Iâve researched for those of you who have similar issues:
When it comes to mixing colors, it is suggested that you keep them all in the same general family, for example keep your pastels mixing with pastels (and look like and easter egg no doubt), and keep your neon with your neons (okay, that sounds aggressive but whatever), etc. Using a color wheel is also a common suggestion, as you can find complimentary colors (the colors opposite from each other on the color wheel - think yellow and purple, or blue and orange), and use those as a basis for matching.
One technique I like to use sometimes is mixing different shades of one color - I have a lot of blue in my wardrobe, so Iâll sometimes where a pale blue shirt with navy slacks and/or a navy cardigan.
As for prints (here we go, hold on to your hats), there are a number of suggests, especially considering mixing prints has become so popular of late.
One technique used when you are only wearing one print but still want to look like an adult, is to pick one print and base the colors in your outfit of the colors of that print. For example, say you want to wear this Emilia Wickstead shirt but the bloomers are a step too far for you (or vice versa - let your style bloom, I say). If you look at the pattern on the shirt you can pick out the different colors: orange, maroon, salmon?, pink, greens, blue, etc. You get the idea. So you look at which of those colors you have and pair your glorious orange pants with that flowery top, and maybe mix in some accessories or shoes in bleu. Donezo.
According to some, mixing prints isnât really even about the prints themselves (I have noticed this, in fact), but rather about mixing the colors. Once the colors match, you should be good to go. One note of caution is that when mixing prints, it is often suggested that you take the severity of the print into account - as in, take a basic print (stripes, polka dots, etc.) and mix that with a more vibrant print (florals, animal prints, etc.), rather than mixing the more vibrant prints together as this can be difficult. Keep scale in mind as well (perhaps try some wide stripes mixed with slender stripes, or large polka dots with little flowers).
Additionally, some patterns can be considered neutral, if you take the advice of certain parties (this sounds a little frivolous and carefree, but perhaps thatâs my fear speaking). For example, certain striped, checked, plaids and polka dotted patterns can be considered a neutral (essentially meaning you need only heed the general color thereof), and you can through patterns on around it willy-nilly.
That is the information I came up with while looking into matching. In the end, youâre free to do what you want and you can frankly tie a look back to someone elseâ outfit, so if anyone says jack about what youâre wearing just make a vague reference and tell them itâs huge in Poland or wherever and to get a clue.
In the spirit of this, here are a few photo inspirations Iâd love to emulate.
Itâs Cold Already
I keep seeing blog posts and magazine articles about transitioning looks, or makeup, or wardrobe pieces from summer to fall - still. Itâs December.
Do you own a calendar? Have you left the house lately? Do you live anywhere a significant distance from the equator?
Itâs fucking cold. Iâm not even contemplating how to fit that cute summer camisole into my winter wardrobe. Will I be layering tights? Oh yeah. Maybe under some pants.
About This Blog
Hi there,
If you happen to follow this blog, youâll notice there have been few posts lately. I am looking for your opinion, and I would love if you would respond below.
Iâve been considering making this a fashion/style blog with both personal and opinion-based posts - do you have any opinion on this?
I'd love your opinion! â¤ď¸
About This Blog
Hi there,
If you happen to follow this blog, youâll notice there have been few posts lately. I am looking for your opinion, and I would love if you would respond below.
Iâve been considering making this a fashion/style blog with both personal and opinion-based posts - do you have any opinion on this?
Top 20 Things NO WOMAN Should Wear after 30
Bill Blass: the first American designer brand, est. 1970.
These sassy FAQs were unexpected and amazing. Scroll to the bottom. Do it. Â
I feel like Bill Blass has this potential to be âthe Comeback Kidâ, not quite on level with Chanel, but close. I got so excited when I heard they were revamping the brand - not that I can afford anything, mind you - but as an American label they have a feeling of heritage to them. I remember I had a paper doll book by Tom Tierney, and it had four outfits from each decade starting the in 1940â˛s, and Bill Blass practically overtook the 70â˛s-80â˛s portion. Thatâs the first thing I think of when I see Bill Blass - but the new collection is absolutely gorgeous. Bright, beautiful pieces and graceful accessories.Â
If you were searching for a "This woman kicks major ass" story to inspire your Monday, here it is: The tale of Jessica Ruiz, a 26 year-old Philadelphia-basedmakeup artistâand a woman born with a congenital...
Another inspirational woman for today, Jessica Ruiz. I can hardly apply makeup with two working arms, contrasting the stunning work this woman does balancing her tools in her mouth. Self taught, no less - this woman is certainly an inspiration.
The top modelâturnedâcollege student aims to make a big impact on and off the runway, with Kode with Karlie, her new YouTube channel, Klossy, and going back to school.
Well, I missed #wcw, so Iâll have to just go with #ThankfulThursday - Iâm thankful that successful individuals like Karlie Kloss have the ambition and integrity to promote learning and success for others.
Luxury fashion customers are more diverse than ever, but on catwalks and magazine covers, white models still dominate. Why doesnât the industry reflect its consumer base?
This isnât a #throwbackthursday - this is a disturbing trend that needs rectification.Â
Chanel SS16
Models strutted through Karl Lagerfeldâs version of an airport terminal, stopping to show the audience an outfit or to check in at âChanel Airlines.â Iâm not sure how Iâd feel if I saw a few of these outfits coming at me in an airport - no doubt somewhat intimidated by the aggressive frills on a few.
Red, white and blue prints seemed the prominent colors featured in this seasonâs Chanel show, set to an air travel theme. These bright prints combined with classic Chanel shapes that were given a futuristic twist - a pink wool skirt suit with a sculpted front that folded back on itself, for example. Texture abounded through the show, whether in the form of ruffles on leather, a studded cap sleeve blouse closed with three ribbons, or a dress of mesh and ruffles trimmed in embroidery and black sequins. Flared pants were spotted under skirts, interspersed between skirt suits and the occasional jumpsuit. Long skirts held a heavy presence, from just below the knee to ankle length, in style ranging from prairie or A-line to straight and pencil shapes.
There was no lack in imagination through this collection, nor in innovation. The themes associated with the Chanel house remained, giving the clientele a taste of the familiar, while developing in a forward manner, whether in the presence of an exciting print on a suit, or in an evolved shape of a piece.
As far as wearability goes - Chanel is a luxury brand. If you can afford the clothes, you can probably afford to wear them wherever and whenever you like. For the rest of the population, a good portion of it is wearable for one occasion or another, but several pieces simply were less so, a metallic-pink leather dress, for example.
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