this too shall pass but the fuck was that for

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@antarcticmagick
this too shall pass but the fuck was that for
art will save you, being unreasonably passionate about something niche will save you, letting past sources of joy show you the way back to yourself will save you, earnestness over composure will save you, the natural world will save you, caring for something bigger than yourself will save you, daring to be seen will save you, kindness not as a whim but a principle will save you, appreciation as a practice will save you, daring to try something new will save you, grounding will save you, love will save you, one good nights sleep will save you
“high-functioning” is just a different way of saying really good at masking while malfunctioning
craving pathetic wet old women characters. where is the feminism
give me middle aged butches w/ anxiety & cats. older femmes w/ arm flab who refuse to age "gracefully." gimme a bilingual bisexual with a trench coat & crows feet & and no retirement savings. i want them bitter & jaded & dysfunctional & menopausal! i want to watch them make poor financial dietary romantic decisions (and probably commit crimes) where are they???
It’s not a want, it’s a need. I have an OC very vaguely in this direction myself, but they’re not really middle-aged, they feel older than they actually are and are just tired. Anyone else have any recs where there are characters like this?
he’s so awful, a pregnancy would fix him (he needs to be pregnant)
When a fic doesn’t fit my head canons but it’s well-written
be for fucking ℝ right now
His nonchalant murder and slut waist have captivated me
"When morning comes I will build a cathedral around our bodies."
~Hannibal to will
Do you think authors sometimes don't realize how their, uh, interests creep into their writing? I'm talking about stuff like Robert Jordan's obvious femdom kink, or Anne Rice's preoccupation with inc*st and p*dophilia. Did their editors ever gently ask them if they've ever actually read what they've written?
Firstly, a reminder: This is not tiktok and we just say the words incest and pedophilia here.
Secondly, I don't know if I would call them 'interests' so much as fixations or even concerns. There are monstrous things that people think about, and I think writing is a place to engage with those monstrous things. It doesn't bother me that people engage with those things. I exist somewhere within the whump scale, and I would hope no one would think less of me just because sooner or later I like to rough a good character up a bit, you know? It's fun to torture characters, as a treat!
But, anyway, assuming this question isn't, "Do writers know they're gross when I think they are gross" which I'm going to take the kind road and assume it isn't, but is instead, "Do you think authors are aware of the things they constantly come back to?"
Sometimes. It can be jarring to read your own writing and realize that there are things you CLEARLY are preoccupied with. (mm, I like that word more than concerns). There are things you think about over and over, your run your mind over them and they keep working their way back in. I think this is true of most authors, when you read enough of them. Where you almost want to ask, "So...what's up with that?" or sometimes I read enough of someone's work that I have a PRETTY good idea what's up with that.
I've never read Robert Jordan and I don't intend to start (I think it would bore me this is not a moral stance) and I've really never read Rice's erotica. In erotica especially I think you have all the right in the world to get fucking weird about it! But so, when I was young I read the whole Vampire Chronicles series. I don't remember it perfectly, but there's plenty in it to reveal VERY plainly that Anne Rice has issues with God but deeply believes in God, and Anne Rice has a preoccupation with the idea of what should stay dead, and what it means to become. So, when i found out her daughter died at the age of six, before Rice wrote all of this, and she grew up very very Catholic' I said, 'yeah, that fucking checks out'.
Was Rice herself aware of how those things formed her writing? I think at a certain point probably yes. The character of Claudia is in every way too on the nose for her not to have SOME idea unless she was REAL REAL dense about her own inner workings. But, sometimes I know where something I write about comes from, that doesn't mean I'm interested in sharing it with the class. I would never ever fucking say, 'The reasons I seem to write so much of x as y is that z happened to me years ago' ahaha FUCK THAT NOISE. NYET. RIDE ON, COWBOY.
But I've known some people in fandom works who clearly have something going on and don't seem to realize it. Or they're very good at hiding it. Based on the people I'm talking about I would say it's more a lack of self-knowledge, and I don't even mean that unkindly. I have, in many ways, taken myself down to the studs and rebuilt it all, so I unfortunately am very aware of why I do and write the things I do most of the time. It's extremely annoying not to be able to blame something. I imagine it must be very freeing. But it ain't me, babe.
Anyway, a lot of words to say: Maybe! But that might not stop them from writing it, it might be a useful thing for them to engage with, and you can always just not read it.
Also, we don't censor words here.
Props to OP for answering so gracefully, but I'm not going to answer gracefully. It is more important than ever to call out fascism whenever you see it -- especially the quiet, soft, poisonously insidious kind that Anon is practicing here.
Anon ostensibly wants to know: "Do authors realize that they're writing about things that some people might find disturbing, horrific, upsetting, repulsive, or simply just TMI?" (Yes, obviously they know. Authors are not stupid; that's usually a requirement of the job (not always. But usually).)
But what Anon is actually asking is, "Why don't authors stop themselves from doing a Bad Thing? Why doesn't anyone else stop them?" The assumption underlying that question is: "Surely if they realized that they were doing something disgusting, they would stop immediately." Even more covertly implied: "I think writing about certain things automatically taints you with moral degeneracy--that is, it marks you as a possible or potential criminal."
To that I say: My friend, writing is just thoughts copied onto paper, and thinking is not a crime. Only actual actions can be crimes. What does it matter what other people think about? Literally so what? Why do you want people to be stopped from thinking about those things ("did their editors ever gently ask them...")? Why do you care? Do you feel that an author should provide a list of justifications and excuses before it's permissible for them to write about something? Why? And who do you think should be in charge of that? The government???? YOU???????
To any person reading this post: If the above questions are personally upsetting to you, if you find yourself huffily thinking something like, "Well, I care because it could normalize--", NOPE, STOP RIGHT THERE. 🚩🚩🚩🚩🚩 This is a big red flag: You (much like the Anon) are exhibiting some early warning signs of Fascism, and that is not something to take lightly in the current political climate. There are some drugs you shouldn't experiment with even once, and fascism is one of them. Repeat as often as needed: THERE IS NO SUCH THING AS THOUGHTCRIME. WE DO NOT LIVE IN GEORGE ORWELL'S 1984.
But we already talk about thoughtcrimes now and then, don't we? I can't remember seeing someone talking about crimestop (also from Orwell's 1984):
In the Newspeak vocabulary, the word crimestop denotes the citizen's instinctive desire to rid himself of unwanted, incorrect thoughts (personal and political), the discovery of which, by the Thinkpol [Thought Police], would lead to detection and arrest, transport to and interrogation at Miniluv (Ministry of Love). The protagonist, Winston Smith, describes crimestop as a conscious process of self-imposed cognitive dissonance: The mind should develop a blind spot whenever a dangerous thought presented itself. The process should be automatic, instinctive. Crimestop, they called it in Newspeak. . . . He set to work to exercise himself in crimestop. He presented himself with propositions—'the Party says the Earth is flat', 'the Party says that ice is heavier than water'—and trained himself in not seeing or not understanding the arguments that contradicted them. Moreover, from the perspective of Oceania's principal enemy of the state, in the history book The Theory and Practice of Oligarchical Collectivism, Emmanuel Goldstein said that: Crimestop means the faculty of stopping short, as though by instinct, at the threshold of any dangerous thought. It includes the power of not grasping analogies, of failing to perceive logical errors, of misunderstanding the simplest arguments if they are inimical to Ingsoc, and of being bored or repelled by any train of thought which is capable of leading in a heretical direction. Crimestop, in short, means protective stupidity.
Read that twice, and then reread the Anon's question. Translate it through that lens: "Why," says the Anon, delicately disgusted, "are these authors not practicing better crimestop? I practice it all the time. Why aren't they?"
Great question, Anon. Why AREN'T they? Turn off your crimestop and give it some real thought.
(Hint: If the answer you come up with is "Because they are moral degenerates" or anything in that neighborhood, you are unfortunately still doing fascism. Try again. If you have tried several times and the only answer you can manage to come up with is a still a synonym of "moral degeneracy" then this is above my paygrade and I would recommend talking to a trusted grownup, a therapist, a spiritual leader, or possibly your least-online friend.)
@pyrebomb 's tags:
#hey remember how this shit started cropping up more frequently in fandom about 10 years ago?#remember how some of us immediately called it out as a Disturbing Trend and were either#1) called moral degenerates (nice Nazi word there) who just wanted to read our *problematic* fiction without critical thought#or 2) mocked for taking silly fandom wars too seriously because it's not like these people ALSO exist irl and influence policy#remember that?#and see how we're now living in a full-blown fascist oligarchy with similar regimes rising around the world?#yeah you owe us an apology
Adding on to this: it’s important to note that all thoughts even if you perceive them as “evil” do not make you “evil” for having them. There are worlds between a thought, a plan, and a real action. Not every thought results in an action, and therefore the concept of Thoughtcrimes is absurd and out of touch with how we humans actually work.
We all have thoughts that we can see as “evil”, and that is normal. All of us carry the capacity to do good and bad, we can all develop negative ideas, aggressive and destructive impulses, desires, etc. However fantasies delving into this can help us stay in touch with all aspects of ourselves, and is actually good for our mental health.
Or as Prof. Dr. Reinhard Haller put it: “[…] such processes are not at all inherently bad: Playing things out mentally often has a relieving, conflict-settling function.”*
IMO literature and also fanfiction dealing with darker themes is actually good for us — fandoms offer a way of getting to know humans and ourselves better, when we critically approach it and are open to self-reflection. We shouldn’t ignore parts of ourselves, and leave them entirely in the dark.
Fascistic regimes, or just extremist ideologies in general, will make use of our ignorance, suppression, or simple unawareness. People’s suffering, dissatisfaction, and lack of understanding open the door for radicalisation, because to them their unmet needs and desires will seem to be fulfilled in this different system.
It it important to know that you are not your thoughts. Let them be free.
*This is a rough translation from German, this quote comes from an Interview in the 69th edition of the GEO Wissen magazine called “Warum wir alle eine dunkle Seite haben” (e. Why we all have a dark side). I apologise if it’s not entirely accurate.
The lack fanfiction where Albus and Gellert are absolute freaks boggles my mind.
This is the couple that made a blood pact after knowing each other for 2 months, said blood pact nearly strangled one of them, and the other one joked about it.
I refuse to accept that those two are vanilla.
me when I find a piece of media and a ship with which I can emotionally destroy myself
“why do you still use tumblr?”
listen— i have to keep track of my hyper fixations somehow
or you start to use it for that reason :)