And God said “Love Your Enemy,” and I obeyed him and loved myself.
خليل جبران Khalil Gibran (via fassyy)

bliss lane

titsay
will byers stan first human second
YOU ARE THE REASON
cherry valley forever
Monterey Bay Aquarium

PR's Tumblrdome
occasionally subtle

Product Placement

roma★
The Bowery Presents
almost home
tumblr dot com
Stranger Things
todays bird

@theartofmadeline
I'd rather be in outer space 🛸
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One Nice Bug Per Day
Sade Olutola

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@antioch-ameno
And God said “Love Your Enemy,” and I obeyed him and loved myself.
خليل جبران Khalil Gibran (via fassyy)
were the animorphs lucky or unfortunate that ax didn't have a morphing allergy to humans?? imagine what would happen with an extra human ax on their hands (sorry i'd posted this separately but i wanted to know what you think)
Lucky. Holy cheeseballs, so lucky. See, the "extra" being that is burped out into reality during hereth illint is not a copy of the morpher in morph; it is the morph itself. It is the foreign DNA being forcibly expelled from the morpher's body as a whole living organism via freaky sciencey transmutationy pulling-excess-mass-from-zspace hand-wavey plot device.
So the extra "human Ax" would not be Ax at all. It would be a brand new adolescent aged human being comprised of the DNA of the four human Animorphs, spawning into existence with no memories, no frame of reference, and no previous concept of its own existence until that very moment. It would have whatever combination of human instincts/innate neural paths/muscle memory the morphing ability copies from the acquired creature, but none of the actual memories, knowledge, or learned behaviour that a human would have developed by adolescence.
They could walk, but have no idea where to go or what anything around them is. They could speak, but have no idea what sounds to make or what words even mean without being taught. They could not read. They would know what food is and how to eat it, but have no ability to parse from the myriad of appealingly scented and coloured substances surrounding them which is actually food. Ax eats cigarette butts and drinks motor oil because his human morph's monkey brain wants to put everything in its mouth and he happily indulges it. Morph-clone Ax would drink drain cleaner if no one stopped him.
This would have happened in Book 4. At the beginning of the series, when the Animorphs were still flying largely by the seat of their pants. It would have been a horrible, horrible disaster, and even if the kids managed to get through it without being discovered, Morph Clone Ax almost certainly would have suffered any number of tragic potential fates. It would have gotten dark, like really far on the Animorphs' scale of fucked up dark y'all.
Personally, I prefer the crocodile book. Visser Three getting popped like a balloon was much needed levity between Rachel almost killing her entire family by crushing their house from the inside XDD
They drop him in front of a foster facility with "please take care of my cousin Philip" written on his naked chest in Sharpie.
They think nothing of this, until book fifty. When there's a boy who looks like Ax in the wheelchair room, who has an IQ of 50 and fell down the stairs once. And they have to explain to James how they already know his friend Philip is allergic.
I was under the impression that since the extra hereth illnit morph is a morph, it stops existing after 2 hours, and all it’s matter just gets sucked back to z-space. Maybe I just made this up, I know there isn’t concrete textual evidence for it, but I just got the general idea when reading that that’s how it works.
Which, I personally love the idea that in book 12, the tv people go through a bunch of trouble trying to wrangle a crocodile only to have it mysteriously disappear when their backs are turned. Cassie’s mom shows up and is like “alrighty where the croc” and they’re like “in here!” And open the door to wherever they’re keeping it and it’s just. Gone.
That would be a nice neat way of wrapping up all the loose ends.....but unfortunately a bit too nice and neat for Animorphs lol
Ax kills the crocodile before it can chomp chormp famous TV star heartthrob Jeremy Jason McCole to death, and the TV studio blames not-Steve-Irwin for somehow bringing not only a 10-foot croc into the studio that literally nobody else in the entire building knew about, but a grizzly bear, a tiger, a wolf, a gorilla, and the weird deer thing nobody got a good look at cuz the lights went out.
There was. Definitely a mess to clean up. Definitely XDD
I must not cringe. Cringe is the mind-killer. Cringe is the little death that brings total obliteration. I will face my cringe. I will permit it to pass over me and through me. And when it has gone past I will turn the inner eye to see its path. When the cringe has gone there will be nothing. Only I will remain.
A TV show about someone with face blindness, and all the other characters are played by like three actors. The protagonist - and the audience - is constantly struggling to figure out who the fuck they're talking to, out of context clues, clothing, etc. People get insulted when the protagonist doesn't recognise them.
They have to go by identifying bits of clothing and accessories, like Linda has a blonde beehive do and wears the clunkiest big earring, bless her, but then Susan is played by the same actress with a different blonde updo and no earrings, same with Leanne who has short brown hair and no other indication besides liking bright graphic tees. Ted is always wearing coke bottle glasses and the exact same sweatervests as Oscar except Oscar has no glasses. Ally is a different actrees with a blonde ponytail like Susan but wears different lipstick, and also plays Kaela who's a punk goth, etc etc, and any of these same-actor characters can be in the same scene together because television can do that.
Sometimes Kaela's actress plays Linda with her beehive and earrings, or other similar switches, and it doesn't matter at all because Linda IS the beehive and earrings as far as we're concerned. Ted loses his glasses and for an entire episode we call him Oscar because that's just who he is now.
Then there is one nondescript character played by all three actors at different times who is one of those people with the most generic unisex haircut who likes to change their clothes several times a day, and they don't even have a name in the script because absolutely no one even knows if they are one or several different people and who the fuck any of them are supposed to be.
Mood
Today has been a very self-critique-y day.
how are you so good at horse AND people who did you sell your soul to
(I kid I know it’s HARD WORK)
So… In case ya’all didn’t know… LL is wanting to block upload of meshes that utilize animation to/rigging to attach points.
This is what makes those nice five jointed mermaid and naga tails work, and the entire reason Breeders Choice horses and Dreamcrawler feral dragons have emotive faces. The Solarian does not have that characteristic grin without this bug+feature combination being accessible to mesh designers. The BC and KOT centaurs literally do not work without being able to animate to/rig to attachment points.
If this gets blocked server side, NOBODY will be able to upload objects rigged for these bodies and attachments. No more rigged accessories for the BC Centaur and NO UPDATES if something goes wrong.
You can help support advanced mesh avatar creators by voting in this JIRA (log in with your SL info, jira is a LL run website) to get their attention–we NEED this to become a feature instead of being squashed!
https://jira.secondlife.com/browse/BUG-10543
tl;dr LL wants to block use of a rigging bug that allows advanced avatar creators to make stuff like centaurs and highly animated mounts, animal avatars, and dragons. Please vote in this JIRA to make them turn it into a supported feature instead, and to work with content creators to keep our imaginations alive!
reblob this please if you do sl and have sl friends, we really need as many votes as possible on the JIRA so that LL won’t just brush this off. If you have an SL account(s) you use, not just empty alt profiles you made to bump it, please log in on the Jira and hit More Actions>Vote
oh my god
I love this
rocky horror is the worst and is also transmisogynistic can we please finally get over this shit movie
ok but like the writer is transgender nonbinary and the language used in the play was the preferred language by trans people of that time can we not deny parts of our history because we’ve evolved since then thanks
So fucking much this.
PS, youth of today: you’ll be saying the same damn thing about art from this time before too long, for good or for ill. Terminology will, in fact, change. Definitions will, in fact, shift. It always does, they always do.
PPS, it is pretty much impossible to overstate how life-alteringly important this movie was to kids who didn’t conform to standard expectations of gender and sexuality, back in the day. Especially when back in the day was the mid-to-late 1980s, when the only queers you saw on TV were neutered AIDS tragedies, Bowie was playing straight, and even Elton John was married to a woman, and midnight showing of RHPS were pretty much the only place that felt like home. It was mental life raft for a lot of people.
I was one of them.
rocky horror was a lifeline.
y’all have NO IDEA how isolated we were before the internet, before mobile phones. imagine never having an unsupervised conversation with your friends. literally never. you were at school, or you were on the landline in the same room with your parents. imagine never having access to reading material that wasn’t mainstream-published. imagine never seeing a video that wasn’t network tv or hollywood. imagine every single bit of information you had access to being thoroughly filtered and vetted by the majority-mainstream. imagine all this under ronald reagan and margaret thatcher and the ussr and a divided germany, the cold war still threatening to go nuclear and violent religious extremists rising in the middle east, a bunch of dirty little wars festering in central and south america, china gutting mongolia, north korea defiantly starving to death…
it felt like the literal end of the world, and you were completely fucking alone.
and then there was this cultural phenomenon. this unapologetically senseless movie, morbid and silly and full of genderweird and catchy songs and cheesy tropes. the places that did the midnight showings were financially unimportant, out of the way, under the radar, and it was safe to be weird there. you could convince your parents to let you go because you’d go in a group, and since it was at a theater or college cultural center they knew you wouldn’t be drinking and doing drugs and having sex (Just Say No!) and you were technically under adult supervision – but the theater employees were generally college students and didn’t give a fuck as long as you didn’t wreck the place or get arrested.
you could dress up, you could be loud, you could play with gender, you could camp it up and let your hair down. you could be free. and for just one night of the week, you could forget that it was the end of the world.
too lazy; didn’t read: you’re talking out your ass and you need to clench up.
i went to a very open and sexually liberal performing arts highschool in the aughts like twenty years later, and RHPS was still a wonderful thing to experience as a teenager sorting out gender and sexuality issues. i was surrounded by girls trading yaoi comics and boys trading yuri comics and theater kids that had every line of RENT memorized. and i saw RHPS in ninth grade, i think, and made sure to go to showings nearly every year thereafter, at older friend’s parties and at college media screenings and outdoor park showings and in independent theaters. i still go when i can. i think everyone over fourteen or fifteen should. it’s a piece of history and it’s a very vibrantly alive and relevant cultural tradition, and the atmosphere is so weird and so welcoming, and the movie is so profoundly silly. it’s absurd to me that anyone could say we’re done with it.
Bolded, above. I was in uni just as the internet became a way to connect. It was still so new, not yet a part of our lives as fully as it is now.
RHPS was freedom. It was your neighbour’s roommate in gold hot pants and no apologies, being able to kiss your girlfriend in the middle of a crowd and not be attacked, it was corsets on DMABs and three-piece suits on DFABs, and everyfuckingthing was queered. Right there, on stage, in living colour.
It was amazing.
Don’t sneer at the old guard, kidlets. Every generation forges the media it needs at the time.
Always reblog this. Especially now at the 40th anniversary. Reminder: I grew up in *Manhattan.* My parents, in the grand scheme of things, were pretty liberal and open and accepting. I still desperately needed RHPS as my place to be weird and discover myself. It was important, and that importance should not be discounted.
why are ethicists kinkshaming me
the bible said adam and eve not florence and the machine
can’t be tamed
Mad Max was so problematic.
No one used their blinkers for the entire movie.
Have some Ace minus goggles (based on a photo of the actor I’ve seen bobbing around tumblr)
He gives me a lot of feelings. Sketching them out helps.
YES THANK YOU
please DO NOT assume that just because my character is doing something that i as the writer
approve of it
am romanticizing it
have a kink with regard to it
think it is okay for anyone to ever do ever
because sometimes my character does things that I absolutely cringe at and which are almost painful to write.
but my writing a villain does not make me a villain
understand that it is fiction and I do not condone the wrong actions that sometimes are written out on my blog for in-character purposes.
SAY IT AGAIN FOR THE PEOPLE IN THE BACK
There are waves of times when a bunch of people decide every character I write is always acting in ways I condone, and I’m currently in one of those times. Seriously, even main characters aren’t gonna always or even often do things I approve of. Characters gotta have flaws beyond “clumsy” or “often late.”
Notes for an Anon who asks,
“ Hey Justin, thanks for your reply earlier. Just wanted to expand on my previous ask - do you have any tips for achieving colour harmony across an entire painting? I often feel like the objects in my paintings look disjointed, like I haven’t chosen the ‘right’ brown for trees or the ‘right’ green for grass when I use opaque brushes, this isn’t so much of an issue when I’m painting a single object or character but when painting an entire scene I find it very difficult to tie everything together. “ btw, this is COMPLETELY UNACADEMIC- I mean, parts may be “academic” but this is not meant to be a textbook. Terms are used VERY CASUALLY and the information is not at all comprehensive. This is an extremely brief superficial look at the term “Color Harmony”. If you want ACTUAL color education, either take Sam Nielsen’s Schoolism class, or get James Gurney’s Color and Light book, or do both!!!!! That said, I hope it helps some folks!
#this looks like some kind of Canadian version of Mad Max tbh
WITNESS ME, EH?!?
If I’m gonna die, I’m gonna die historic on the 401.
Witness me
me from now on when i’m about to do something fucking stupid (via zoeyskravitz)