Ivriz, Turkey

@theartofmadeline
Xuebing Du

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PR's Tumblrdome

oozey mess
let's talk about Bridgerton tea, my ask is open

★
Lint Roller? I Barely Know Her
noise dept.
wallacepolsom

if i look back, i am lost
$LAYYYTER
Sweet Seals For You, Always
🪼
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One Nice Bug Per Day
YOU ARE THE REASON

祝日 / Permanent Vacation

izzy's playlists!
"I'm Dorothy Gale from Kansas"

seen from United States
seen from France
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seen from Malaysia

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seen from United States
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@aphrofightme
Ivriz, Turkey
by Émile Quentin-Brin /detail/
Maybe cats annoy us at night when we’re asleep because that’s what we do to them in the day.
by John Atkinson Grimshaw /detail/
René Magritte, The Vengeance, 1939
La femme damnée, Octave Tassaert
get it bitch
WHO is he someone please TELL me who this Boy is
That’s Bone Bone the cat!
not to be dramatic or anything but i would fucking die for you bone bone
don’t worry moomin you know enough to be happy
@italian-child
i want to reach a Stevie Nicks level of etherealness where people are in awe of my existence and there are rumors that i’m a witch or not even human like that’s where i wanna be in life
Her story is happening in the modern world with recognisably contemporary automobiles and technology. But otherwise it’s drenched in the Technicolor 60s: there are touches of Italian horror, Hammer and late Hitchcock, as well as the deadpan attention to period detail and convention that David and Jerry Zucker and Jim Abrahams achieved in their comedies. Biller devises a feminine sensibility for exploitation to match the macho connoisseurship of Tarantino or Rodriguez. (x)
The Love Witch (2016) dir. Anna Biller
Edward Hopper
bottom teeth