Deep within the boiling bowels of the darkest subconscious order is a piece which endlessly shifts out of articulation as it dwarves its viewers in every set sense
In its initial introduction we note the immense space which the building of The Basilika occupies as it demands the highest degree of attention from its viewers; When one looks at this piece they are seeing The Basilika as it is impossible to do one without the other
The fractalscape is a medium within the world of surrealism; It depicts both euclidean and non-euclidean geometry in a realm which endlessly shifts and changes from its viewer's perspective
We see the immensely intricate facade comprising of rustic-green fractal geometry which appears incredibly surreal and brutalist in comparison to the mundane constructs of our mortal world
A brilliantly flared and boiling sky ignites the top of the work in ascendant fashion; It's energy casts itself across the digital canvas only to be interrupted by the building of The Basilika
Our canvas presents a stunning opportunity for lessons on near-symmetry as the piece may be divided across a center axis to a very high similarity on both sides
There exists a single open and darker space in the lower center of the spatial composition which gives us the illusory sense of depth upon the two-dimensional canvas. It’s almost as if its inviting us within and igniting our natural curiosity to let the mind wander to wonder, contemplate and conceptualize
What lies within The Basilika?
The Basilika was a set of laws during the late 9th century within the Byzantium or The Byzantine Empire
Before its passage there was a large level of inconsistency on which laws were meant to be followed as Justinian's Codex collided will more recent additions to the legal culture in The Eastern Roman Empire
Previously the nature of the law and culture was shifting endlessly like a face which one fails to recognize; The Basilika created more unity and clarity of what the identity of The Byzantine Empire really was; From the fractalscape of cultural chaos emerges The Basilika in solid and concrete form
Mitchell Flautt once again demonstrates his immensely diverse skill in the world of surrealism as he presents each and every fractalscape as if llives within him personally
Overall this fractal digital rendering displays The Basilika in concrete contrast to the ascendant flare of a boiling sky as its copper-reddish facade follows an immense intricacy amongst the dark entrance which invites its viewers while inciting curiosity to wander and wonder deeper within
