I think the "pre" and "post" parts in "preposterous" should cancel each other out but everyone else seems to find my idea completely erous

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I think the "pre" and "post" parts in "preposterous" should cancel each other out but everyone else seems to find my idea completely erous
I love how Obra Dinn tells you so little of what went on during the trip. You're only privy to the moments someone died and most of those moments display the crew at their best or at their worst. We rarely get to see what anyone is like when life is normal so we can never know for sure who most of them truly were.
the problem with movie remakes is that they always remake something that was already good, meaning at worst you ruin it and at best your remake is largely redundant. to make a truly good remake you need to start with source material that is absolute dogwater. ignore the pull of nostalgia. redeem the sins of moviemaking past.
oh edward elric bleeding out and nearly dying impaled by a massive steel beam shaving pieces off his soul and years off his life because he chose not to kill the objectively worst guy he's ever met but he's just like. ah. if this is the price i have to pay for mercy i'm glad to pay it. 16 years old, unshakeable belief in the value of a life, shortest fuse in the world, mad as hell at all times, heart of gold for all of humanity. no one is doing it like him
it had to be kimblee too. it's a necessary part of any hardline pacifist's story to come up against the worst guy ever and still choose principle. anyone less evil would have been worth risking his life for. kimblee wasn't worth it at all. still ed doesn't mind. a lesser story would have made this the turning point where ed learns that he should kill but nope, that's not who he is, this doesn't change anything, the value of a person does not change. he's gonna live with his decision. he knows kimblee's never gonna change he knows his mercy is wasted he knows everyone thinks he's stupid but it's the principle of the thing. and it's the outflow of the action. mercy won't save kimblee but it saved his 4 men. it's a beacon for miles. it saved winry. it can save scar. as soon as 1 person isn't worth it, none of us are because one is all and all is one.
tags from @parkersgeorg
One way to get tasks done in the day is to make yourself a Chekhov's List. Put all of the things you have to do on a list, and now that they've been revealed they'll need to be completed by the afternoon (third act) and when you've completed something you can Chekov that task from the list
first day as a second century warlord i have my men tie branches to their horses’ tails to stir up dust and make it look like there’s a lot of us but i forget it just rained so there isn’t any dust and the enemy can clearly see there’s like twenty of us all spread out in a line
second day as a second century warlord i bribe a bunch of kids to start singing a nursery rhyme i carefully crafted to spread misinformation and further my strategic ends but they change the lyrics to be about poop and the enemy isn’t misdirected at all
third day as a second century warlord i lure my enemy into a narrow valley and send a team of archers to shoot them from the high ground but there was a feral hog napping on the trail up to the overlook and they couldn’t decide whether to try and shoot it or just go around and by the time the hog woke up and left on its own the enemy had already passed safely below
fourth day as a second century warlord we attempt to join a battle on the side of the guy we want to ally with but he and the guy he’s fighting have really similar names and it’s finally dusty and i misread the standards and attack the wrong guy. so now we’re stuck with this total loser of a liege lord, because how the fuck do you explain that after a battle?
fifth day as a second century warlord and some sort of wizard wanders into camp, my loser liege lord wants to execute him for being a wizard but i convince him to let the wizard stay, because i want to do more weather-based strategies and i’m pretty sure having a camp wizard can help with that. after the welcome to the team banquet the wizard steals half the treasury and my liege lord’s wife and leaves
sixth day as a second century warlord my loser liege lord sends me to reinforce a city he’s taken, but in the confusion of leaving i forgot to take the token that would have gotten us into the city, so my men have to wait outside the city walls for like eight hours while i ride back to get it
seventh day as a second century warlord and my loser liege lord finally joins me in the city, it turns out he’s actually a pretty cool guy, and he isn’t even that mad at me for letting the wizard steal his wife. i decide to shoot my shot but i’m really nervous and keep on stalling because what if i mess up our relationship and by extension jeopardize the security of my men, and eventually he just says goodnight and goes back to his room, where an assassin is in the process of setting up to kill him
eighth day as a second century warlord and my loser liege lord tells me to fake defect to his rival warlord, the one i originally wanted to ally with, to find out if he was the one who sent the assassin and why. but my whole way over to the rival warlord i’m worried that this has something to do with the wizard thing or how awkward i made it last night
ninth day as a second century warlord i try to tactfully ask my fake liege lord if he sent the assassin to kill my loser liege lord and it turns out the idea of using assassins never occurred to him, but now that i’ve suggested it he’s really into it. in order to save my loser liege lord i volunteer to be the one to kill him
tenth day as a second century warlord on my way back to my loser liege lord’s city i realize i won’t be able to collect my men from my fake liege lord until i bring back my loser liege lord’s head. this would have been a great thing to think of before i got myself in this situation. i go back to my loser liege lord and ask him to rescue my men, and he tells me that if he could sack my fake liege lord’s camp he already would have. that doesn’t change the fact that my men are still trapped. they’re prisoners, even. i go back to my room to sulk
eleventh day as a second century warlord i find a little caged pigeon in the rafters of my loser liege lord’s room and deduce it belonged to the assassin. without asking permission or telling my loser liege lord goodbye i let the pigeon loose and follow it north. don’t ask what i was doing in my loser liege lord’s room. it’s not important
twelfth day as a second century warlord i disguise myself as a wizard and enter the camp of the coalition leader the pigeon led me to. in the middle of my little sleight of hand performance i make eye contact with the coalition leader’s second-in-command. IT’S THE WIZARD THAT STOLE MY LOSER LIEGE LORD’S WIFE. after the banquet i corner the fake wizard and ask him what the fuck is going on and he just says “wouldn’t you like to know” and leaves. i don’t know what to say to that so i just let him go
thirteenth day as a second century warlord i’m honestly so sick of not knowing what’s going on, so i adjust my wizard costume to passably disguise myself as a woman and break into the women’s area of the camp, where sure enough my loser liege lord’s wife is. i ask her what she’s doing here and she tells me the fake wizard overheard her singing a poem she overheard on the street, not knowing it contains the coalition leader’s formation’s weaknesses. the fake wizard kidnapped her and assigned an assassin to kill her husband before they figured out the poem’s significance. she shares the first couplet with me but i’m discovered and thrown out before she can share any more. she doesn’t need to. through a bizarre coincidence of homophones, it’s the poop version of my misinformation nursery rhyme
fourteenth day as a second century warlord i go back to my loser liege lord and tell him everything, urging him to join with my fake liege lord to attack the coalition leader according to the weaknesses in the nursery rhyme. he tells me frankly that he doesn’t trust me anymore. i ask him to execute me if that’s really true, because i can’t bear to live if i can’t protect him and i can’t protect my men. he agrees to attack the coalition leader
fifteenth day as a second century warlord. due to the information in the nursery rhyme, and thanks to my loser liege lord reminding me of the weather conditions multiple times while planning our battle strategy, our alliance carries the day. my loser liege lord gets his wife back. my men tell me that our fake liege lord actually treated them really well and they’d like to stay with him if i don’t mind. i do mind, now that neither the men i love nor the man i love have any use for me, but i don’t tell them that
sixteenth day as a second century warlord i’m preparing to leave to i don’t know where, maybe to try to become a wizard for real, when my loser liege lord stops me and asks me where i’m going. he says he had hoped i would continue to work as his advisor. i was unaware i was his advisor in the first place. i agree, and he tells me he’s truly honored to have me in his service at last. he has known i am a rare and talented man with a strategic intelligence far above his ever since the day he witnessed me tying branches to my horses’ tails in six inches of mud, and could not for the life of him figure out why
the potion seller discourse is insane. cop walks into a chemist's lab and demands pure undiluted morphine. chemist says hey i don't make this for human consumption. cop insists repeatedly, crying, shitting himself. in no way is the potion seller in the wrong here.
"the potion seller is an asshole who should have just given the knight the potion!"
you would not last 1 day in customer service
No, see, he's an asshole for not giving the cop the potion to kill himself with.
See i would absolutely agree with this take but being directly responsible for killing the Knight would tarnish the Potion Seller's name across the kingdom. + the Knight is insisting he's going to die in battle anyways.
clearly this is why your url is pretend-wizard 🙄 we don't know that the potion seller can't make potions that let knights handle stronger potions, all we know is that the potions that the potion seller does have are too strong. if he is effectively a pharmaceutical supplier, he probably would be supplying to other potion sellers lower down on the chain to sell distilled & diluted versions of his potions. but this, like everything, is simply an inference. with our limited facts at hand, i choose to side with the worker rather than the landed gentry.
I once made a potion that kills you but the undying one drank it and lived and it ruined my reptutation so now i'm forced to weave small coats for beetle grubs. i cant complain the beetles have good money but now whenever im spotted on the street the peasants mock me and call me beetleboy
hi beetleboy LOL hows your beetles. loser
villains of homestuck
sentient chess piece so mad about wearing a hat he goes on a murderous rampage across multiple universes, he eventually becomes part ultimate spirit dog
alien empress in a latex bodysuit with a trident who speaks solely in fish puns and is also betty crocker
omnipotent guy with a cueball for a head
big buff green skeleton time travelling alien demon with a peg leg
alternate version of big buff green skeleton time travelling alien demon with a peg leg, as a 13 year old 4chan user who hates women
a puppet, which is the vessel for big buff green skeleton time travelling alien demon with a peg leg’s soul
guy fieri
some juggalos specifically the icp
an alien capricorn clown who can never die
Initially misread the last entry as just “A Capricorn” and I genuinely think that would’ve been funnier
can't believe the plot of leverage is literally 'man gets hired to be a project manager for Crime and then is forcefully adopted by the employees he doesn't want'
and it fucks
Still never gonna be over the fact that it took Maes Hughes one night to figure out the truth about Amestris when it took the rest of the cast half the series
these tags lmfao
These tags by parkersgeorg are necessary to include actually 💅
#NO BUT THE THING IS! #he figured it out because the army was SHIT AT HIDING IT #he worked in intel! he had access to ALL the necessary elements #to understand it quickly #but that also meant he was under heavy surveillance himself #which is why his efforts to understand the truth were immediately noticed #and since he knew the army was rotten to the core there was no reason for the homunculi to 1) not try to kill him 2) bother being stealthy #lust tried to kill him IN HQ #and the thing is. it was clever of him to leave and try calling mustang from a phone booth #so the line wouldn't be tapped #but like... he'd already tried calling mustang and they knew that. #so had envy not caught up to him before he made the call #they wouldve assumed he'd managed to reach mustang #in a way dying in that phone booth was the best move hughes could make #to protect his allies #had he gotten the information out the homunculi would have disbanded mustang's team MUCH earlier #and after hughes came so close to spreading the truth #they made it MUCH HARDER to find #but also much harder for themselves to realize who was figuring it out and by what means #basically hughes was on easy mode #his death put everyone in hard mode. his allies AND his enemies #man fma is good #fma
Ziyal is like, incredibly thematically significant in DS9… She embodies the scars of occupation, Dukat’s egotism and his reinterpretation of his role during it, as well as both Kira and Garak’s struggles to reconcile their pasts with the futures they want to see.
Ziyal is also just very much a compelling character in her own right. A woman who lost her childhood and is unprepared for adulthood, and finds herself caught between being seen as a naive child and a traitor on both halves solely due to the circumstances of her birth. People push and pull her in different directions, trying to fill her head with their own ideals and philosophies.
She seems to compulsively cling to an idealised vision of her awful father, something she obviously used as a coping mechanism in her bleakest moments during the years in the labour camp. She’s drawn to Garak because of what he could represent for her— and I think it’s very crucial there that two characters so heavily defined by the dynamics with their fathers having such strong incestuous overtones with them have a relationship dynamic which muddies familial, platonic, and romantic affection on both halves— and while she also wants Kira to play house with Dukat to fulfil her fairy tale of a happy family she’ll never have… but she still knows she can’t make Kira do that.
She knows something is wrong and off and uncomfortable, and you can see her trying to suppress that feeling when it comes to her dad, over and over again… and when she finally pushes back, finally lets herself admit that her father is never going to be the ideal she dreamed of… her whole life gets cut short.
Oh, Ziyal… I don’t think it’s possible to overstate how much I deeply, dearly adore her.
just tried to reference the xkcd "today's lucky 10,000" comic but I wanted to explain xkcd first, so I was like "you probably know the one about experts in the field overestimating their audience's familiarity with the subject matter" and uh. he didn't. love me some irony
I don't know what is it exactly that Brent Spiner did or maybe it's just my interpretation of his acting, but he really makes Data feel like an android. From the future.
Even if he didn't have any makeup on or contact lenses, I'd be like "yeah that's Brent Spiner and that's an android." Maybe it's because his facial expressions are preset and even Data says the wildest things it's passable.
I'm in awe everytime he appears on screen, literally a test to one's acting chops.
I’ve actually thought about this a lot because I’ve had non-Trek friends roll their eyes when they see a picture of Data like, really? They painted a dude gold? That’s it? That’s supposed to make us think he’s a robot? But then they see Brent act and the instant suspension of disbelief that man creates pistol-whips them into the 24th century whether they want to be there or not.
I do think it comes down to Brent’s impeccable consistency. The facial expressions, mannerisms, movement, intonations, etc. In conjunction with the writers, he “found” Data very fast and honed that essence into a precision cut character.
That’s why it’s always so delightfully shocking when we see a “Data gets possessed” or “oh no! It’s Lore!” episode. We witness the pristine Data persona shatter into something unrecognizable even though the actor and his silly gold paint doesn’t change. Absolutely remarkable.
^^ six different characters but we all instantly know who the real Data is.
I think he has, as the industry folk say, catastrophic chops.
He’s gotta be one of THE actors of all time, at least for me.
I mean, would they let him play multiple characters (who oftentimes look exactly the same, minus the costume) in an episode if he COULDNT differentiate them in a way that’s clear?
I know I’m basically just repeating what’s already been said, but I wanted to be another person that says “you are correct, OP, Brent Spiner plays Data in a way that sells that he is an android, from the future”
Gah, I love Nog. I never felt more gut wrenched when he said "because I don't want to end up like my father" half crying. He knows his dad/Rom is a great engineer, but the Ferengi culture made him be of no value to their society. Nog knows he doesn't have the lobes to be a great Ferengi, but he knows he has the same talent as his father. And by him entering Starfleet, and being the very first Ferengi to do so, he wants to prove that he and Rom do have value. But the best part coming from this was Rom, being inspired by his own son, becomes less Ferengi and proves his values on his own too. I love them so much.
The thing about The Good Place is it was based on the fundamental premise the "The Christian conception of the afterlife as a place of eternal reward/punishment is fundamentally unethical" and came to the logical conclusion that "the only ethical afterlife would be one that gave people endless opportunities to better themselves"
Oh, so like reincarnation? Your previous life sucked, so you get another chance to try to be a better person and contribute to a better world?
No.
Stupider.
You better yourself in a heavenly dimension where being a good person has no effect whatsoever on improving the real world.
What's the fucking point then?
The point is that NBC wouldn't let a popular sitcom say "reincarnation is obviously better than Christian heaven" on American broadcast television.
i love pure functional programming. some scottish guys looked at esotheric mathematics named after even more esoteric concepts from philosophy and thought "what if we made a programming language based on this" and now neurodivergent queer people bored in their first uni year base their entire personality on it
parker is the one instantly interested in nate's ability to see the big picture. in the first ten minutes of the Nigerian job nate tells her how he knows the guards aren't at their station and she goes "I would've missed that." then at the end of the episode, she's the one that she's good at one thing, but he knows other things. she's always learning things from the others in a way no one else is. sometimes crime things, sometimes real life/social things, sometimes both. eliot teaches her to fight, sophie teaches her to grift, she doesn't hack, but she handles tech better than anyone but hardison. (eliot teaches her to like things, sophie teaches her how to have/be a friend, hardison teaches her to trust) she runs her own jobs, on her own, where the rest of the team never does. at first it doesn't work (the inside job) but then it does ( the broken wing job). obviously we see nate actually pull her into the planning in the long goodbye job in preparation for the ending, but she's been interested in learning from him, learning how to do what he does, since the very start. at first I think it was out of her self-preservation mindset, she didn't expect to have people to back her up, maybe ever. but even after she figures out they're sticking around, she won't have to run jobs alone, she keeps learning. from nate, from sophie, from eliot, from hardison, even tara. eventually, from harry. because of harry, from breanna. she accepts their input in a way nate never did, in a way nate never could. his "sicko love of control" wouldn't let him. but from the start, parker lets them teach her. and that carries over in the way she leads. she controls herself, never them. she makes the final call, but she wants input first. not because she can't make the decision herself, but because she sees the big picture in a different way than nate. she's watched the team save each other's skin over and over because one person noticed or knew something no one else did, and she knows she isn't always that person. they all grow so much in those first five years, and I don't know if I even think parker grew the most. but I do think she grew the most intentionally. she looked at all the others, saw what skills they had that she didn't, and decided she would learn.