Onagawan Hinterland, Japan 2016 by James Alder

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Onagawan Hinterland, Japan 2016 by James Alder
Onagawan Hinterland, Japan 2016 by James Alder
Carolyn Tam, MIT School of Architecture + Planning, MArch
Carolyn Tam, MIT School of Architecture + Planning, MArchCarolyn Tam, MIT School of Architecture + Planning, MArch
Carolyn Tam, MIT School of Architecture + Planning, MArch
Ashley Mayes, University of Sheffield, MArch.
The OAPlaza - The accommodation quarters offers a short-term, co-living environment. Though one will not just be residing with fellow pensioners, but with ex-battery chickens too.
ashleymayes.co.uk
Ashley Mayes, University of Sheffield, MArch.
The OAPlaza – An intergenerational nursery lies at the heart of the project. It is a shared place which brings together the young and older generations.
ashleymayes.co.uk
Ashley Mayes, University of Sheffield, MArch.
The OAPlaza – a convivial, social and inclusive space open for all generations in Rotherham, South Yorkshire. The plaza becomes a place to meet, and place to work, a place to learn, a place to shop.
ashleymayes.co.uk
Mark Donnelly | Social Housing | Queens Belfast
Prianca, University of Greenwich, MArch
Coyote & The Casino
A water harvesting Casino & People’s Palace in Monument Valley, Arizona, to generate further water infrastructure measures for the people living in the Navajo Nation Reservation as a response to the current lack of clean running water.
The building presents itself as a water bank using the roof to gather rain water and accumulate water through air within the Palace’s towers. This water is collected into the containers below, to then be distributed across the reservation.
The structure has a series of platforms and lifts on which the visitor projects their personal Virtual Reality vision, creating a Mixed Reality.
Sean Counsell, Aarhus School of Architecture, Master of Arts in Architecture
Perfectly Imperfect ~ An analogical model conveying the beneficial impact of imperfection in cast construction.
Jake Joseph Richardson, Cardiff University, MArch
Where does the root of craft lie? An analysis of three different plates using different production methods revealed the terms first, second and third hand production. The root of craft was established within the boundaries of the first hand. Through design speculation and testing this project explores where the thresholds lie in today’s context through the construction of a new monastery.
Jake Joseph Richardson, Cardiff University, MArch
Where does the root of craft lie? An analysis of three different plates using different production methods revealed the terms first, second and third hand production. The root of craft was established within the boundaries of the first hand. Through design speculation and testing this project explores where the thresholds lie in today’s context through the construction of a new monastery.
Ryan Hinson, University of Westminster, MArch RIBA Part 2
CARAVANserai
The Revivification of King William House
A new public and private space in Hull’s historic City Centre, drawing upon old middle-eastern traditions for temporary citizens.
The scheme encompasses a new Crafts College, Urban Bothies, a Rooftop Café, Community Gardens and a modern twist on the typical Caravanserai Courtyard.
Annas Mojaddidi, City Church, Kingston University, Unit 3.
Carolyn Tam, Unit 9, Bartlett School of Architecture Sweat building is a samba dancing school proposals respond to the complex carnival parade circulation and site condition defined by the highways. The articulated volume is derived from the complex circulation paths. Mist systems weave through the ramps, cool down the sweating dancers inside the building during the hot weather. With the samba school the architecture is alive, response to the dancing activities, sweat when get hot. Programmatically, the volume accommodates props, samba costumes, and truck access with a circulation loop at the ground level feeding into the main workshop space. This open workspace allows visitors to interact directly with fabricators–offering a unique collaboration experience. Above the workshop, dance practice rooms are separated from the main workspace with views of the cityscape beyond.
Carolyn Tam, Unit 9, Bartlett School of Architecture Sweat building is a samba dancing school proposals respond to the complex carnival parade circulation and site condition defined by the highways. The articulated volume is derived from the complex circulation paths. Mist systems weave through the ramps, cool down the sweating dancers inside the building during the hot weather. With the samba school the architecture is alive, response to the dancing activities, sweat when get hot. Programmatically, the volume accommodates props, samba costumes, and truck access with a circulation loop at the ground level feeding into the main workshop space. This open workspace allows visitors to interact directly with fabricators–offering a unique collaboration experience. Above the workshop, dance practice rooms are separated from the main workspace with views of the cityscape beyond.