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@aredhel-erinti
Dont ask me whats up i have done nothing since we last talked 3 years ago
Frodo Laid a Geas (and other invisible magic)
This was so obvious when I realized it, but I think most people miss it, because we’re so desensitized by D&D-style magic with immediate, visibly, flashy effects, rather than more subtle and invisible forces of magic. When Gollum attacks Frodo on the slopes of Mount Doom, Frodo has the chance to kill him, but he doesn’t. Instead, he says:
Frodo: Go! And if you ever lay hands on me again, you yourself shall be cast into the Fire!
Frodo’s not just talking shit here. He is literally, magically laying a curse. He’s holding the One Ring in his hands as he says it; even Sam, with no magic powers of his own, can sense that some powerful mojo is being laid down. Frodo put a curse on Gollum: if you try to take the Ring again, you’ll be cast into the Fire.
Five pages later, Gollum tries to take the Ring again. And that’s exactly what happens. Frodo’s geas takes effect and Gollum eats lava.
On further reflection:
All the other people in the franchise who were offered the Ring declined to take it because they were wise enough to know that if they used its power – and the pressure to do so would be too great – they would be subject to its corruption.
Frodo uses the power of the Ring to lay a geas, and then five minutes later at the volcano’s edge, succumbs to its corruption. The Ring has gotten to him and he can no longer give it up. Because he used its power.
On further further reflection: I’d have to read the section again, but I recall that after throwing Gollum off and laying the geas, Sam observes that Frodo seems suddenly filled with energy again when previously he had been close to dead of fatigue. He hikes up the mountain so fast he leaves Sam behind – and doesn’t even seem to notice that he’s left him behind.
Could he have been drawing on the Ring’s power at this point in the story? At this point in the story we’re relying on Sam’s narration, and Sam doesn’t know what’s going on in Frodo’s head, so it’s hard to say for sure. Having used it once, after spending so long holding out against it, was that the breach in the dam?
Which means that the moment that Frodo succumbs to temptation is not the moment at the volcano – it was already too late by then. The moment he is taken by temptation was when he used the power of the Ring to repel Gollum.
If so, this ties in neatly with discussions I’ve seen about how Tolkien subscribes to a “not even once” view of good and evil – that in many other works it’s acceptable to do a small evil in service of a greater good, but in Lord of the Rings that always fails.
Re-reading Fellowship of the Rings, and I got to this passage in Lorien:
‘I would ask one thing before we go,’ said Frodo, ‘a thing which I often meant to ask Gandalf in Rivendell. I am permitted to wear the One Ring: why cannot I see all the others and know the thoughts of those that wear them?’
‘You have not tried,’ [Galadriel] said. ‘Only thrice have you set the Ring upon your finger since you knew what you possessed. Do not try! It would destroy you. Did not Gandalf tell you that the rings give power according to the measure of each possessor? Before you could use that power you would need to become stronger, and to train your will to the domination of others.’
In other words:
Frodo asks Galadriel, herself carrying a Ring of Power, “Could I, hypothetically, use the power of the One Ring to do something magical aside from turning invisible?” and Galadriel replies, “Yes, hypothetically, you totally could, assuming the magic you want to do involves laying compulsions on others, but I strongly recommend against it, because it would fuck up your brain.”
This was in the first book. At the end of the third book Frodo uses the Ring to fuck Gollum up, forcing him to throw himself into lava if he disobeys Frodo’s commands.
Talk about a chekov’s gun.
Got to this point in my re-read and uh. This was a lot less subtle than I remembered it.
‘Down, down!’ [Frodo] gasped, clutching his hand to his breast, so that beneath the cover of his leather shirt he clasped the Ring. ‘Down, you creeping thing, and out of my path! Your time is at an end. You cannot slay me or betray me now.’
Then suddenly, Sam saw these two rivals with other vision. A crouching shape, scarcely more than the shadow of a living thing, a creature now wholly ruined and defeated, yet filled with a hideous lust and rage; and before it stood stern, untouchable now by pity, a figure robed in white, but at its breast it held a wheel of fire. Out of the fire there spoke a commanding voice.
‘Begone, and trouble me no more! If you touch me ever again, you shall be cast yourself into the Fire of Doom.’
Then the vision passed and Sam saw Frodo standing, hand on breast, his breath coming in great gasps, and Gollum at his feet, resting on his knees with his wide-splayed hands upon the ground.
…
Yeah.
Interestingly, I feel that there is another layer to this, and that is Frodo’s mercy (mirroring “the pity of Bilbo” which Gandalf said would prove significant) at play, tangled up in his use of the Ring and the chain of events that would play out.
Frodo is sparing Gollum’s life here, and shaping that into his curse. He is only cursing Gollum—can only curse Gollum—as an effect of this mercy; if Gollum were dead, he could not be cursed by Frodo or the Ring; his survival makes the curse possible and serves as payment for the curse: they are in effect making a bargain here, wherein Golllum’s life and his sentence of dying in the Fires of Doom should he take the Ring again are as one, a package deal, which Gollum “accepts” by retreating with his life.
Then, once Frodo comes to Mount Doom, he cannot cast the ring into the fires; the Ring has him in thrall, since he has used it. Now into the picture again comes Gollum, whose greed for the Ring has surpassed his love of his own life—even having been cursed with death should he touch it again, he craves it and demands it for himself, taking it from Frodo by force.
Thus we see the Ring’s power divided against itself—it has defeated both Frodo and Gollum, and its defeat of Gollum inspires Gollum to fight Frodo for it, invoking the curse. And thus Sauron, who has it, now, by virtue of both its erstwhile Bearers falling under its (and therefore its Lord’s) sway, is cheated out of it by the effects of Frodo’s act of mercy.
Frodo spared Gollum, and used the Ring’s power to set a curse, and when Frodo faltered, it was Gollum whom he spared who took the Ring from him and invoked that curse, falling into the Fires of Doom and, due to the same greed that defeated Frodo, taking the Ring with him.
If there had been no sparing Gollum, there would have been no curse, and Frodo would have had the task Isildur failed at—destroying the (beautiful, useful, lovely ring)—set before him alone, and he may have succeeded, or he may have failed, or he may have tarried too long in the struggle for Sauron’s destruction to come in a timely fashion, or the resolution and the Ring’s destruction may have hurt him far beyond the loss of a finger.
Instead, there was Gollum, in thrall to Sauron yet doomed by Frodo, to take from Frodo both the Ring and the burden of destroying it. Frodo, in his mercy-tinged use of the Ring, effectively shifted the impetus behind the Ring’s destruction from himself to the doom laid on Gollum—and Sauron’s hold over Gollum made it a near certainty that the doom would come to pass: Gollum would die, and not surrender the Ring, and thus the Ring would fall with him into the fires of Mount Doom.
And Frodo … like Indiana Jones in the Chapel of the Holy Grail, could avoid falling himself by either a willingness to let go, or the presence of a loved one to hold him back. Or, y’know, Gollum deciding to bite rather than just grab. A few more options here.
This really hearkens back to old Celtic mythological geasa, and how so often someone dies because of a forced contradiction of a geas’ rules. A geas essentially allows for an easy setup of a no-win situation.
The warrior-poet-king Cú Chulainn was, eventually, brought down because he was bound by a geas. His geas was to never eat the flesh of a dog (I believe by Culann, but I’m not sure on that). Well, he got served some dog stew. He couldn’t eat it, because it was dog. But he couldn’t not eat it, because that would be extremely rude, according to cultural custom at the time - a custom so strong, it might as well have been a geas on its own. Either way, he was breaking a geas’ rules, and this magically weakens him before an upcoming battle. He - and his charioteer and horse - are slain
So, yeah, this all tracks with how geasa work. Gollum had such a strong desire for the ring that he, quite literally, had no choice but to attack Frodo for it. But, in doing so, he contradicts the geas Frodo laid upon him, and so falls.
Just came across this while reading The Two Towers:
[Frodo to Gollum]: “’I did not mean the danger that we all share,’ said Frodo. ‘I mean a danger to yourself alone. You swore a promise by what you call the Precious. Remember that! It will hold you to it; but it will seek a way to twist it to your own undoing. Already you are being twisted. You revealed yourself to me just now, foolishly. Give it back to Smeagol you said. Do not say that again! Do not let that thought grow in you! You will never get it back. But the desire of it may betray you to a bitter end. You will never get it back. In the last need, Smeagol, I should put on the Precious; and the Precious mastered you long ago. If I, wearing it, were to command you, you would obey, even if it were to leap from a precipice or to cast yourself into the fire. And such would be my command. So have a care, Smeagol!’”
I was listening to Epic: The Musical quite a lot lately and I must say, I love the use of various themes throughout the musical! It's extremely well thought out.
My current favourite is the ominous chorus chanting Odysseus name. You know - the one starring prominently in the Ithaca saga during the massacre.
But the thing is, originally it isn't Odysseus theme at all!
We first hear it chanting completely different name - Polyphemus.
It is the very beginning of the song Survive, when Polyphemus attacks for the first time - Odysseus and his men are trapped in the cyclops cave without any means of escape. It is the very theme of a monster who has trapped its victims.
The second time we hear it, is a turning point. It plays a the end of No longer you, just before Odysseus change in Monster. The chant is vague, indistinct, but we already hear Odysseus in it.
For the last time the chant returns in the song Odysseus, of course. Now it is clear and deadly: our hero is now the merciless monster who has its victims trapped inside a cave palace, without any means to escape.
A daily game that challenges our understanding of human cultures. Ten objects. 5,000 years of human history. Guess where and when each artif
An interesting game where you are presented with 10 artifacts from the MET. You have to place where the artifact is from and what time period it is from. Each artifact scores up to 10,000 points, and you lose points the further away your guess is and how far off in time you are. You can only play once a day. Thanks to @baebeylik for showing this to me.
Today I scored really well. Yesterday ... not so much.
Anthropeum.com · Jun 8 2026 🟩🟦🟦🟩🟩🟩🟥🟦🟦🟩 79,001 · top 3% of players today!
oh this is extremely fun. i did NOT do all that well but i can see myself getting good. i will be doing this regularly.
Anthropeum.com · Jun 8 2026 🟩🟦🟦🟨🟨🟦🟥🟩🟩🟦 68,088 · top 12% of players today!
i wanna start a tag game (first time woah)…
last photo in your camera roll and why (or second to last if the photo is something you aren’t comfortable putting online)
i love these reaction pics and my irl friend sent me a whole bunch of them, this was just the last one
tags: @l1fe1sp0ppli0 @biancanotfound @imgonnacryalltheusersaretaken @totallyestrogen @sha1mon @thatglitchfan @rin-yaps @boobadomo @mybloodi5purple @eternal-dead-girl @fangz2sweet @daughterofdeath28 @witch-hazel13 @v0xedblr @xxartsylavenderxx & anyone else
Jschlatt story i found on webtoon this morning
I took a picture of the song I was listening to :D
npt:
@chewing-on-lead @xxcapetowndevotee-isnotonfirexx @garlicbreadmustdie @amazingdylan @kiwistarrrzz @k4nd1k0utur3 @sisterdanielsrosary @ashlettuce @karadashofficial @karadashofficialcommunity and anyone else who wants to join :)
Really amazing conversation I had with my boyfriend lol
I DUNNO WHO TO TAG SO JOIN IF YOU WANTTT
he’s my (fictional) bf and i love him sm <3
uhh tagging my moots: @ella3clipse @esther-new-account @2015joshler @mellocomplex @headfiirstf0rhal0s @xxthnksfrthvnm @unicmagicalkunt
the actual last image is a screenshot exposing my groomer so heres the second one instead
@pepsicanzonthefloor @bvnnytrick @brian-wechts-wikifeet-page @astros-bedroom idk who to tag so just join if you want
Woe, Brian be apon ye!
(And also me.... I am in this photo also....)
@turntechterr0r @soapandcameras @chronicquinn @r0seart idk who else to tag sorry chat 💔
Last thing saved to my phone is a gif so I’m gonna send the last image I saved instead
This is a close up of a rough sketch of the my fursona’s antlers, depicting them heavily velveted as I was trying to explain to my boyfriend about how I draw my fursona when they have velvet on their antlers that’s about to shed
Have at it @acorn69 @huntsersdrawsstuff (<- my boyf) @leothecoolswaggyindividual2 @turntechterr0r @sheergeekypanic @archivistmyrya
Thanks for tagging me!
While being stuck at home with an injured knee I've decided to decorate my jean jacket. The following images in my camera roll would show the embroidered leaves and rainbow cross stitching. The stitches are pretty messy, but hey, it shows character.
Tagging @harimenui-forever @bohemiannobody @aredhel-erinti @nieninque-nyerea @kohoutek-lucni and anyone else who wants to join!
This adorable passage in the wall my father just made for the hedgehog discovered recently in my parent's garden. He is very proud of it and sent us all this pic.
Thank you for tagging me!
It's always entertaining to me to read a tilted perspective of a story you've heard a million times, but "shocking casualness of in the matter of other people's pigs and property" is such a funny way to describe this
Dorothy Sayers | The Greatest Drama Ever Staged
reblog if ur mom is smart and beautiful
This is one of my favorite sites on here because everyone who reblogged it truly believes it because their moms won’t actually see it
Elwing from Earendilova Plavba by Falešné společenstvo
(english subtitles are available thanks to them ! go watch it)
The musical is so cool, best :Longing: from Earendil ! And sweet Elwing 💙 ! this whole song (Elwinžina volba) broke my heart and brain.
Song and lyrics' translation are made by Falešné společenstvo, drawings are made by me.
I wish to love and dream as before, to sing to the stars, to hear laughter, To drive away the shadow after centuries of darkness, to believe in happiness again. Mandos shouldn't be the aim of an Elda's life. I can still breathe. So I want to be... just an elf!
Maglor's Lament "Jenom elfem byt" in Eärendilova plavba x
For Ulmo bore up Elwing out of the waves, and he gave her the likeness of a great white bird, and upon her breast there shone as a star the Silmaril, as she flew over the water to seek Eärendil her beloved.
- The Silmarillion, "Of the Voyage of Eärendil"
Elwing's Transformation in Eärendilova plavba (2024) x
are you drunk? already?
Concept: A gender reveal party but AFTER the kid is born.
Like when the kid is 6 or 12 or 18 or 24. When the kid has decided what their gender is or isn’t.
This is so fucking beautiful that I have no words.
I will always reblog this.
“Tidy your room’ dmkzmsksmdksm
Every time I see this I feel extremely fragile about ‘loving you is the easiest thing in the world’
Babe. Are you okay?. You reblogged the “loving you is the easiest thing in the world” post twice
A few months ago, we started a new D&D campaign... so right after playing an emo boy tiefling in the previous one, now I play a traumatized aasimar. He, Malachit Hornfels (a little geological joke for you), is a bard aasimar and maybe in another universe he could be your stereotypical fuckboy bard but not in this one – even thought he often flirts unknowingly and even more often knowingly lies, he is afraid to form a deep, romantic relationship with anyone... well, this is maybe another stereotype, but a newer one so it doesn't count...
And now, for the important part. A few sessions ago he met a tiefling druid who was trying to help find Malachite's aunt (she was in the form of a doe, and "trying" is a very apt description... they were both tragic). After that the tiefling invited Malachit to smoke a hookah with him and the scene was so cool and funny at the same time that I had to draw it because imagine – aasimar and tiefling smoking hookah together under the shining stars, having fun... the whole druid camp was really curious and surprised.
Nonetheless... my whole party is shipping them right now even though Malachit is struggling with his trauma and gay panic...
Hello! I'm sorry,, I know I keep asking random questions lol, but I'm really curious about your thoughts on the Quenya ban; both within the narrative and [most of] the fandom's reaction (deeming it cultural violence, etc.). Thank you!
Ooooh the Quenya ban lol, that can of worms.
I honestly don't think this is a particularly complicated thing to explain & the fact that it has become complicated in fandom is a result of the highly individualist lenses deployed - which I will tackle in another post bc this is long as it is lol.
Re. the ban itself - there's a few bits of important political context to why Thingol makes the decision he does, chiefly the Kinslaying & its cover-up, the military might & political tendencies of the Noldor and the rumours that circulate before the discovery of the Kinslaying, which are only reported to Thingol by Cirdan. I'm putting the whole of this under the cut but the TL;DR of my thesis is that:
a) a careful reading of the text indicates that the Quenya ban's primary target is fellow Sindar, not the Noldor
b) a contextualised reading will recognise that it occurs in the context of the Noldor asserting their rights to the lands of Beleriand because of the might of conquest by sword
c) that this might of conquest by sword is not innocent, but is drenched in the blood of the First Kinslaying, and therefore might generate some pause amongst the Sindar, because if the Noldor are willing to seize what they're entitled to by force and by bloodshed - an attitude they haven't departed from viz. their assertion of entitlement over the lands of Beleriand which were previously occupied by the Sindar - what might become of them if they refuse the Noldor what they feel entitled to in the future?
d) a close reading indicates that Thingol's wording is very diplomatically and politically considered, despite his emotional response, that still seeks to maintain diplomatic ties with the Noldor while demonstrating a show of strength & power that soothes Sindar anxieties aroused by the news of the Kinslaying & its implications for them
e) the Quenya ban is pretty much bog standard political grandstanding and sabre-rattling that every single state & territory does as part of its repertoire of diplomatic tools and elevating it to "cultural" violence is ridiculous, because Thingol does not actually have material and structural power over the Noldor & therefore the capacity to enforce it in any serious way, outside of the power he holds over the Sindar as their still sworn liege lord. Tbqh I think it really muddies the water re. understanding what cultural violence, oppression & genocide (as I've sometimes seen it put in this fandom) is & how it works, but that's going into part II of this.
Be yourself so ppl looking for u can find u