A ROSE HAS NO TEETH

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Yoshimura Masanobu advertises Neo-Dada group exhibition near Ginza, Tokyo, 1961.

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Summer 1987 Cour Carrée du Louvre

Interpreted with juvenile freshness, romanticism under Renaissance influence creates an uproar with bloomers and pointed flats. More feminine, fragile gracefulness, flows over draped busts, releasing a breeze of chiffon and revealing glints of uncovered skin.

Talking to Myself, Edited by Carla Sozzani and Yohji Yamamoto

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Winter 96/97 Espace Pajol

Scissor work, minimal rough cuts, design work over structured shapes. Felt, a humble material, becomes a sublime, noble casing. And always an emphasis on the back, a delicately erotic focal point.

Photography by Monica Feudi

Talking to Myself, Edited by Carla Sozzani and Yohji Yamamoto

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山本寛斎

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山本寛斎 Crêpe, satin, quilted, and lined with satin

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山本寛斎

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山本寛斎

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山本寛斎 for Vogue UK (1971)

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Students in sports clothing designed by Stepanova, in perfomance of An Evening of the Book, 1924

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Student at the Academy of Communist Education dressed in costumes designed by Stepanova, 1924

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Black silk with damask weave rinzu with stencil-printed direct-dye decoration kata-yüsen (From my private archive collection)

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Children's kimono with plain weave with double ikat decoration kasuri (From my private archive collection)

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Children's kimono with plain weave with double ikat decoration kasuri. Close up (From my private archive collection)