Tomie Ohtake, Untitled, Santos, Brazil, 2008
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we're not kids anymore.

❣ Chile in a Photography ❣
let's talk about Bridgerton tea, my ask is open
Cosimo Galluzzi

pixel skylines
One Nice Bug Per Day
dirt enthusiast
Game of Thrones Daily

Origami Around

tannertan36
ojovivo

Love Begins

oozey mess
Three Goblin Art

#extradirty
i don't do bad sauce passes

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Janaina Medeiros

Product Placement

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@artisticaspen
Tomie Ohtake, Untitled, Santos, Brazil, 2008
The Bezherith #212 (2022)
Aaron Rands
an NFT at Opensea - The Bezherith
Lee Krasner, October 27, 1908 – June 19, 1984.
Gustave Singier (French, 1909-1984), Haute Provence Nuit, 1957. Oil on canvas, 100 x 81 cm.
Patricia Treib Sleeve Variations Overduin & Co., Los Angeles May 9 – June 13, 2021
by Nicholas Hely Hutchinson
Herbststimmung II (2010)
Christel Maria Nolle
(via Paintings | Christel Maria Nolle)
January 2017 at Siroco Club.
Cellnoid #18
Laura Owens Untitled 2009 acrylic, yarn and felt on linen 68 x 45 inches
VIA
John Zabawa
SSENSE Canada Exclusive Black & Off-White John Zabawa
https://www.johnzabawa.com
Fumio Kitaoka Forest Path 1992.
Lane Paul Fontana - Concord
Frederick Hammersley
Victor Tkachenko
bailey elderberry
Richard Prince at Gagosian Gallery
“I was trying to imitate or channel what my kids were doing, because, you know, I can draw,” explains iconic appropriation artist Richard Prince of his new body of work ‘High Times.’ Titled after the counterculture magazine, which requested work from Prince for a 2016 cover, the new work is inspired by drawings from the late 90s that aim for immediacy and feeling that studied drawing couldn’t achieve for Prince. Here, in a piece over 18 x 20 feet, Prince inkjet prints, paints and collages his way into a body of work that overwhelms with manic energy. (On view at Gagosian Gallery’s 21st Street location through Dec 15th). Richard Prince, installation view of ‘High Times’ at Gagosian Gallery on 21st Street, November, 2018.