Stranger Things
occasionally subtle

★

if i look back, i am lost
cherry valley forever
Lint Roller? I Barely Know Her
dirt enthusiast
RMH

Janaina Medeiros

⁂

shark vs the universe

No title available
Acquired Stardust
Sade Olutola

Discoholic 🪩
Claire Keane

祝日 / Permanent Vacation
we're not kids anymore.
d e v o n
Jules of Nature

seen from Malaysia

seen from Germany

seen from Türkiye

seen from Netherlands
seen from United States
seen from Malaysia
seen from United States

seen from United Kingdom
seen from Netherlands

seen from Mexico
seen from United States
seen from United Kingdom

seen from Japan
seen from United States
seen from United States
seen from United States
seen from United States
seen from Türkiye

seen from Malaysia
seen from United States
@aspiringscreenwriter
I just watched The Conjuring 2, and while it’s on my mind in a similar vein to this post, I also want to spread some appreciation for Javier Botet because GOD DAMN LOOK AT THIS SHIT
He has Marfan Syndrome, which is a rare connective tissue condition that gives him bizarrely elongated limbs and allows him to do unnatural things with his body, and he’s built quite a resume for himself appearing in horror movies
Like Doug Jones, he also appeared as three of the ghosts in Crimson Peak:
But you may have also seen him as The Crooked Man in The Conjuring 2:
Eddie’s leper in IT:
The Nina monster in all three REC movies:
Set, the God of Death in The Mummy (2017):
The titular creature in Mama:
He did motion capture work for the Xenomorph in Alien: Covenant:
And he most recently appeared in Insidious: The Last Key and the Slender Man movie!!
He’s done other more obscure horror movies too but basically this guy is adorable and inspiring and an amazing talent and I adore him 8D
Had the opportunity and fucking owned it
Imagine your niche skill is ‘my body moves in eldritch and unfathomably terrible ways’ and finding a way to make a successful career out of it
Supervising animator Glen Keane flipping his animation for the character of Aladdin [x]
To All the Boys I’ve Loved Before + Cinematography or my film student ass is beyond obsessed
Me to american animation: I know your stories are great buy why does your animation suck so bad?
American animation: We have to create simplified characters to make the movement faster and more creative and interesting.
Me glancing at Japan:
Me: k.
Hey you know what studios do in America? Due to animators unionizing, instead of paying all the animators proper wage they started sending animation to be done over seas to lower labor costs. Now most studios’ animation are shipped to Korea and China and etc., which means the designs for the characters have to be simplified for easy character animation. Not to mention the history of American animation overall and how the American cartoon style has led towards more simplified styles over the years.
Also animation in Japan, while it does have plenty sakuga stuff, are actually just budget dumps for the best fight scenes. During normal scenes, characters can be very static and has a lot of holds. There’s also the mouth-flapping thing that a lot of animators in America detest. Everything is revolved around budgets for both countries. For America, to pay animators working wages they decided to cut costs and ship labor overseas. For Japan it means terrible working hours and labor, where plenty of animators have fallen ill or even die in their own cubicles.
So watch your fucking language and learn animation history. People like you are the reason why a lot of studios are cutting costs on their workers in America.
also cool of you to compare comedy scenes to action scenes. Like, it really does come down to the money, but let’s compare apples to apples
Action scene in an American animated adventure show
Action scene in an American animated adventure move (where the budget will be higher)
Low budget Japanese animation (though I’ll grant it’s also dated, it’s what I had):
Hell, these drama moments from a comedy show aren’t half bad
There’s another bigger problem here to my mind:
Visual style is not the same thing as Animation.
Like…Garnet’s wedding dance from “Reunited” is actually very NICELY animated! It’s fluid, it’s dynamic, it’s expressive! It does the thing animation is supposed to do and uses Motion to communicate Narrative.
Buuuuuuuut Garnet’s got a big goofy grin on, her proportions are not entirely “on model” (for the sake of facilitating the big expressive dancing) and the perspective is relatively flat, erego it is “bad” animation.
Except that all of those things are and have been from the very start deliberate aspects of “Steven Universe”’s visual aesthetic. An aesthetic that is connected to the show’s animation by virtue of having that aspect in mind at a design level, yes, but it’s not really the same thing.
The OP’s problem isn’t about animation, but stylistic preference. And that’s a preference which they have every right to! But it isn’t something that can be conflated with nor draped in the supposedly objective legitimacy of citing the animation itself as bad.
when you write that one perfect line
2018 Horror Movies for Halloween + overview
Aries: Mandy // Excessive, extreme and feverish
Taurus: A Quiet Place // A play on elemental fears
Gemini: Ghost Stories // Dark humored chiller
Cancer: Hereditary // Emotionally nerve-shredding
Leo: Wildling // Compelling and macabre
Virgo: The Nun // Gothic symbolism classic
Libra: Truth or Dare // Clever and twisted
Scorpio: Slender Man // Creepy and unsettling
Sagittarius: Revenge // Bloodbathed feminist Manifesto
Capricorn: Cold Skin // Chilly cinematic art
Aquarius: The Endless // Indie, mind-bending thriller
Pisces: Pyewacket // Slow Burner about an antagonistic bond
i am not taking questions at this time
You must know. Surely, you must know. It was all for you.
PRIDE & PREJUDICE, 2005 dir. Joe Wright
WHAT are you doing? I’m uh… I’m putting my hands up. You are making us look BAD. I… no I am not! Yes, you are. No, I’m not. Yes you ARE.
Venom (Ruben Fleischer, 2018)
“This film has long scenes where there’s time to illustrate the thought process. All Moses does in some of them is to listen, which is very, very challenging. To make Moses expressive, we used a lot of what some people call ‘bottom eyelid animation.’ It’s really difficult to suggest what Moses is feeling and thinking when all you’ve got to work with are the lines surrounding the eye. There were also scenes where most of what I did were very, very subtle head moves, because I want the characters as true, as believable, and as real as possible.” — James Baxter, animator for Moses
this really is one of the most beautifully animated movies.
Music in Film:
Pacific Rim (2013) dir. Guillermo del Toro
- original music by Ramin Djawadi
“Why does the third of the three brothers, who shares his food with the old woman in the wood, go on to become king of the country? Why does James Bond manage to disarm the nuclear bomb a few seconds before it goes off rather than, as it were, a few seconds afterwards? Because a universe where that did not happen would be a dark and hostile place. Let there be goblin hordes, let there be terrible environmental threats, let there be giant mutated slugs if you really must, but let there also be hope. It may be a grim, thin hope, an Arthurian sword at sunset, but let us know that we do not live in vain.”
— Terry Pratchett, “Let There Be Dragons” (A Slip of the Keyboard)
GRRM forgot this as did most current writers
How to: break my heart. A tutorial by Mad Max: Fury Road
Let’s talk about this scene a little, because I noticed a particular detail in my last viewing that’s had me buzzing and buzzing crying a lot.
Let’s start with the obvious: the whole film Nux has wanted to establish his life has some meaning by dying “historic on the Fury Road.” Of course, all his previous efforts were attempts to continue things the way they were–in Immortal Joe’s terms. Thus, those deaths would not have really been historic. They would have been forgotten, just another blip in the status quo. In crashing the rig and allowing the wives to return to the Citadel, Nux does in fact fulfill his wish to die historic–without his actions, the wives likely would not have been able to return to the city and enact the changes they inevitably do. His death matters in a way none of the other deaths in the film do–it matters to changing the future, and thus becomes an important part of the future Citadel’s history.
Nux only knows how to do that in his own terms, though–the terms of the War Boys. Thus, his death only gains significance if it is witnessed. For Nux, the action itself is not as important as it being seen and acknowledged. This makes a lot of sense in terms of Immortal Joe’s world and its patriarchal structure. Individuals are not important, actions don’t matter unless they are showy and seen–all life boils down not to meaningful actions but to showing off.
But here’s why this film is a feminist masterpiece, and why this scene in particular cements that: Capable’s reaction.
Capable does witness him. She locks eyes and acknowledges the significance of his action, of his inevitable death. But she doesn’t respond like one of the War Boys–when the War Boys die asking to be witnessed, the others respond yelling “Witnessed!” This answer does say, “I have seen your action, it matters,” but hollered with usual the War Boy bravado, it also acts as an attempt for the witnessing War Boys to build up their own importance by making themselves part of the action.
Capable does not yell “Witnessed.” She responds with a gesture–holding her hand out and pulling it toward her heart. This is the Vuvalini’s gesture of mourning–a beautiful gesture that essentially mimics pulling the lost soul into one’s own heart. Capable has only just learned this gesture, but she seems to innately understand its significance. Thus, while she witnesses Nux’s death, she refuses to “witness” him in the sense of the War Boys and instead mourns him in the manner of the Vuvalini. Nux likely sees this–the editing implies he doesn’t turn the rig until after he’s seen the gesture. Thus, he knows he is witnessed, but more importantly, he knows that he will be mourned and remembered. With that knowledge, he finally has the strength and the worthy reason to sacrifice his life for a cause that matters.
This moment is also the moment Immortal Joe’s power is officially broken. Yes, Joe is dead, but Rictus and a whole gang of War Boys and their ilk are photon their wheels, ready to re-establish the status quo. In many ways it is a transfer of power–the last call to witness leads to the first time the Wives truly embrace the culture and ideology of the Vuvalini as their guiding principle. Joe’s power is broken not so much by the explosion–though that is certainly the blunt force that finishes the deal. Joe’s power is broken by self sacrifice–a self-sacrifice born not of bravado or the hope of becoming a legend, but one born of community, of love, of hope. Capable’s response guarantees that Nux’s sacrifice will be honored and remembered, but in a new way in their new world.
Mike Myers in Bohemian Rhapsody (2018) // Mike Myers in Waynes World (1992)
Frozen vs HTTYD:
Snow
I love this comparison.
Disney animated snow here to be soft and heavy. I think they even developed a whole software just for animating snow! They add a lot more vivid color, like the blues in the shadows and the oranges in the light. Obviously, the way they animate catches the eye easier because of its strong color and bouncy movement. Characteristic and still reminiscent of the classic Disney movies.
Dreamworks made the snow here look powdery, like it had just fallen. Look how it kind of “explodes” and clouds up like dust when it’s hit with such a great impact. It’s less colored by light, but it still looks very real. Dreamworks puts so much love and detail into their animation, making it look so real you feel like you can reach out and touch it.
Both Disney and Dreamworks make movies that are amazing to look at. I could stare at the details forever.
This is the kind of animation and positivity i need on my dash.
…*sighs* such beauty…
This is legit the first Disney/Dreamworks comparison i’ve ever seen on my dash that hasn’t been aggressively one-sided i’m shocked