ever since i was a little girl i’ve always known i’m a big fan of alone time
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EXPECTATIONS
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$LAYYYTER
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PUT YOUR BEARD IN MY MOUTH
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I'd rather be in outer space 🛸

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@asthoughitneverhappened
ever since i was a little girl i’ve always known i’m a big fan of alone time
The absolute contempt for these locks is palpable.
Every time I have seen Hadestown - on stage or in the movie theater - people gasp when Orpheus turns around. I just love how it's so old and yet everyone is still always hoping that this time
it’s been said before but the idea that orpheus when we first meet him would not have turned around.. and eurydice when we first meet her definitely wouldn’t believe she could be saved, and especially wouldn’t count on someone to come save her…. i simply can’t think about it for too long or i go insane.
some kind of amphibious two-stroke engine
How old were you when you first had a grandparent die?
I wasn't born yet
less than a year old
1-5 years old
6-10 years old
11-20 years old
over 20 years old
I don't know/it's complicated
results/no grandparents have died yet
Trace amounts of Monica in my life
A statistically insignificant level of Monica in my life
My life manufactured in a facility that also processes Monica
#mambo number 0.0000000000005
you are a bender in the avatar (the last airbender) universe! Spin this wheel to find out what you bend!
Are you happy with it
yes!!
yes
eh it's okay
no
MY PEOPLE ARE DEAD. THEY'RE GONE.
results/other
europeans be like “omg north americans are so racist it’s horrible” and then elect fascists
I would like to emphasize that I agree with all of these tags by the way. My post wasn't aiming to pin all of Europe's grotesque racism on the new elections.
A few weeks ago I was at a board game night with some of my old classmates from various mainland European countries. They started talking about how horrible Trump's treatment of immigrants is and how they're so glad to be in Europe where nothing like that is happening right now. I asked them what they thought about the fact that their own governments were complicit in turning the Mediterranean into a mass grave of asylum seekers, and some of them legitimately didn't even know and were surprised to hear that their own governments had enacted policies that caused the deaths of thousands of asylum seekers.
Even here in Iceland, almost nobody has been talking about the fact that some of the far right populist parties have legitimately been talking about wanting to establish detainment camps to keep asylum seekers in.
Additional readings:
Greece suspends asylum applications for migrants from North Africa by Laura Gozzi (BBC).
Greece passes draconian legislation with prison terms for rejected asylum seekers by Helena Smith (The Guardian).
Greek coastguard threw migrants overboard to their deaths, witnesses say by Lucile Smith and Ben Steele (BBC).
Bill on Detention Centres for Asylum Seekers Published by Jelena Ćirić (Iceland Review).
Italy sends 40 rejected asylum seekers to Albania by Karl Sexton (DW).
Record number of migrants, refugees reached Canary Islands by sea in 2024 (Al Jazeera).
Portuguese government announces major migrant expulsion plan by ANSA (InfoMigrants).
This post is a few months old now, and the bit about Iceland is now outdated, because Alþingi (the Icelandic parliament) passed the bill approving the detention center for asylum seekers. It will be legal to handcuff and detain children there.
Never let anyone from Europe feed you the lie that racism and fascism are unique to North America in the 21st century.
This post made racists angry enough to harass me over it, which all that's going to do is make me bring this post back and reblog it more.
Emily Wilson's absolutely fucking savage review of The Odyssey film has made me want to re-read her translation and also maybe propose marriage.
"It has nothing convincing to say about time, memory, history, war, or about the relationship between one warrior’s glorious return and the lives of his family, adversaries, comrades, friends and neighbours. It lacks psychological, emotional, political and ethical depth. Its narrative structure is gimmicky. The writing is abysmal. None of the characters has convincing motivation for their actions or words. There are no sex scenes, and all the food looks horrible."
she fucking murdered himmmmm ♥️♥️♥️
i still think about the fucking quesadilla terf
iirc it was like this terf who was absolutely fuming because her brother was dating a trans woman and she started claiming that she was clearly male socialized because the terf made quesadillas for dinner and the trans woman was like "wow :) this is really good, what is it?" and if she was a REAL woman she would instinctively KNOW what a quesadilla is
anyway it turns out the reason the poor woman didn't know what it was was because the terf had used hummus instead of cheese for some fucking reason so it wasn't even a quesadilla
The descent into the devastating and inescapable logic of “Why We Build the Wall” throughout the song will never not haunt me.
Why do we build the wall? We build the wall to keep us free. How does the wall keep us free? The wall keeps out the enemy. What do we call the enemy? The enemy is poverty. What do we have that they should want? We have a wall to work upon.
Like the show itself, the logic of the wall is cyclical, so it’s inescapable. The wall is literal. The wall is figurative. We create the wall ourselves when we value profit over life. And at the end of the day, after all that work, and all of that time spent disparaging the “have nots,” the only thing you have left is the very wall you are building, separating you from your fellow man.
I appreciate how Hadestown is a mix of messages. There are so many lessons to be learned from this show, and I feel like I have learned a different one each time I saw it.
It starts as a story about love. About trust and working together and relationships. A relationship will die if one person is the only one working on it, no matter how much you love the other person. You cannot just share the good times and make empty promises. Relationships require work, especially during the hard times. That is how relationships grow and become stronger and more meaningful. You also have to trust your partner, again, especially during the bad times. Both Hades and Orpheus were in positions where they could not get the affirmations they needed from their partners during the bad times, and we see how that turned out. Lack of trust can lead to bitter resentment and doubt, which are relationship killers.
It is also a story about poverty, abuse, and the strength of community. We live in a world where we are trapped by rising prices and low paying jobs that treat us like machines instead of people. But it's just as Orpheus says, we are many and they are few. It is not for the few to tell the many what is true. And it's true that at first it is hard. We may want to keep our heads low and keep our fellow people "safe", (I really enjoy the "Keep your head low if you want to keep your head" line, because I think that speaks more about how Hadestown works than what we are shown) but nothing will change if we don't stand up for ourselves and each other.
I especially love the message about trying again. The story of Orpheus and Eurydice will never end differently. It shouldn't end differently. But at the end of the day, it's a story. We do not live in a story. We live in a place where we can say, let's sing it again - maybe a little differently this time - and hope it turns out this time. We can learn from our previous mistakes and try again. And try again. And again, and again. Eventually, it will turn out. You just have to be willing to see how the world could be, in spite of the way that it is.
I really think it might turn out this time
My painting of Sonam’s temple for Avatar Aang. Much of the work I did on this film was developing the style for the ancient flashback sequences!
also this hadestown proshot is what made me realize that hades literally built all that stuff in hadestown FOR PERSEPHONE SO SHE'D WANT TO STAY like SHE'S the reason he made it artificially hot and bright!! he's trying to mimic summer so she doesn't leave!! how did I not realize this before????
ALSO i knew the reason orpheus could finish the song was because he finally understood the fear and doubt hades has every time persephone leaves BUT I DIDNT REALIZE THAT THE TRIAL HADES GIVES WAS ALSO BECAUSE HE UNDERSTOOD ORPHEUS AS WELL!! like hades knew he'd fail because HE'D fail!!
also also I know there's a Thing between hades and eurydice but I didn't realize that there was also one between persephone and orpheus until now, and I think it's intended to show that they're foils of one another, that pre-seasons hades was more like orpheus and pre-seasons persephone was more like eurydice and that their focus on orpheus and eurydice is because they remind them of what they had (and think they lost) - the love o+e have for each other reminds them of themselves, and so hades wants to take eurydice away/lock her away and persephone wants to protect orpheus/let him escape because they're trying to prevent them repeating their own mistakes in their own ways
like the slime tutorial did not give me these revelations, all musicals need professional recordings for this reason!!
The thing about Hadestown is the line “To know how it ends. And still begin to sing it again. As if it might turn out this time” is an incredible way to describe most of life. We try because we have to believe that even when the ending is set in stone, it’s still worth trying. It’s still better to be a person who tried.