i know the end

[greatdumbking]

pierrefonds on colour film

[theinternetarchive]

california through the eyes of photographer wilson davis ellis, american c. 1940s-50s.

[omnia-mors-aequat-nstrwa]

Flags of the funeral procession "Memento Mori" (19th-20th centuries)

[criminalmindsverse]

CRIMINAL MINDS 10.11 — "The Forever People"

[rherlotshadow]

Mother Duck and a host of half grown ducklings in a patch of water crows-foot on the Kennet chalk river, in Wiltshire.

[calliopeprelude]

MUNA for polyester – shot by sarah pardini

[stitchblades]

jenny holzer, SURVIVAL (1983-85)

[mattcowen]

“Tomorrow We Escape” by ho99o9, album artwork shot by me.

[starlitvales]

CRIMINAL MINDS ↳ 1x01 — Extreme Aggressor

[centre-cannot-hold]

Louisiana Cypress Swamps

Bill Swindaman Photography

[logray]

THE THICK OF IT (2005-12) S03E06

[arte-artem-artibus]

Herbert Bayer - Chromatic intersection, 1966, acrylic on canvas, 101 x 101 cm

[userarmand]

stoic boss man versus neurodivergent wunderkind

[nobrashfestivity]

Pedro Guerrero, Home of Alexander Calder, 1963

[hotch-girl]

CRIMINAL MINDS (2005 — PRESENT) | 4.05 “CATCHING OUT”

+ bonus

[dame-de-pique]

Remi Verstreken - Manderscheid castle, 1909

[merlinsprat]