shake the dust.

[creamysmooth]

I hope we all get the lives we want

[geopsych]

Sunrise at the lake.

[freshmoviequotes]

One Sings, the Other Doesn’t (1977)

[gajillionblunts]

Visit Original Link

James Blake - I’ll Come Too

[simplytolkien]

[nicole-xu]

Water Water 💧

[cosyandthegang]

[thepostermovement]

Moonlight by Sara Wong

[umerr-deactivated20170526]

EGYPT. Along the Nile, women carry home firewood to cook the evening meal. 1970. (Eve Arnold)

[victormosquera]

[mariamedem]

Illustrations for New York Times about regret and how to stop it. Thanks to art director Agnes Lee! 

[sultanabran]

“I am trying to see things in perspective. My dog wants a bite of my peanut butter chocolate chip bagel. I know she cannot have this, because chocolate makes dogs very sick. My dog does not understand this. She pouts and wraps herself around my leg like a scarf and purrs and tries to convince me to give her just a tiny bit. When I do not give in, she eventually gives up and lays in the corner, under the piano, drooping and sad. I hope the universe has my best interest in mind like I have my dog’s. When I want something with my whole being, and the universe withholds it from me, I hope the universe thinks to herself: “Silly girl. She thinks this is what she wants, but she does not understand how it will hurt.”

— THEORIES ABOUT THE UNIVERSE by Blythe Baird  (via alunit)

[lovethi5]

https://www.instagram.com/p/Bm6RUTdhI2R/

[dreamstormed]

Moonlight (2016) dir. Barry Jenkins

[trulyvincent]

Gerhard Richter Sea-Sky Collages

[ryanpanos]

Room Portraits | Menno Aden

Through challenging camera angles Menno Aden abstracts most familiar actual living environments and public interiors into flattened two-dimensional scale models. A camera that the artist installed on the ceiling of various rooms takes pictures downwards of the interiors. The resulting images lay out space in symmetrical compositions that look like assemblages stripped off any kind of objectivity. The views into private homes and secret retreats bring up associations of the ubiquitous observation camera. The notion of surveillance is systematically played out by the artist to hint at society’s voyeuristic urge that popular culture has made mainstream.

-Miriam Nöske

[distantvoices]