Look at my life. Look at my choices.

Jenny. She/Her. 26. British. Autistic, asexual, fuck-knows-romantic.

[holdtightposts]

New characters for the Pokemon anime.

Here’s Professor Sakuragi and his daughter Koharu with her partner Yamper. This is his research lab that he built in the Kanto region.

... oh boy. Here we go again.

[supergirl9130]

[bookerbluedragon]

Teacher: ok, class. We'll be doing group work now.

All the undiagnosed autistic kids: FEAR

[non-bender-world]

Can we consider how many people Toph caused internal bleeding and broken bones?

[comradekatara]

oh honey they are fully dead

[chemicalmagecraft]

No but Toph was a professional earthbending wrestler with the power to feel the whole human body at once through vibrations with enough accuracy to tell lies. She knows exactly how much pressure the human body can take before important things start breaking or I’ll go buy a hat for the sole purpose of eating it.

[comradekatara]

oh, sure. she doesn’t care though. she’s 12 and she’s thriving and she loves to murder

[whoelsewillihaveicecreamwith]

THE CASUAL ROAST FROM DONALD LMAOOOOO poor sora

[problematiq]

Then you’ve learned nothing. - No, I’ve learned everything. And I’ve had to learn it on my own.

[pyromania2014]

This is good… This is a very good set of moments. Thank you.

[completelykorra]

The thing that gets me about Azula is the whole purpose of her leaving the fire nation in the first place was to retrieve Zuko and Iroh, which she did, but she also decided to just conquer all of Ba Sing Se while she was already out.   

[thechocobros]

“He’s got balls, this, uh … what was his name again?”

“CLOUD. CLOUD STRIFE.”

[mistymonster]

i have been Thinking about a role swap

[his-shining-tears]

[hymnsofheresy]

i was with my mother’s family and they were talking to me about my religious studies major. my great aunt asked me what the definition of hell was, and i responded “well i suppose it depends on who you ask.” and nearly all the protestants in the group decided that hell was “the absence of god” which i suppose is a fair answer, albeit not a universal one. my cousin’s wife was playing with her 3-year-old daughter and she says “well mommy says that hell is a mcdonald’s playplace” asdfghjhgfd

[hymnsofheresy]

this 3-year-old girl is so fucking hilarious. her mothers have signed her up for a toddler yoga class, and so she has adopted a very unique language. this child also has an imaginary friend named “mom” which is, in her mind, the boss of her two mothers. for example, my cousin’s wife explained to me how her daughter got mad at them one time. the little girl situated herself in the corner of her crib, pretended to type on a cell phone and said  “im writing an email to mom right now and telling her how bad you two are. namaste.”

[hymnsofheresy]

the family’s Big Theory about “Mom” is that both my cousin and her wife are referred to as “Mommy” and “Mama.” The nickname “Mom” is not used in the house because it would just be confusing. However, when interacting with the world, people tell their daughter that they will “tell her mom” if she is doing something wrong. so this child automatically assumes there is this greater “Mom” figure that is responsible for distributing universal justice. 

[avatarparallels]

Toph Beifong discovering metal lines and incorporating them to the metalbending police’s armor. 

[tlagifs]

[gayavatarstyle]

my tags got real long so what else is there to do but post them here

[allisonmckenzieart]

Keyblade Wielder Esmeralda!

Her keyblade is Notre Dame, while the blade itself consists of the spire and the candle stick she fought Phoebus with in the Church! The keychain is the map pendant she gives to Quasimodo.

Check out Kida, too!

[goodticklebrain]

Malvolio’s Revolve

The joy of Shakespeare is that even if you see the same play dozens of times, each production is its own, unique experience.

Having said that… there are certain bits of stage business that often crop up in numerous productions. One of my favorites is Malvolio’s revolve.

Just for fun, here are various examples of Malvolio’s revolve that have been captured on film. (If the gifs don’t work, check out my original post here.)

Alec Guinness in the 1970 ITV Saturday Night Theatre production  does the classic dubious, self-conscious revolve, although Sir Toby and his gang are safely behind a hedge and don’t have to hide.

Nicholas Pennell in this 1986 filmed production at the Stratford Festival of Canada executes a confident and rarely-seen double revolve, forcing his peanut gallery to duck out of sight.

In this filmed version of the Renaissance Theatre Company’s 1988 production, Richard Briers executes a very slow , dubious revolve that is notable for being counter-clockwise. In my experience, most Malvolios revolve in a clockwise direction.

Finally, this Stratford Festival production milks the revolve for all it’s worth, with Tom Rooney’s Malvolio turning at just the right speed to miss Sir Andrew’s desperate dash across the stage.

Some productions choose to have Malvolio turn the letter around, rather than himself. Others either blow past the line without acknowledging its comedic gag potential, or cut it in its entirety. All are valid choices, but honestly… why look a gift gag in the mouth?

[gay-jesus-probably]

…So I’m rewatching FMA:B, and I totally just realized: for the first Scar fight, Mustang wasn’t actually being a fucking idiot. The man’s a veteran combat alchemist with PTSD up to his ears; no way he’d just forget that rain shuts down his brand of alchemy. He even showed up to that fight with a firearm drawn, because he was prepared to not be using his alchemy. So why the hell would he put the gun down and try to fight a serial killer with alchemy that he should have known he couldn’t use?

Because Mustang wasn’t trying to fight Scar.

Ed being saved at the last second is excellent dramatic tension, but ignore the storytelling stuff and look at the scene from a tactical perspective. Scar can destroy/kill anything he touches. His hand is literally inches away from Ed’s face, and Ed can’t even get to his feet, let alone defend himself. Scar’s really fucking fast, and the backup is standing a good twenty feet back. Which is why everyone stands there and lets him have a little monologue, because this isn’t a showdown with a serial killer; it’s a hostage situation. If Scar went for the kill, they wouldn’t be able to stop him. They’re not going to talk him down, Ed’s not going to escape, so the immediate priority is to make Scar move away. Ideally without alerting him to the fact that he’s got a hostage at his feet.

So Mustang hands Hawkeye his weapon and steps up as a shiny distraction, trying to get Scar to walk away from the helpless Fullmetal Alchemist and come fuck up the Flame Alchemist instead. Note that Hawkeye doesn’t move until Scar’s begun walking forwards; she’s not going to make any sudden moves while the serial killers got a victim in arms reach. But one Ed’s out of immediate danger, she’s charging in to cover Mustang, and shots get fired.

Also notice how Ed doesn’t react to the situation until Havoc’s helping Ed sit up? Yeah, that also seems… purposeful. When Scar’s giving his short monologue, he’s literally standing over Ed. Of course Ed’s going to be silent and stay perfectly still - if he draws Scar’s attention, then he’ll be killed or used as a hostage. So he just keeps laying there while Scar’s standing over him, and doesn’t try to wiggle away or say anything, because it would be a very bad time to be noticed.

Basically it’s a good thing that Scar isn’t the type to use human shields, because if he was I really doubt Ed would have made it out of that episode alive.

[palizinhas]

Honestly sometimes I’m reminded of how good of a character concept Xion is. Clone of the main character who isn’t aware of her status as a clone for half the story, and after finding out about it learns that she’ll have to give up her own existence to save the guy she’s a clone of that she hasn’t even met, and spends months struggling with that knowledge, only to decide she has to do the right thing and willingly walking into her own death, knowing the two people she cares about will forget her.

Like… that’s A Lot.

[captorations]

not to mention she’s trans coded as hell. like. clone of a male character who identifies as female? only people who respect her see her as such? literally called “it” by villains? brought back to life by the simple act of being recognized and called by her name? that isn’t subtext that’s just text

[swallowedabug]