"I never should have dreamed I wanted to be a flower. Because now that I am...all I ever dream about...is the sun."
- The Batman Adventures #16 (Ending Story)
tumblr dot com
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The Stonewall Inn
EXPECTATIONS
$LAYYYTER
todays bird
Claire Keane
occasionally subtle

oozey mess

tannertan36
YOU ARE THE REASON
Xuebing Du
Noah Kahan

roma★
hello vonnie

Product Placement
PUT YOUR BEARD IN MY MOUTH
🪼
★
Doug Jones

seen from United States

seen from Malaysia
seen from Russia
seen from United States

seen from United States

seen from United States

seen from Greece
seen from France

seen from United Kingdom
seen from Italy
seen from Canada

seen from Malaysia

seen from United States

seen from Türkiye
seen from Bangladesh
seen from United States

seen from United States
seen from United States

seen from Belarus

seen from United States
@auto--filled
"I never should have dreamed I wanted to be a flower. Because now that I am...all I ever dream about...is the sun."
- The Batman Adventures #16 (Ending Story)
Reblog daily for health and prosperity.
No gay has all 5:
- A job
- Good relationship with father
- Neurotypical brain
- Ability to top
- Driver’s license
this is a fun post because people will say how many they have in the tags then you get to figure out which ones.
reblog to meow at the person you reblogged from
other comic sites for fellow rco orphans (check out the reblog, tumblr seems to be hiding the other post from the tags)
Read online:
readcomicsonline.ru
readcomiconline.xyz
readfreecomicsonline.com
zipcomic.com
comics-online.org
Download:
comics-all.com
getcomics.info
newcomic.info
@themasterpostlibrary
@thecomiclibrary
Bonus paid option:
globalcomix.com
(i'd never heard of this site before but from what i've found it's fully legal. It has a subscription model, but you can also buy comics individually and there's a bunch of free stuff too, mostly from small creators)
ETA:
a lot of people on the notes have also recommended
batcave.biz (despite the name, it's not just batman or dc or even superhero comics)
and there was some complaining about ads, so i'm also gonna rec
ublock origin (adblock for firefox)
orion (browser with adblock for ios and macos)
This is my first Halloween in a wheelchair so obviously my only costume options are Oracle or Professor X, and as I was looking up Oracle costume references I discovered that Cass and Steph are Batgirl again? In their original costumes??? and Babs is Oracle again??? Am I hallucinating? Is this worth driving to the comic store to read? I haven't touched DC since n52 lol
Well they're certainly not your only options but they are absolutely SUPERIOR options for someone who has the opportunity to take it! And...yes, okay, let me explain the convoluted mess that's behind the current state of events that is "we have three Batgirls operating simultaneously."
In August of 2020, DC had that massive upper management firing event that took out Dan Didio, Bob Harras, and most of the company's upper level editorial, marketing, and publishing staff; further job cuts happened later that year as well. This massively changed the creative direction of the company, leading to a situation where Future State (which itself was a restructuring of Didio's infamous '5G initiative') ended up as a two month "alternate future" event that led to the Infinite Frontier era (starting in March 2021) instead of a dramatic re-shifting of the DCU in the aftermath of the Dark Knights: Death Metal event.
At the time, the Infinite Frontier era was explicitly billed as "everything is canon" due to Death Metal's restructuring of the multiverse as an unlimited "omniverse." As part of this initiative, several things shifted slightly to the left re: the Batfamily. In particular, Cass and Steph were once again allowed to wear bat symbols and have their histories as Batgirl at least semi-acknowledged again (something that had been denied to them for 5 years via editorial mandate).
Thus, as of March 2021 Cass and Steph are both Batgirl again and operating as such. They gave Cass her pre-reboot!Batgirl suit again and Steph a restructured look that looks like a mashup of her Rebirth-era Spoiler suit and her 2009 Batgirl look. Effectively, Babs, Cass, and Steph are all operating as Batgirl simultaneously right now (the same is also happening with the Robin and Wonder Girl mantles: Tim and Damian are sharing Robin and Cassie and Yara are sharing Wonder Girl). DC also announced a Batgirls team-up book (which debuted last December) that supposedly starred Steph and Cass, with Babs acting as their mentor. Unfortunately, it's largely been....not good. The bar was six feet underground and failed to be cleared, unfortunately. Cass's and Steph's best appearances over the past year have been as cameos or supporting roles in other books.
Meanwhile, Babs, having ripped the chip allowing her to walk again out of her spine during the Joker War event earlier that year, got a replacement but was told by Luke Fox that doing anything super strenuous might cause it to degrade and break down (permanently, this time):
"No joke, there is no next time with the implant. Your nerves won't take to it. And we both know what it means if that happens." "I know. And I don't need it to work forever--just for now. I'm fine without the implant." "I know you are." -Batgirl (2016) #48
Theoretically, this was supposed to lead to an era of Barbara technically having the capacity to walk but largely retiring the Batgirl suit to be Oracle again. At least, that's what readers were told at the start of the IF era:
"How do you feel about being back behind the computer?"
"Honestly Huntress, it feels good. There's a big part of me that felt like I could never be in all the places I wanted to be in the costume. Now I can be everywhere again. I haven't hung the costume up for good, but I'll be a little more judicious about when I use it. Go a little easier on my spinal implant. And until then...it's not like this city is going to go wanting for a Batgirl with Steph and Cass on the job." -Infinite Frontier #0 (2021)
Early Nightwing issues seemed to bear that out. Tom Taylor's ableist writing non-withstanding, Babs largely operated as Oracle in both Nightwing and Tynion's Batman run. Then Fear State came around later that year and we started getting dialogue like this:
"That's it. I can't do any more from here. I can't find who's doing this or where they're doing it from. And I can't shut them down, not remotely. I think they're plugged directly into my system. I need to find exactly where they gained entry out there. -Nightwing (2016) #84
DC initially played it off as a one-time thing, a "Batgirl!Babs going out with a bang" story…and then 5 issues later, she was suited up again. And it's been happening more and more often the further away we get from the immediate aftermath of Joker War:
She's semi-regularly using mobility aids in Batgirls, but it's the ONLY book showing that and they're STILL having her suit up regularly. She's effectively a half-time Batgirl, half-time Oracle, and the only writers who have actually utilized her well as Oracle have been Tynion (to an extent) and Mariko Tamaki.
It's an extremely frustrating state of events tbh. On the upside, Cass and Steph are Batgirl again and everyone's pre-reboot history is at least mostly back; on the other, Babs is still the victim of some pretty heinously ableist writing and the restoration of everyone's pre-reboot history has been done so sloppily that in many respects it's difficult to figure out what's canon anymore and what's not.
In terms of going to the comic store/starting to read newer comics again, I think that depends on your perspective. There's absolutely some great stories starring the Batgirls that have been written over the past few years; if you want to pick up Mariko Tamaki's Shadows of the Bat: The Tower event from earlier this year (which as a bonus, is also a big Helena Bertinelli story and finally re-canonized No Man's Land) or her Batman: One Bad Day: Two-Face issue, those are two stories from the past year that are good. If you haven't been keeping up with comics since the New 52 period, I might point you to my Cass and Steph entries on my comics recs list, which feature a few solid recs that have been written since their re-introductions (I have yet to update the Babs entry, largely because I've been so dissatisfied with most of Barbara's comics written in the post-Flashpoint era).
....imo, before you drive to the comics shop, I'd pick out a few comic arcs that look interesting to you and read them on RCO first. There's definitely some gems to read, but we're still in a massive YMMV era for the Batgirls, unfortunately.
Guys have you seen the Barbara Gordon: Breakout preview???
Is this not just?????
He's just always there😭
The girls the gays and Nightwing fr i guess
COMPARATIVELY the way bruce breaks his 5 months of no-contact at the climax of BW:M/F is so funny bc when he reaches out to BABS (in batman (1940) #603), it’s very masterfully written to have him quite succinctly communicate many important things to her about the growth and maturation he has had and what his conclusions about his sense of self/identity have been BUT it is still kind of direct & down-to-business (even tho it is about destroying the guise and such) WHEREAS to DICK (in batman (1940) #605) (after apologizing), bruce is basically like do u wanna hear the full story first 😏😏😏 because you’re so special 🥺🥺🥺🥺 and my favorite 💞💞🥺🥺🤭🤭 and it’s like yeah . he is 🤷♀️🤷♀️🤷♀️ and i do think it’s lovely and fitting but still kind of hilarious
explain your gender in 10 words or less without using boring words like “male”, “female”, “nonbinary”, “masculine”, “feminine” or “androgynous”.
go!
Doesn't current Jason kinda represent everything Prime hated about post crisis?
I was really glad Williamson wrote Damian. I am getting a bit frustrated with how Fractions handling him
Current Jason not as much, perhaps he would if that solo hadn't been cancelled. The concept of Red Hood in general though... kind of? It's complicated. Jason keeps reappearing as a CONCEPT in Williamson's run - particularly as Robin! - because he represents the loss of hope and innocence in comics (and in himself) and "bad writing" that Prime hates.
(Adventure Comics '09 #5 and Superman '23 #40. "Hope is just a marketing buzzword" is something you might've genuinely heard during the early Modern aka Dark Age of comics, and was the prevailing attitude about sidekicks and child heroes in general; this is incidentally more or less the thesis behind Brat Pack by Rick Veitch, himself a writer for DC.)
Something you have to understand about Prime is that a large part of why he was the way that he was is that his narrative purpose was to be a whipping boy for both the audience and editorial. During late Post Crisis and subsequently New 52 he represented the "whiny and entitled" fans who were angry about characters they loved being wildly changed under DiDio, but he was also the tool used to bring about a number of those changes.
(Prime attacking Dan DiDio and then breaking down after fighting Black Lantern Alexander Luthor Jr. in Adventure Comics '09 #5)
All of which is to say that... I think if Prime as he is now met early Red Hood Jason he might have a similar reaction to him as he does to Manchester Black in Superman '23 #40.
But currently Prime only knows Jason as a concept, one which he relates to as a character also "written badly" and robbed of innocence and hope. He would however! Probably dislike a Jason who stuck to killing, because again, being a murderer is something that Prime hates about himself. Which is why he had that whole talk with Damian, and Damian is one of the heroes he's shown to be afraid to disappoint in Superman #40.
Would you elaborate a bit on the "abuser Joker" theory or headcanon WRT Bruce? I am curious
Sure!! I just woke up and I'm a bit hungover though so I apologize if this isn't super coherent.
So. Something you might notice when reading modern comics that feature Joker heavily is that Joker has a habit of framing his relationship with Batman as romantic, sometimes outright comparing their dynamic to that of a toxic or abusive couple (particularly in comics that also involve Jason - he'll refer to them as "mommy and daddy" and address Jason like he's his parent). Every now and then another character will also point out this parallel, or it might be highlighted narratively by being mirrored with Harley.
One of the ways Joker creates this impression of a mutual relationship both to Bruce and to onlookers is by reinforcing the idea that failing to save his life under any circumstances means the complete failure of Bruce's whole moral code and then framing Bruce's compulsion to save his life as an active choice and proof of his love for him personally. He then uses this to isolate Bruce from his support system, blaming his own harmful actions on Bruce failing to stop him (by killing him), and may further dislocate blame by framing himself as Bruce's victim (sometimes going straight for a battered wife vibe). A tactic which is obviously super effective given the number of major cases of Joker's victims blaming Bruce for his actions and/or outright accusing him of loving Joker.
This shit is why Joker is like, absolutely thrilled by Jason's trolley problem trap in UtH and tells him he couldn't have done better himself etc, and why I've brought it up in discussions of that comic. Dude is always going "secretly you love me, secretly you enjoy this, you know you're an irredeemable monster deep down and I'm the only person you're meant to be with" and he loves it when he gets other people to be part of that "joke". Imo he's basically weaponized Bruce's moral OCD to get Batman to play a really fucked up game of house with him.
Also why I really love this bit from the end of Joker War!! (Batman #100)
And why I think it's important that ultimately Harley is the one to get Bruce to finally walk away.
(tags via @kelssiel)
Would you elaborate a bit on the "abuser Joker" theory or headcanon WRT Bruce? I am curious
Sure!! I just woke up and I'm a bit hungover though so I apologize if this isn't super coherent.
So. Something you might notice when reading modern comics that feature Joker heavily is that Joker has a habit of framing his relationship with Batman as romantic, sometimes outright comparing their dynamic to that of a toxic or abusive couple (particularly in comics that also involve Jason - he'll refer to them as "mommy and daddy" and address Jason like he's his parent). Every now and then another character will also point out this parallel, or it might be highlighted narratively by being mirrored with Harley.
One of the ways Joker creates this impression of a mutual relationship both to Bruce and to onlookers is by reinforcing the idea that failing to save his life under any circumstances means the complete failure of Bruce's whole moral code and then framing Bruce's compulsion to save his life as an active choice and proof of his love for him personally. He then uses this to isolate Bruce from his support system, blaming his own harmful actions on Bruce failing to stop him (by killing him), and may further dislocate blame by framing himself as Bruce's victim (sometimes going straight for a battered wife vibe). A tactic which is obviously super effective given the number of major cases of Joker's victims blaming Bruce for his actions and/or outright accusing him of loving Joker.
This shit is why Joker is like, absolutely thrilled by Jason's trolley problem trap in UtH and tells him he couldn't have done better himself etc, and why I've brought it up in discussions of that comic. Dude is always going "secretly you love me, secretly you enjoy this, you know you're an irredeemable monster deep down and I'm the only person you're meant to be with" and he loves it when he gets other people to be part of that "joke". Imo he's basically weaponized Bruce's moral OCD to get Batman to play a really fucked up game of house with him.
Also why I really love this bit from the end of Joker War!! (Batman #100)
And why I think it's important that ultimately Harley is the one to get Bruce to finally walk away.
(tags via @kelssiel)
Look, there’s a reason people don’t like Tom King, I get it, but it’s fucking HILARIOUS to be called a ‘racist grandma’ for pointing out Tom King is still reacting to the Iraq War, because it was a enormous deal for him, and he’s probably going to still be reacting to it until the day he dies.
Incredible how some people are quite happy to dress things up in therapy speak, but not willing to give any energy to ‘hey King’s job was very traumatic and he’s still processing that’.
You can not like it, you can not want to read it, but it’s a perfectly reasonable response to his situation and there is a huge cohort of people who understand where he’s coming from.
Oh no! Was the violent white man traumatised by his active and willing participation in war crimes? Was the racist monster traumatised by what he claims is his greatest accomplishment? how sad! Let's immediately ignore the fact he's an evil war criminal because you personally inferred that he's sad from a comic he wrote while actively ignoring the fact that he's touted his war criminal past as "the greatest accomplishment" of his life.
Honestly, I really hope that you never ever have to deal with the aftermath of how working for highly stressful jobs including police forces, military and security agencies affects, traumatises and changes people.
You absolutely don’t have to agree with (and indeed can violently disagree with) what people have done to still have empathy for them. I guess one of the things my own life experience to date has taught me is that being compassionate towards even people who you think have made terrible damaging decisions that have led to harm to themselves and others has benefits.
It is of course also your right not to get yourself tangled up in this and have an ethical strict line that you don’t cross.
But if so I sincerely hope for your own sake that that you never find yourself in a position where you have to wrestle with this stuff in the course of your work or about someone that you know.
Going to regret this when people come whaling at me, but:
Tom King has been writing for DC Comics for longer than he worked for the CIA at this point.
I, personally, am a big fan of people realizing they did something awful and attempting to atone for that. King has pretty clearly changed his mind about the US military given the way his Wonder Woman reads.
If you do not show compassion towards veterans, if you treat them as inhuman monsters, you will never get anything done. You will drive them right back to the military (which has a high recidivism rate, wonder why that is) and towards conservative groups which practice performative compassion in order to recruit them. Trust me when I say you are not helping your cause.
Tom King has built his comics career on bragging about his participation in the Iraq invasion. He has bragged about submitting his comic book scripts to the CIA for approval. His years of this very cushy comic book job have been his reward for participating in the Iraq invasion.
Tom King is a real-life white American man who invaded Iraq to punish Arabs for a crime that they didn't commit and he didn't suffer. You can't make up the impact of this real-life adult man based on your wishful headcanons for his racist, bootlicking superhero comics.
What is "our" cause? How do we help our cause by giving up our basic human dignity? Is our cause to coddle people who hate us? What is your cause? Doesn't it sound like you're the one offering perfomative compassion right now?
Excerpts from the foreword of the recent graphic novel The Flavors of Iraq by Feirat Alani and Léonard Cohen:
Since I got out of the Marine Corps in 2006, I felt I owed a moral debt to Iraqis, and to the city of Fallujah in particular. Though it still stings to admit it, I was part of the assault force that laid siege to Fallujah in late 2004. Over the course of a month, we turned the entire city to rubble and left an estimated 4,000–6,000 civilians dead in our wake. I know the damage can’t be undone, nor the debt repaid. But as an acknowledgment of wrongdoing and a gesture of remorse, I committed myself to campaigning for withdrawal and reparations.
[...] Over the last twenty years, the story of the invasion and occupation has been told almost exclusively from an American perspective that is so full of myth and omission that the entire collection of novels, films, memoirs, and journalistic accounts belongs in the fantasy genre. Not only are they historically inaccurate across the board, but they also share a common narrative form. American soldiers are the protagonists of these stories. To the extent that Iraqis are included at all, it is either as victims or villains; and, in either case, the need for Americans to save the day is implicit. According to this narrative, the invasion is not an act of aggression but an attempted liberation gone wrong.
[...] If Iraq through American eyes seems more the product of wishful thinking than reality, it’s because the framing, omissions, and narrative tropes that have characterized much of the fiction and nonfiction on Iraq have flowed downstream from US military propaganda. One of the lesser-known aspects of Operation Iraqi Freedom is that the way the story was told—the controlled perspective, the characterization of the actors involved, the focus on strategic themes, the tactical use of language—was as much a part of the battle plan as was the use of bombs and infantry. New trends in strategic thinking at the turn of the millennium gave propaganda a more prominent role in American military operations during the global war on terror.
Soft power, it was believed, would allow the military to win the hearts and minds of Iraqis, reducing the need for deadly force. It didn’t actually work out that way. But the fact that our propaganda operations remain a lesser-known aspect of the war speaks to their success in constructing a popular (mis)understanding of the conflict that has been reproduced again and again in American pop culture.
[...] From The Hurt Locker (2008) to American Sniper (2014) and The Yellow Birds (2012), American pop culture has followed the model set by US information operations, pumping out story after story told through the familiar gaze of the American soldier. No matter that the invasion was a war crime. No matter that over a million Iraqis died in the course of the occupation. All ethical questions about the mission are, at most, a secondary plotline. And Iraq and Iraqis are just a setting in these stories about American soldiers and their struggles to heal the wounds of war.
That foreword was written by Ross Caputi, former U.S. marine, current anti-war activist. Not every veteran can do what Caputi does, but every storyteller can choose whether to use his platform for Iraqis, or to use Iraqis as his platform. And the people Caputi hurt still don't owe him forgiveness, or anything else.
Isn't it disturbing how Caputi's position—white, American, and a veteran of invasion—is leveraged to add credibility in a French Iraqi journalist's personal account of his own family's lives in Iraq?
The Flavours of Iraq was adapted into a series of animated shorts, officially uploaded to watch for free in English.
French-Iraqi journalist Feurat Alani has observed and chronicled the changes that have swept Iraq, first through the eyes of a child, and la
From an intern at DC and Marvel, to a CIA operative in Iraq, back to a writer at DC
“It was the greatest honor of my life. I very much enjoyed the job.”
Someone call the cops, absolute Jason isn't hot!
Absolute Batman #22
Got some Grade A Senshi propaganda right he- OH GOD OH NO
Senshi... I'm so sorry oh my god I dont know what happened or where that water bucket came from jesus christ all mighty
GO VOTE
💬 2258 🔁 10096 ❤️ 15264 · Tumblr Sexyman Contest 2026 Final Round Tenna art by @9Aaaalt29 on twt
Just finished the spideycap fic and absolutely LOVED it. Was having a pretty terrible morning, got curious on spideycap as a ship and stumbled on to your fic and basically most of the negative emotions I came into work with is gone. Your fic has got me feeling all warm and happy lolol it was hilarious
Thanks for that🫶🏿 and I'll def be binging the rest of your spideyworks:^)
LMAOO omg, thank you! I’m glad it could brighten your day!! I’ve actually been meaning to finish that fic at some point, just had a lot of life stuff happen and put a pause on fanfic in general. It’s a short little thing, so I know I’ll come back to it. And I have other SpideyCap ideas floating around my head — their New Avengers stuff and the CW era was so good for cute moments !! hope you have fun with anything else you read :D
shorthands for dumbassery that i have grown to love deeply
"how dare you say we piss on the poor" in response to someone misinterpreting your post
"_ isnt gonna fuck you" for suck up behavior
"woah. should we tell everyone? should we throw a party?" for who the fuck cares
"and what if the world was made of pudding" for when would this ever matter.
"and sharks are smooth both ways" for a group of people heatedly arguing with 1 guy who is fucking with them all
".. but its about a witch in the alps finding her lost cat" for someone trying to sanitize something to the point of absurdity
this is prime proof that this ENTIRE WEBSITE is autistic because nowhere else would a no tags post that's just an informative list about slang get this much traction.
anyway more addittions
“30-50 wild hogs” for someone making ABSURD excuses for violence.
“what were YOU doing at the devils sacrament” for how do you know that without being a part of it.
“anyone in this thread smoke weed” for the shit you people are saying is so off topic this might as well be a general discussion forum
“dogs are boys and cats are girls” for ooh ur mindset did not grow past 4th grade, huh
“color theory in a childrens hospital” for bending over backwards to not agree that YEA, that thing Came Off Weird
“you are a tar pit” for someone finding any reason to respond with outrage.
“is the __ in the room with us right now?” for I Don’t Think That’s Real.
“bean soup? im allergic to beans!” for ik this doesn’t work for you, but that’s not a flaw. not everything can be for you.
“people irl: hey man hows it going” for this will Never Matter irl