Monkey by Kanō Sansetsu, 17th century
ID: soft, minimalist ink painting of a monkey on a leafy branch, looking at a water ripple. Its face looks like it's smiling

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@bbgulrot
Monkey by Kanō Sansetsu, 17th century
ID: soft, minimalist ink painting of a monkey on a leafy branch, looking at a water ripple. Its face looks like it's smiling
When I die I wanna be resurrected as the crab in the bucket of crabs that pulls the other crabs back into the bucket. And I'll love doing it
if i could die i would wanna be resurrected as a crab strong enough to pull your crabsona out of the bucket. and then where would you be
...
[ID: a crab on a beach at sunset. The crab is faced towards the sunset, as if watching it. End ID]
i don't see any difference between those jimmy carter and idk cary grant? gifs, tbh
anyone who does want to take this?
Oh, I will. Referencing this post: Jimmy Stewart v Cary Grant with their scene partners.
The chemistry with Jimmy Stewart is hot and heavy, it's hungry, and he's more domineering. He takes visible effort to restrain himself while looming into their space and clutching restlessly. His partners are reluctant but receptive.
With Cary Grant, it's more romantic and soft, and he's quite submissive—someone said the appeal of Cary Grant is that he “lets himself be seduced.” He and Ingrid Bergman are passionately longing, but it's elevated, they're not inches from fucking lol. In the last gif he's shy and sweet and she has warm control.
The difference in their hands and the blocking gives an interesting contrast. Like, Cary Grant was also super tall!
Street Fighter EX3 - Spinning Bird (Chun-Li’s Theme)
Hello
What's up anonymous ✌️
it’s because you’re always in that damn hole that resembles the grave but isn’t
"I exist here. I don't know if you can understand; I see her like this every time I close my eyes, in the darkness, in the blink of an eye, I see her like this."
"None of your past experiences helped prepare you for this consequence."
"And I have never figured out how to live without her."
"So, you choose to exist here. It is not linear."
"No, it's not linear."
ID: 1: Star Trek Voyager screencap: Harry Kim and B'Elanna Torres look unhappily at an evil clown computer program personification of fear while clown minions caper around them in his torment nexus.
2: Junji Ito manga panel: protagonist guy tells the life-sized dancing marionettes surrounding him, "Sorry, but I can't see the fun in all of … this. It's just weird. And all of you should just stop it right now."
(panel via @/tsunflowers)
they're pretty bad at it lbr
@nomilkinmyteaplease
When X files came out, I remember thinking it was not that great (like, why did they always go into dark places witha gun, and not let’s say, a flashlight???), years later I appreciated the fantastic dialogues, the witty lines, and Scully ebign a kickass female lead like no other. Not a fan of the conspiracy within conspiracy plot. But the first 5/6 seasons (and even then John Doggett’s episodes minus the aliens), so good.
I was not a fan from the very beginning, because, as one might imagine, The X-Files was way too scary for me. It took falling ass crazy in love with David Duchovny to get me to watch the show, but once I did, I found that I enjoyed it on its own merits. I actually liked the atmospheric darkness, because that was new and different back then; I think The X-Files was the first show to try that approach. It felt fresh in other ways. Back then, a lot of ‘serious’ shows didn’t really interact with pop culture. The X-Files was totally serious, respected its audience, and you could also hear the Vandals. I still have the original cassette tape copy of “Songs In the Key of X” that I got in 1996, a stand-out soundtrack in a decade where everything had a soundtrack album. Unfortunately, to my mind, the show doesn’t hold-up in other ways. Watching a lot of those episodes, I’m reminded of how shitty the 90′s were for women. Mulder’s watching porn in his office. There’s the fixation on Scully’s reproductive system. Mulder seems to believe in every paranormal phenomenon but laughs off a woman’s assertion that she was sexually assaulted by a ghost. A woman’s fear of sexual assault is treated as a pathological phobia in “Blood”. There’s the half-baked attempt to justify the Donnie Pfaster storyline by making him, like, the Devil*, or something. There’s that stupid crap in “Kill Switch” and “First Person Shooter”, where Scully’s jealous because she’s not the only girl in the club house anymore. In fact, Scully seems to get jealous anytime Mulder has any meaningful interaction with any other woman. Later seasons find Scully dressed like she’s going to the club, in stiletto heels and tight pants, not what you’d want to wear when you run after people for a living. The closest we get to an acknowledgment of the daily shit Scully has to shovel is in “Never Again”, where she admits, as much as she can on a TV show in the 90′s, that she’s a submissive attracted to dominant men. That was cool, that was psychologically complex, made sense of the character, showed that she was self-aware, not a doormat, even she got frustrated by Mulder’s behavior. Unfortunately, this seems to have been too much for the writers to handle, and soon enough, Scully’s back to playing the nagging wife to Mulder’s dickhead husband. To spite the above, I do, actually, like The X-Files. Even thirty years later, I think it stands out, in terms of complex storytelling, working within genres, deconstructing, and reconstructing them. There are rare moments of great insight into the characters and their relationships. And I acknowledge that it was probably a difficult show to run, and a lot of my problems with it probably come down to fatigue on the part of the writers, because they were juggling multiple storylines and character arcs, but The X-Files, I think, is also an object lesson in why you need at least one woman on your writing staff, “A barren mother’s barren womb”, really, you guys really thought that was a good line, for Christ’s sake.
* I’m insulted on the Devil’s behalf, frankly; Donnie Pfaster was just gross. Then, we get that weird send-off line from Scully in “Orison”, about what was working through her when she shot Donnie, like she’s inviting us to think that shooting him was evil, too. Like, no, Scully, that was God acting through you to take out the trash. Though, Donnie’s interesting in other ways, as his storyline loudly proclaims the debt that The X-Files owed Silence of the Lambs. I think they probably wanted to do a story like that, and tacked on the supernatural stuff afterwards. There’s also the one and only reference to Scully having PTSD after being abducted by aliens. Nice try? Maybe?
I remember doing a presentation about how Kipling was very mean to women in his short stories. I finished, and then the amazong professor turned around and said- do you think kem in Kipling’s short stories got such an amazing deal?
There are definitely questionable things about X files writing. Not sure if any episodes at all were written/directed by a woman? I’m sure GIllian Anderson complained about that too at one point. And there were sure a lot of clichés in their relationships (the jealousy which was sort of made fun of- but also worked both ways, as Mulder was also a bit miffed when Scully fell for the vampire sheriff- sorry the details of the story elude me now years later). I don’t see Scully’s jealousy as something that takes away from her character, as at the end of the day, she still kicked ass, maybe up until the point when Mulder made an exit from the show and she sort of overtook his PoV and Doggett became the rational one. I think this more than a nything ruined the character a bit, but at this stage I am not sure they really knew where things were going at all. The character I felt really bad for was Mimi Rodgers’ one, did they even show her death or was it all off screen?
The other things is , like in Kipling, everyone has it quite rough in X files. It’s not just the writing, but the reality of working in a sexist male dominated environment (and even these days, women in police etc and everywhere else face sexist, discrimination). Scully is the nagging wife to Mulders permanently moany, disfunctional, inept husband who can operate a gun, but cannot navigate his own feelings. His meaningful relationships are relatively short lived, and when he feels attracted to someone, they often chose someone else than him (n ot as good looking, but with more publications to their name- Bambi!).
The outfits were always a bit out there btw. In season 1 doesn’t Scully roll out of a window ina red suit or something along the lines? I never got why they would wear those long cloaks to swapms and forests and basements, it must have been terribly uncomfortable.
If X files were made today, it would be a different show no doubt.
Can’t comment on Kipling, because I’ve never read him. I will say, though, that there’s a difference between a character getting a raw deal because it’s necessary to tell the story (there’s no X-Files without Mulder’s initial trauma), or because the writers just kinda like beating them up (Spender), and the character’s suffering being linked to their gender (so much of Scully’s narrative arc across the show has to do with her infertility and later miraculous fertility). Everyone on The X-Files suffers, but Mulder never gets kidnapped by a guy who wants to fuck his corpse, pardon my French. Skinner never agonizes about what it means for him as a man that he’ll never be a father. Krycek’s definitely a sex object, production even seems to encourage it*, but Krycek has a lot more agency than Scully. If he gets beaten up, it’s usually because of something that he did, as opposed to Scully getting kidnapped first by Duane Barry, then the aliens, then Donnie, because they see her as a suitable victim.
I don’t have the details for every episode, but I can’t recall ever seeing any women listed as writer and/or director, except maybe Gillian Anderson for “All Things”, if I recall correctly. The big names out front were certainly all men.
There’s a difference in the way Scully’s crush on guest star, Luke Wilson is handled in “Bad Blood”- played for laughs- and how Mulder’s interactions with, say, Diana Fowley or Phoebe… what’s-her-nuts, from “Fire” is presented. Scully’s crush is played for laughs, and the way Mulder tells the story, Sheriff Luke Wilson seems more interested in Mulder’s theories about shroud-eating vampires than Scully. Conversely, Scully, and the viewer, sees the women Mulder expresses interest in as a real threat to her precedence in Mulder’s life. She’s written as needing to be Mulder’s special girl, whereas he can take it or leave it.
The writing sort of attempts to have it both ways: Scully’s a female hero for the 90′s, she’s a professional woman with a background in hard science. She’s also a petty, jealous girl who doesn’t want any other females sniffing around her man. The former establishes her as Mulder’s equal, the latter knocks her down a peg, and it’s difficult to take her as seriously.
There’s a departure round about season seven, I think, with changing standards in appearance for women. In seasons one and two, Scully’s cute, and some of her clothes are kind of impractical, but she’s not sexed-up the way she is from 2000 on. Reyes got some of that, too, the low-rise boot cut pants, the open blouses. Unfortunately, there was a lot of that going on back then, on TV and in real life. I think women must have been cold for that entire decade.
I don’t know how different The X-Files would be if it were made now. I don’t think attitudes have necessarily changed for the better.
* Though, wardrobe gives Krycek the reverse Scully. He starts out looking like kind of a workplace bimbo- cute, but you can’t take him seriously. When he’s working for CSM and later, when he’s on the run (and he has his most potent interactions with Mulder), his styling gets rougher, and he’s at his most queer-coded, the jeans, the leather, his look so butch it’s camp. Once he becomes a major player, though, he starts dressing his age, wearing suits. He’s more put together, but he loses his sexuality. We’re meant to look at him with grudging respect, not ogle him.
In a June 1996 interview, Gillian Anderson said: "At the beginning I remember Scully always had to walk behind Mulder - that was the direction I was given and I would piss me off to no end! [...] [I]f I made any kind of comment, the looks I would get were unbelievable - like, 'Stop complaining, stop bitching.'" The X Files was intentionally, ideologically sexist.
ID: In black night, searchlights catch falling snow. A young woman adeptly avoids the lights on rollerskates, her hands behind her back.
Only Yesterday おもひでぽろぽろ 1991 | dir. Isao Takahata
ID: Animation of light summer rain on a farm.
It falls on buckets and paving stones, people working in a lush field, a misty backyard, and the flowers in the field, where a little green frog climbs.
bisexualism and lesbianity
LESBINSANITY!!!!
[Image Description: A gif of a monster truck doing a flip above fire./End ID]
Parker smashing a chair over the Ivy League frat boy's head and then picking up the broken chair pieces to hit them more for hurting Hardison is what Eleanor/Chidi should have been
Sunlight off a doorknob
ID. a photo of bright sunlight reflecting off a round doorknob back onto the door, making a halo of light. End ID.
we will domesticate the shark. we will restructure society around shark ownership. this is basic fucking marxism people.