Savathûn Apologist @night-dark-woods - Tumblr Blog

Here's a website where Palestine GoFundMes are vetted and shared that you can send out to people. The url is gazafunds.com

Easy to use and simple. Just share the site whenever someone asks for GFMs for Palestine.

i-am-bic

"There's no platonic explanation for this" <-you need to be nicer to your friends. Right now

aggot

let's reintroduce "rude" to the lexicon no that person is not evil or morally bankrupt or even your enemy they're just being rude

#rude AND annoying!!!#not everything has to be a moral crusade sometimes people are just annoyinggg as hell

foone

#described in alt text #sinkdog

tsscat

I don’t think people realize what keeping the internet running and producing most tech they use entails like. Physically, labor-wise, energy-wise.

tsscat

Purposefully included some older articles here so people can see how baked in this is:

Labor Conditions of Content Moderators (2021)

Inside AOL's "Cyber-Sweatshop" (1999)

Digital Labor and Imperialism (2016)

Amazon Mechanical Turk: The Digital Sweatshop (2012)

Gig Economy, Algorithmic Control, and Migrant Labor (2022)

The Rise of Cyber-Coolies (2003)

Ecological Impact of Computation and the Cloud (2022)

The Environmental Sustainability of Digital Content Consumption (2024)

Carbon Footprint of the Internet (2010)

I think a lot of times I see people talk about this stuff in relation to AI. It's right to talk about it, but I hate when people act like AI is the only tech that has these problems. What you see with AI now is a reflection of the broader tech and internet industry that has grown for the past 20-30 years.

#yeppp #ai #tech

penandinkprincess

truly an honor and a privilege getting to witness everyone's first time in public ever every single time i go grocery shopping

#always.#that and the cvs pharmacy pickup line

jingle-knight

I’m soooooo embarrassed. My lord told me “good night,” but I thought he was calling me a good knight, and, well, you could hear it clink against my codpiece.

#marapetra

petal-metal-blog

OMG MY NEW SHOES CAME :3 ignore my ugly house arrest ankle bracelet. haha

arroz

I’ve known this post longer than I’ve known most of my friends

night-dark-woods

ID. closeup photo on op's bright pink studded heels and house arrest bracelet. End ID.

#WORLD HERITAGE POST

jame7t

can i email you

you want me pregnant

#chelldos

heliological

this image came to me in a dream

#lhod

mixelation

we as a society have GOT to accept that it is okay if we get blocked. you do not have the right to interact with every single person on the internet. "but then i can't interact with their content" yes that is the point "but i didn't do anything" no one owes you an explanation and you don't have to have "done something" to be blocked. let it go

mooned-knights

we have to hold the line on misandry not being real. it's getting scary out there

tobermoriansass

every single conversation abt ip on here devolves into a bunch of people being really anxious that someone is going to take away their hypothetical income from them for their creativity and like, that is already happening. that is literally happening. how do you think publishers like penguin, harper collins, macmillan et al got big and stay big? how do you think publishers like elsevier et al maintain such a stranglehold and charge such amounts? do you even know how individual IP rights operate these days, especially when you're licensing them to a company? have you read a contract ever in your life? have you had to work on preparing a contract ever in your life? do you think your much vaunted, precious authors have the rights to reprint their books whenever if they realise their publishers are fucking them over? don't make me fucking laugh. at the very least please pull your heads out of your asses and read helen dewitt's extensive chronicling of her run-ins with the publishing industry as is. god knows you can pick up the biography or collected/published letters of almost any author* across time and encounter a section with their run-ins and struggles with their publishers, either because they're not being given enough royalties, or because they're writing to contract and need to give their publishers a book by a specific deadline, or a specific kind of book, even when circumstances & health issues are conspiring against them. do you think copyright gives them any control over their lives, or any sort of creative control? don't be so naive - and nevermind the fact that it is basically impossible to have a career in writing these days and that the rare few who do are writing extremely formulaic genre fiction written to, again, insane deadlines that are punishing for any sort of creative work. stop being naive!!!! take an actual look and reckon at what the actual circumstances and conditions are for producing art! it is not good! copyright is not going to save you! it is panacea at best! you will literally do better campaigning for universal basic income over championing the cause of copyright!

*off the top of my head just based on the biographies & other primary sources i've read: agatha christie, aldous huxley, jrr tolkien, georgette heyer

tobermoriansass

mind you, this is only in publishing/writing. the conditions are not that much better in other domains. music? most artists are being fucked over by their record companies cutting deals with spotify that leave them getting very little revenue while not actually owning their own masters. visual arts? a handful of artists will break through each year and it depends heavily on your ability to network and attend extremely expensive art events, from what i know of. but maybe you can get lucky working in highly exploitative conditions in a well-known artist's studio where you produce works that are sold under their name :) can't say i know much about television or film, but my impression is that its not that much better (perhaps the greatest evidence in favour of this is the way the number of working working class actors in the uk has nearly dropped completely off and nearly all of them are privately educated in one way or the other). so genuinely who do you think the so called ip law is protecting right now? bc right now from where i'm sitting, it is protecting literally those with the greatest amount of money and purchasing power, on both sides of the cultural production and cultural distribution divides. which as you might imagine is anathema to any kind of genuine creative culture.

souplover13

plaintext: *off the top of my head just based on the biographies & other primary sources i've read: agatha christie, aldous huxley, jrr tolkien, georgette heyer. end plaintext.

#LITERALLY

theburialofstrawberries

awesome awesome interview with Emily Wilson

seraphalpha

paywall-free version

night-dark-woods

Transcript:

Interviewer: There is something stereotypically masculine about the kind of chest-pumping, overly stylish translations of your predecessors.

Wilson: I’m really skeptical about any gender essentialism on that. Other women have published translations of Homer into Italian and into other languages I can’t read. I’ve read some of the French translation by Anne Dacier from the 17th century, and it’s fairly loquacious. Could you pick the translations of The Odyssey by a woman out of a lineup? Absolutely not. But journalists wanted it to be about that. I get that you’re trying to create a story, but I just don’t believe it.

Interviewer: Have you followed the online discourse about the film so far?

Wilson: It’s made-up controversy. Nobody’s seen this movie. It’s just the usual triggers about race and gender, and I just find it very tedious.

Interviewer: curious about what it would look like to make a feminist version of The Odyssey. It seems that could be a helpful framework to have ahead of Nolan’s movie.

Wilson: I’ve been watching a lot of Nolan movies in preparation for all of this, and it seems to me that we don’t know what the script’s going to be like. If it’s the usual Nolan plot of “A guy is on a quest far from home and struggling to get back to an objectified female character,” then I’m not sure I see that plot as inherently particularly feminist.

Interviewer: Looking at those two changes, it seems to me that your translation has a feminist function, whether it’s intentional or not.

Wilson: I think the bar should be higher for feminist translation. There are people whose project that is.

End Transcript.

#classics #translation #goooooooood interview. i really appreciate how Done she is with all of it #'how do you feel about him adapting your translation' idgaf its been adapted more times than anyone can count or even know #'how do you feel about the movie' i hope it ups enrollment in ancient greek classes