Savathûn Apologist

ozzy, whatever pronouns just change it up, '96 edition. tme white butch, autistic! ao3 [icon is savathun from destiny 2. mobile header is raven from rwby holding a mug that says "Don't talk to me til I've fucked your wife"] header is by @seeyouguyslater.

[fairuzfan]

Here's a website where Palestine GoFundMes are vetted and shared that you can send out to people. The url is gazafunds.com

Easy to use and simple. Just share the site whenever someone asks for GFMs for Palestine.

[petal-metal-blog]

OMG MY NEW SHOES CAME :3 ignore my ugly house arrest ankle bracelet. haha

[arroz]

I’ve known this post longer than I’ve known most of my friends

[night-dark-woods]

ID. closeup photo on op's bright pink studded heels and house arrest bracelet. End ID.

[jame7t]

can i email you

you want me pregnant

[heliological]

this image came to me in a dream

[mixelation]

we as a society have GOT to accept that it is okay if we get blocked. you do not have the right to interact with every single person on the internet. "but then i can't interact with their content" yes that is the point "but i didn't do anything" no one owes you an explanation and you don't have to have "done something" to be blocked. let it go

[mooned-knights]

we have to hold the line on misandry not being real. it's getting scary out there

[tobermoriansass]

every single conversation abt ip on here devolves into a bunch of people being really anxious that someone is going to take away their hypothetical income from them for their creativity and like, that is already happening. that is literally happening. how do you think publishers like penguin, harper collins, macmillan et al got big and stay big? how do you think publishers like elsevier et al maintain such a stranglehold and charge such amounts? do you even know how individual IP rights operate these days, especially when you're licensing them to a company? have you read a contract ever in your life? have you had to work on preparing a contract ever in your life? do you think your much vaunted, precious authors have the rights to reprint their books whenever if they realise their publishers are fucking them over? don't make me fucking laugh. at the very least please pull your heads out of your asses and read helen dewitt's extensive chronicling of her run-ins with the publishing industry as is. god knows you can pick up the biography or collected/published letters of almost any author* across time and encounter a section with their run-ins and struggles with their publishers, either because they're not being given enough royalties, or because they're writing to contract and need to give their publishers a book by a specific deadline, or a specific kind of book, even when circumstances & health issues are conspiring against them. do you think copyright gives them any control over their lives, or any sort of creative control? don't be so naive - and nevermind the fact that it is basically impossible to have a career in writing these days and that the rare few who do are writing extremely formulaic genre fiction written to, again, insane deadlines that are punishing for any sort of creative work. stop being naive!!!! take an actual look and reckon at what the actual circumstances and conditions are for producing art! it is not good! copyright is not going to save you! it is panacea at best! you will literally do better campaigning for universal basic income over championing the cause of copyright!

*off the top of my head just based on the biographies & other primary sources i've read: agatha christie, aldous huxley, jrr tolkien, georgette heyer

[tobermoriansass]

mind you, this is only in publishing/writing. the conditions are not that much better in other domains. music? most artists are being fucked over by their record companies cutting deals with spotify that leave them getting very little revenue while not actually owning their own masters. visual arts? a handful of artists will break through each year and it depends heavily on your ability to network and attend extremely expensive art events, from what i know of. but maybe you can get lucky working in highly exploitative conditions in a well-known artist's studio where you produce works that are sold under their name :) can't say i know much about television or film, but my impression is that its not that much better (perhaps the greatest evidence in favour of this is the way the number of working working class actors in the uk has nearly dropped completely off and nearly all of them are privately educated in one way or the other). so genuinely who do you think the so called ip law is protecting right now? bc right now from where i'm sitting, it is protecting literally those with the greatest amount of money and purchasing power, on both sides of the cultural production and cultural distribution divides. which as you might imagine is anathema to any kind of genuine creative culture.

[souplover13]

plaintext: *off the top of my head just based on the biographies & other primary sources i've read: agatha christie, aldous huxley, jrr tolkien, georgette heyer. end plaintext.

[theburialofstrawberries]

awesome awesome interview with Emily Wilson

[seraphalpha]

paywall-free version

[night-dark-woods]

Transcript:

Interviewer: There is something stereotypically masculine about the kind of chest-pumping, overly stylish translations of your predecessors.

Wilson: I’m really skeptical about any gender essentialism on that. Other women have published translations of Homer into Italian and into other languages I can’t read. I’ve read some of the French translation by Anne Dacier from the 17th century, and it’s fairly loquacious. Could you pick the translations of The Odyssey by a woman out of a lineup? Absolutely not. But journalists wanted it to be about that. I get that you’re trying to create a story, but I just don’t believe it.

Interviewer: Have you followed the online discourse about the film so far?

Wilson: It’s made-up controversy. Nobody’s seen this movie. It’s just the usual triggers about race and gender, and I just find it very tedious.

Interviewer: curious about what it would look like to make a feminist version of The Odyssey. It seems that could be a helpful framework to have ahead of Nolan’s movie.

Wilson: I’ve been watching a lot of Nolan movies in preparation for all of this, and it seems to me that we don’t know what the script’s going to be like. If it’s the usual Nolan plot of “A guy is on a quest far from home and struggling to get back to an objectified female character,” then I’m not sure I see that plot as inherently particularly feminist.

Interviewer: Looking at those two changes, it seems to me that your translation has a feminist function, whether it’s intentional or not.

Wilson: I think the bar should be higher for feminist translation. There are people whose project that is.

End Transcript.

[narcissene]

affirmations:

- it’s fun to be awake & in an upright position

- consciousness is a gift

- i CAN do this anymore

[teomodo]

art books on the internet archive for you

morpho books

figure drawing for all it's worth (+ creative illustration)

framed ink

will eisner comics and sequential art

will eisner graphic storytelling and visual narrative

understanding comics (+ making comics)

folder of various animation production art

burne hogarth drawing dynamic hands

perspective for comic book artists

michael mattesi force drawing

the animator's survival kit

color and light james gurney

be free

[bgm05]

ideas for discourse i came up with

having OCs is bourgeois

people who write erotica should be considered sex workers

only americans believe in aliens

it's misogynist to draw touhou characters with big boobs

the "godzilla" franchise is harmful because it teaches children that they should be afraid of lizards and other animals

feel free to argue about any of these, credit not needed but appreciated

[stjohnstarling]

Stop moaning and arching your back - this is an autopsy!

[stargazersasha1]

if ur a trans girl and ur partner is not an ardent transfeminist frankly you need to dump their bitch ass. you can and will find better partners. i promise. i love you

[stargazersasha1]

mature content

[briannyssey]

some people read an awful lot, but don't read very well. deep reading is itself a skill. being able to untangle the threads of theme, subtext, characterization, narrative style, and more are all things that it takes time and intentional engagement to learn.

if you've ever watched a movie with your film buff friend and chatted about it afterwards, that friend might have pulled hours more of conversation out of the same 90 minutes of screentime, and wondered how the fuck they did that - it's not raw intelligence, it's a skill that's been honed. And I learned a lot about film from talking to friends who knew about film, and reading critique by film scholars

literature works exactly the same. so if you want to get more out of your reading, there are things you can do to train that. Find a book or short story you think you've got a pretty good grasp on, preferably from a widely read & respected author like Ursula K Le Guin or Ray Bradbury (if you're new at this don't swing for the Toni Morrison or the Samuel Beckett yet unless you feel very comfortable with the complexity of the text - the point is to develop a complicated new skill on good foundations). Then go to JSTOR, create a free account, and look up criticism on the story you've chosen. Find something that looks readable to you and at least somewhat interesting. Read that article, and look at what that writer got out of the same story you've read that you didn't get. Do you see the critic's points? Did they teach you something about the text? Go reread that story and see if the criticism has changed how you read it. Are you seeing more? Are you thinking about the implications of a line that you hadn't noticed before? Does the story feel richer now?

there are other more involved ways of finding criticism. Learning to use academic databases, going to your local library to do interlibrary loans, finding critical voices you appreciate; these are all useful subskills. Literacy isn't just being able to read words, it's being able to read words in context and think about what they tell you about the text, the author, or the time and culture in which the text was produced. Literacy is the skill of being able to look at the world with open eyes and think clearly about how its parts are connected. It'll change your life

[briannyssey]

this keeps getting shared around and ive seen some different tags responding differently so i just want to make some important clarifications and distillations

you don't have to read more deeply if you don't want to (but i'd recommend it, i genuinely think it makes you a better person)

if you want to learn to read more deeply, the resources are out there. try to find critical literature (that is, academic writing that analyzes the text) on works your familiar with so you can get a sense for how to do that analysis too

learning to deep read literature can help you deep read many areas of your life

writers tend to put a lot of work into their stories. if you learn to read that work you'll (probably) appreciate the stories you love even more. And if not, then you'll have developed your taste. This too is worth doing

[cuppydogshane]

podracer Sebulba notably absent from swift-kelce wedding attendees............

[3liza]

IDENTITY EMERGES ORGANICALLY FROM ACTION

[3liza]

IF YOU DONT DO ANYTHING YOU ARENT ANYONE. SORRY

[princesssarisa]

Where did your first name come from?

I was named after one of my parents

I was named after a dead relative or family friend

I was named after a living relative or family friend

I was named after a religious figure

I was named after a historical figure

I was named after a fictional character

I was named after a place

My parents just chose a name they liked

Other

Remaining time: 2 days 17 hours

Having been named after a character in The Great Gatsby by my English-major dad, I thought I would ask about this.