Where can I buy her album tho
that vibrato
SHE SOUND SO GOOD!!!!!
GOLDEN
cherry valley forever
tumblr dot com
trying on a metaphor

⁂
Sweet Seals For You, Always

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PUT YOUR BEARD IN MY MOUTH
Three Goblin Art
wallacepolsom

@theartofmadeline

blake kathryn
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shark vs the universe
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𓃗
h

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Aqua Utopia|海の底で記憶を紡ぐ
Mike Driver
Cosmic Funnies
seen from Kenya
seen from Netherlands
seen from Brazil
seen from Argentina
seen from Morocco
seen from South Africa

seen from China
seen from Kenya
seen from Paraguay

seen from Egypt
seen from United States
seen from Brazil
seen from Colombia
seen from Oman
seen from United States
seen from United States

seen from United States

seen from Australia
seen from United States
seen from Tunisia
@beach-birdy
Where can I buy her album tho
that vibrato
SHE SOUND SO GOOD!!!!!
GOLDEN
How to show expression with the mouth!
This was a request and at first I wasn’t sure if I had anything to provide with, but as it turn out it got a little longer than I expected because there were actually things I had to say!! Wow!!
Anyway, this is some guidelines I follow when I try to make the face expressfull, more specifically the mouth! It is often neglected, since it’s actually pretty hard, I’ll admit. But I’m here to help (hopefully…)! A mouth expression tutorial as per request. Enjoy and hopefully it will help some a little. ʕ•ᴥ•ʔ
Draw the teeth at the right angle.
This is super important. The upper jaw follows the angle of the head, and the lower jaw will depend on how open it is. Make sure you have a rough estimate of where the teeth are, and how much of them you’re going to see!
The lips will VERY roughly follow the same angle as the teeth. It really depends on the character, but it gives you a sense at least.
If you DON’T do this, you’re going to lose so much volume and the mouth is going to end up looking unrelatable. I showed this example in this tutorial:
It’s not just the lips!
The cheeks, chin, and tongue play a role too!
Try look at your own mouth or references! I have a very pliable and large mouth, so that’s one reason why my characters have it too lmao.
ASYMMETRYYYYY (ง ͠° ͟ل͜ ͡°)ง
I cannot emphasize how important asymmetry is when drawing expressions. It applies not only to the eyebrows to achieve the Dreamwork Face™, but also the mouth. Seriously if you draw a symmetric mouth I will deliver myself to your mailbox and then shout at you until you fix it.
Look at the difference between these two for example: which one has more “life”?
I think you get the idea.
Push and squish - give it flow
Here’s an old drawing I have but it illustrates how I think when I squish the mouth, and use folding and wrinkles to my advantage.
Look at your own face and see where skin bundles up, where it creases the most and when bumps appear on your chin. Subtle details makes all the difference!
One VERY effective detail is illustrated in the first sketch, where I pull upwards on one side, and downwards on the other. That’s a good detail to use when the character is making a skewed expression, or is extremely frustrated. I encourage you to play around with that concept bc it’s ~super effective~!
EXAMPLES:
Happy: Your entire mouth is pushed upwards, not just the corners of your mouth!
I tend to draw a :3 mouth bc I’ve been drawing Lance too much….. You don’t have to but it’s basically imprinted in my motor memory by now.
Pouting/frowning: corners are pushed down, middle pushed slightly up. Sometimes, there’s a slight dip in the middle too. It can give a sense that the character is biting their lips.
Showing frustration/intimidating/is intimidated: basically showing a lot of teeth. The corners are as open as possible and the middle sorta more squished. An extremely important detail here is showing some of the gums, and open space between the cheeks and teeth. That way it looks like the mouth it open to it’s full potential. Here is also where you basically MUST add folds and bumps, or else it’s not going to look relatable.
(Here I am again with the pulling upwards on one side and downwards on the other, as illustrated on the last sketch)
And then again, here’s just another doodle showing how important it is to show the gums. It’s the same face twice, but the second one looks slightly more frustrated doesn’t it?
(from my other tutorial on how to draw facial expressions)
As you can see, this last one is very versatile and I draw it a lot. Play around with the basic shape and see how much subtle details makes a lot of difference!
That’s it!
I hope that cleared some things up and was somewhat helpful! Enjoy drawing ✨
Stumbled across your art recently, and I totally admire your work! As a complete noob to the digital art scene, I'd just like to ask whether you have any tips on colour picking (like for skin tones, under varied/dramatic lighting and such!). I have a ton of other things I want to ask, but I'll limit myself to one question and then try to google the rest, haha/ Thanks for sharing your art with us! ^^
ahh thank you so much! ♥ welcome to the digial art scene friend, i hope you enjoy your stay and ctrl + z
now onto your question! (if you don’t know what layer and layer modes are and how they generally work you should probably google that before you continue reading)
we all perceive colour differently (thx science) and i trust my intuition a lot when it comes to colour picking because of that, and also because i feel like you can make pretty much every colour combination work within the right context. context is key! but still, remember that all of this is about how i perceive colour, so you might not agree with everything i say.
here’s a quick rundown of terms you’ll see around a lot in reference to colours and shading: the hue, which is the ‘colour’ itself, the saturation aka the intensity, and the brightness [or value] which describes how dark or bright we perceive a colour to be.
rule of thumb: when you shade don’t just add black (or white) to your base colours, that will make your drawings boring and lifeless. use different hues and saturation!
now first things first: which skin colour does the character have?
you’ll mostly be navigating in the red to yellow spectrum for the skin tone. so when i pick the base colours i usually start with the skin and adjust the rest of the colours accordingly. if you’re not sure where to begin it might help if you first determine the values (brightness) of the base colours in grayscale.
and here are a few colour variations—i stuck to the approximate values but played around with a lot of different hues and levels of saturation.
now compare 3 and 5: you’ll notice that 3 is very bright and leans towards orange hues, whereas 5 has a pinkish tint.
on the left i gave 5 the hair colour of 3 and in my opinion the pink hue of the skin doesn’t go well with the orange undertone of the hair. you’ll have to experiment a lot to find out which combinations work for you.
ctrl + u is your biggest friend (or image >> adjustments >> hue/saturation in photoshop, the shortcut works in sai and clip studio paint too). play with the sliders and see what happens. i do that a lot myself, because it’s easier to coordinate the colours like that afterwards instead of trying to manually pick perfectly matching ones right away.
for further adjustments i like to use an extra semi-transparent layer on top of everything with just a single colour to add atmospheric light. this unifies the colours and makes them more harmonious, if that’s what you’re looking for. this is about as far as i’d go if i didn’t want to shade the drawing.
if i do want to shade, especially with high contrasts and dramatic light, i darken the base by just adding an additional black layer, here set to 40% opacity. of course you could add a colour layer like the ones i mentioned previously too.
to create an impression of dramatic light you need a high contrast between light and dark areas (1). if i want additional visual intrest i often add secondary light which falls onto the main shadow areas. here i picked a faint greenish blue to balance out the yellow (2). and since light is at least partially reflected when it hits a surface you should add a faint glow that goes across the shadow/light border. i uses a mid-brown with a very soft brush on a layer set to overlay here (3).
for this shading style i like to use the layer mode colour dodge with lowered opacity + fill settings. for some layer modes opacity and fill do the exact same thing (e.g. for multiply or screen). however for colour dodge there’s a big difference:
a lowered opacity merely alters the transparency of the entire layer. that looks pretty awful sometimes, because the bright orange affects the dark of the hair much more intensely than the already brighter skin. but when you lower the fill percentage you primarily lower the amount of light that falls onto darker colours. so the layer’s opacity setting treats every colour equally whereas the fill setting takes their values into consideration. it might be hard to understand if you don’t try it out yourself, so just play around to get a feel for how it works!
and to summarise, here’s a process gif:
colour is an extremely big topic and i’ve only barely scratched the surface but i hope that still helped you out a little! the fastest way to learn is always to try things yourself, so grab a sketch and experiment. 👍
For artists who have problems with perspective (furniture etc.) in indoor scenes like me - there’s an online programm called roomsketcher where you can design a house/roon and snap pictures of it using different perspectives.
It’s got an almost endless range of furniture, doors, windows, stairs etc and is easy to use. In addition to that, you don’t have to install anything and if you create an account (which is free) you can save and return to your houses.
Examples (all done by me):
Here’s an example for how you can use it
Great find, thanks!
OMG HEAVEN!!
Bless you!!!!
Cosplay (and general sewing) life hack- easy pleats with a fork! For all those school girl uniform cosplays and more :)
bookandslugclub:
Resource Dump: Creating Characters!
Primary Characters
Your Hero: Top Ten Rules
10 Traits of a Great Protagonist
4 Steps to Creating a Truly Active Protagonist
20 Tips for Creating Relatable Protagonists
How to Center your Story
How to Create Unforgettable Protagonists
25 Things You Should Know About Protagonists
Creating Memorable Characters
Creating Strong Female Protagonists
Creating Dynamic Protagonists
How to Create Characters
Inner Dialogue - Writing Inner Character Thoughts
25 Things a Great Character Needs
5 Ways to Create 3D Characters
Secondary Characters
10 Secrets to Creating Unforgettable Supporting Characters
How to Write Effective Supporting Characters
Question to Ask (& Strengthen) Your Minor Characters
5 Tips for Developing Supporting Characters
Techniques for Creating Great Secondary Characters
5 Steps to Dazzling Minor Characters
3 Ways to Create Stupendous Supporting Characters
Creating Memorable Secondary Characters
5 Archetypes for Supporting Characters
Your Map to Creating a Memorable Minor Characters
Names
Top Ten Tips
8 Tips for Naming Characters
7 Rules of Naming Fictional Characters
Name that Character!
6 Creative Ways to Name your Character
Naming your Characters
A Guide to Naming Characters
Female: 1 | 2 | 3
Male: 1 | 2 | 3
Alien: 1 | 2 | 3 | 4 | 5
Surname: 1 | 2 | 3
Unisex: 1 | 2 | 3 | 4
Traits
List: 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9
Developing Character Traits
How to Create Good Personalities for your Characters
Develop Memorable Personalities
Give your Character Personality
How to Create a Character’s Personality
How to Make Sure your Character’s Personality Shines
5 Building Blocks of your Character’s Personality
Appearance
Appearance Generator
Your Character’s Physical Appearance
How to Describe a Character’s Looks
Describing a Character’s Appearance
Character Description Resource
Examples of Physical Characteristics
Describing the Physical Attributes of your Characters
How Great Authors Describe Character Appearance
Ultimate Guide to Nailing your Character’s Appearance
Describing Clothing and Appearance
Character Appearance Help
Character Description Resource
Describing People: A Person’s Physical Appearance
Describing the Physical Attributes of Characters
Speech
Talking About your Character: Speech
Variety in Character Voices
All your Characters Talk the Same
How to Create Distinctive Character Voices
How to Create Characters Who Don’t Sound like You
The Art of Voice in Fiction
Create Varying, Yet Realistic, Speech Patterns
The Art and Craft of Dialogue
Writing Character Voice
Creating Differences in the Speech Patterns of your Characters
Style: Person and Speech
Dialects: 1 | 2 | 3 | 4 | 5 | 6
Backstory
Building Better Backstories
Basic Tips to Create Better Characters with Tragic Backstories
How to Write a Backstory
Writing Characters Using Conflict and Backstory
Backstory Description Generator
Questions to Create Character Backstory
How to Weave in Backstory to Reveal Character
Nail your Character’s Backstory
How to Write Backstory Without Putting your Reader to Sleep
How to Write a Killer Backstory
Diversity
How to Make Young Adult Fiction More Diverse
Writing People of Color
A Few Tips and Resources for Writing Characters of Colour
Writing Characters of Colour Tastefully
Writing With Colour
7 Offensive Mistakes Well-Intentioned Writers Make
Writing Characters of Colour
Describing Characters of Colour
Gender
Female: 1 | 2 | 3 | 4 | 5
Male: 1 | 2 | 3 | 4 | 5
Transgender: 1 | 2 | 3 | 4 | 5 | 6
Non-Binary: 1 | 2 | 3 | 4 | 5
Sexuality
Main Character Sexuality
On Writing LGBTQ Characters: 1 | 2
Writing Gay Characters
Guide to LGBT YA
Avoiding LGBTQ Stereotypes
Writing Bisexual Characters: 1 | 2
Writing Asexual Characters: 1 | 2
Pansexual & Demisexual Characters
How to Write Gay, Bisexual and Pansexual Characters
Introduction
Introducing a Character
Introducing your Main Character
Do’s and Don’ts for Introducing your Protagonist
First Impressions
How to Introduce a Character
How Not to Introduce a Main Character
Introducing the Protagonist
Development
Character Development
9 Ingredients of Character Development
Characterisation 1 - Character Development
How to Develop a Character for a Story
Character Development
Character Development Drives Conflict
Developing your Characters and Making them Interesting
Relationships
How to Write Strong Character Relationships
Character Relationships
3 Keys to Developing Character Relationships
The Secret Behind Great Character Relationships
3 Tips for Character Relationships
Building Believable Relationships
Sibling: 1 | 2 | 3 | 4
Platonic: 1 | 2 | 3
Romantic: 1 | 2 | 3 | 4 | 5 | 6
Strengths
Identifying your Character’s Strengths
Character Strengths and Weaknesses
Introducing the 24 Character Strengths
Character Strengths and Virtues List
Strengths and Weaknesses
A Balance of Strengths
Flaws
123 Ideas for Character Flaws
DarkWorld RPG Flaws List
Character Flaws
Ten Ugliest Character Flaws
The Four Types of Character Flaws
On Giving Flaws and Weaknesses
Character Flaw Index
Goal
Why your Character’s Goal Needs to be 1 of these 5 Things
Goals Define the Plot
Goal Setting for You and your Character
How to Explore you Character’s Motivation
4 Ways to Motivate Character and Plot
Motivation
By Genre
Fantasy: 1 | 2 | 3
Sci-Fi: 1 | 2 | 3 | 4
Romance: 1 | 2 | 3 | 4
Thrillers: 1 | 2
Horror: 1 | 2 | 3
Heroes
Your Hero: Top Ten Rules
How to Write your Own Hero Story
What Makes a Great Hero?
Creating Heroes and Heroines
Write a Story about a Hero
How to Create an Antihero that Readers Love
Heroes vs. Anti-Heroes
Create a Super Hero
How to Create a Brand New Iconic Hero or Villain
What Makes a Hero
Villains
How to Create a Credible Villain in Fiction
How to Make a Purely Evil Villain Interesting
9 Evil Examples of the Villain Archetype
How Not to Create a Villain
Creating Villains People Love to Hate
3 Techniques for Crafting a Better Villain
Basic Tips to Write Better & More Despicable Villains
Writing Tips for Creating a Complex Villain
How to Create a Great Villain
Do’s & Don’ts
Do’s and Dont’s of Writing a Good Character
How to Create a Character
Characterisation Dos and Dont’s
Female Characters of Do’s and Dont’s
Do’s and Dont’s of Dialect
Helpful Writing Blogs
fuckyeahcharacterdevelopment*
writeworld
referenceforwriters
thewritingcafe
aquestionofcharacter *
writingwithcolor
fuckyeah-char-dev
dailycharacterdevelopment
Clichés
Characters and Cliches
Top 10 Character Cliches
7 Lazy Character Cliches
10 Most Cliched Characters in Sci-Fi
Four Worst Character Cliches
Female Character Cliches
Character Cliches to Avoid
The Cliche Character Test
How Cliches Can Help You Make Great Characters
Templates
How to Create a Character Profile
Writing Character Bios
Character Sheets and Character Creation
Gender/Sexuality Generator
Extremely Detailed Character Template
Writer’s Resource: Character Template
Character Description
im tempted to make wwayy more of my art into duvets omg (-^〇^-)
shop is here
From the Ashes by Tyler Young
js
I had a salarian evening yesterday~ This ME species is so gorgeous ❤️👽 I also tried out my new watercolor paper from arched, the warm pressed one and I just love it.
Mini SAI guide - "Blending (color blending)", "Dilution (opacity mix)", and "Persistence" settings.
I’ve had a general idea what these things did but wasn’t completely sure what their specific functions were. I decided to sit down and figure it out, and I have thrown together a short reference guide for anyone who is confused about them. I know there are multiple translations of SAI floating around, so if some of these terms don’t sound familiar, just know that I’m talking about the three settings that appear under the texture in the brush tool settings (note that this won’t apply to any tool types except for brushes and watercolor brushes).
I don’t claim to be an expert so if you find I’ve made a mistake, let me know so I can update it, thanks! :3
—-
BLENDING (Color Blending)
This controls how readily the brush will inherit any colors you are painting over with it. For example, a 0% blending setting will pick up no existing colors, treating it as if you were painting on a transparent layer. A 100% blending setting will ONLY pick up existing colors (provided there are any). So at 100%, the color you’re using won’t even show up, unless you move to a transparent area. Blending is not affected by transparent pixels, so if you’re drawing on a blank layer it will have no effect.
So you can see from this example that the color I’m using gets harder to paint as the blending increases and more of the existing green is absorbed, until at 100% it is just completely turning green.
—-
DILUTION (Opacity Mix)
This controls how readily the brush will draw on a blank (transparent) part of the layer. A 0% Dilution will result in the brush painting very easily onto a blank surface, while a brush with 100% dilution will literally not paint on blank parts of the layer at all. Dilution is ONLY affected by transparent pixels. So it won’t do anything if the whole layer is already filled in (even with white). Dilution can be thought of as the inverse of the Blending setting in some ways.
So in this example, you can see that as dilution approaches 100%, the color I’m painting with basically becomes invisible. In fact, if you were to switch to binary color mode and look at this layer, there would literally be nothing there anymore!
Keep this in mind - if you ever can’t paint for some reason, check your dilution setting, it might have gotten accidentally bumped to 100!
—-
PERSISTENCE
This one goes hand-in-hand with blending. Basically, it controls how easily a brush shifts color as you are blending from one color to another. Rather, how long it “persists” if you will. Like blending, Persistence is only really relevant when painting over existing color so it’s mostly unaffected by transparent pixels. Basically, the higher the persistence, the longer it will take for the color to shift as you make a stroke, and subsequently, from which color to which other color it is shifting is dependent on the blending setting.
So for this example I’ve done the same test with three different levels of blending. I turned off all pressure sensitivity (actually I just used my mouse) to emphasize the effects in a controlled environment:
If blending is at 0%, persistence fails to have any real effect. With pressure on, there is only the difference of having to push harder, but the results will be the same as far as I can tell.
At a happy medium of 50%, persistence increase causes the orange that the brush is picking up to last longer as it goes into the green, until it never shifts to blue at all.
At 100% blending, there was never any blue in the first place, because as we already know, full blending causes you to only pick up existing color. So the persistence setting changes only how fast the orange changes to green.
Persistence is dependent upon the blending settings, so having them somewhere in the middle will probably produce the most optimal results.
—-
CONCLUSION
Ultimately how you use these is up to you, and is largely dependent on what kind of brush you’re making and what it will be used for. And most of these settings are meant to be used together in unison, so play around with them a lot!
If you are confused, or not sure what settings you want or what settings you should be using, a safe bet is to put them all at about 50% - that will produce fairly average results that are easy to work with, and it’s easy to remember in case you want to experiment but don’t want to forget your settings in case you decide to switch back.
Hope that helps!
nODO for those who need help with sai!
Positivity snails and frogs!
123 Ideas for Character Flaws
Absent-minded - Preoccupied to the extent of being unaware of one’s immediate surroundings. Abstracted, daydreaming, inattentive, oblivious, forgetful.
Abusive - Characterized by improper infliction of physical or psychological maltreatment towards another.
Addict - One who is addicted to a compulsive activity. Examples: gambling, drugs, sex.
Aimless - Devoid of direction or purpose.
Alcoholic - A person who drinks alcoholic substances habitually and to excess.
Anxious - Full of mental distress or uneasiness because of fear of danger or misfortune; greatly worried; solicitous.
Arrogant - Having or displaying a sense of overbearing self-worth or self-importance. Inclined to social exclusiveness and who rebuff the advances of people considered inferior. Snobbish.
Audacious - Recklessly bold in defiance of convention, propriety, law, or the like; insolent; braze, disobedient.
Bad Habit - A revolting personal habit. Examples: picks nose, spits tobacco, drools, bad body odour.
Bigmouth - A loud-mouthed or gossipy person.
Bigot - One who is strongly partial to one’s own group, religion, race, or politics and is intolerant of those who differ.
Blunt - Characterized by directness in manner or speech; without subtlety or evasion. Frank, callous, insensitive, brusque.
Bold - In a bad sense, too forward; taking undue liberties; over assuming or confident; lacking proper modesty or restraint; rude; impudent. Abrupt, brazen, cheeky, brassy, audacious.
Callous - They are hardened to emotions, rarely showing any form of it in expression. Unfeeling. Cold.
Childish - Marked by or indicating a lack of maturity; puerile.
Complex - An exaggerated or obsessive concern or fear. (List specific complex.)
Cruel - Mean to anyone or anything, without care or regard to consequences and feelings.
Cursed - A person who has befallen a prayer for evil or misfortune, placed under a spell, or borne into an evil circumstance, and suffers for it. Damned.
Dependent - Unable to exist, sustain oneself, or act appropriately or normally without the assistance or direction of another.
Deranged - Mentally decayed. Insane. Crazy. Mad. Psychotic.
Dishonest – Given to or using fraud, cheating; deceitful, deceptive, crooked, underhanded.
Disloyal - Lacking loyalty. Unfaithful, perfidious, traitorous, treasonable
Disorder - An ailment that affects the function of mind or body. (List the disorders name if they have one.) See the Mental Disorder List.
Disturbed - Showing some or a few signs or symptoms of mental or emotional illness. Confused, disordered, neurotic, troubled.
Dubious - Fraught with uncertainty or doubt. Undecided, doubtful, unsure.
Dyslexic - Affected by dyslexia, a learning disorder marked by impairment of the ability to recognize and comprehend written words.
Egotistical - Characteristic of those having an inflated idea of their own importance. Boastful, pompous.
Envious - Showing extreme cupidity; painfully desirous of another’s advantages; covetous, jealous.
Erratic - Deviating from the customary course in conduct or opinion; eccentric: erratic behaviour. Eccentric, bizarre, outlandish, strange.
Fanatical - Fanatic outlook or behaviour especially as exhibited by excessive enthusiasm, unreasoning zeal, or wild and extravagant notions on some subject.
Fickle – Erratic, changeable, unstable - especially with regard to affections or attachments; capricious.
Fierce - Marked by extreme intensity of emotions or convictions; inclined to react violently; fervid.
Finicky - Excessively particular or fastidious; difficult to please; fussy. Too much concerned with detail. Meticulous, fastidious, choosy, critical, picky, prissy, pernickety.
Fixated - In psychoanalytic theory, a strong attachment to a person or thing, especially such an attachment formed in childhood or infancy and manifested in immature or neurotic behaviour that persists throughout life. Fetish, quirk, obsession, infatuation.
Flirt -To make playfully romantic or sexual overtures; behaviour intended to arouse sexual interest. Minx. Tease.
Gluttonous - Given to excess in consumption of especially food or drink. Voracious, ravenous, wolfish, piggish, insatiable.
Gruff - Brusque or stern in manner or appearance. Crusty, rough, surly.
Gullible - Will believe any information given, regardless of how valid or truthful it is, easily deceived or duped.
Hard - A person who is difficult to deal with, manage, control, overcome, or understand. Hard emotions, hard hearted.
Hedonistic - Pursuit of or devotion to pleasure, especially to the pleasures of the senses.
Hoity-toity- Given to flights of fancy; capricious; frivolous. Prone to giddy behaviour, flighty.
Humourless - The inability to find humour in things, and most certainly in themselves.
Hypocritical - One who is always contradicting their own beliefs, actions or sayings. A person who professes beliefs and opinions for others that he does not hold. Being a hypocrite.
Idealist - One whose conduct is influenced by ideals that often conflict with practical considerations. One who is unrealistic and impractical, guided more by ideals than by practical considerations.
Idiotic - Marked by a lack of intelligence or care; foolish or careless.
Ignorant - Lacking knowledge or information as to a particular subject or fact. Showing or arising from a lack of education or knowledge.
Illiterate - Unable to read and write.
Immature - Emotionally undeveloped; juvenile; childish.
Impatient - Unable to wait patiently or tolerate delay; restless. Unable to endure irritation or opposition; intolerant.
Impious - Lacking piety and reverence for a god/gods and their followers.
Impish - Naughtily or annoyingly playful.
Incompetent - Unable to execute tasks, no matter how the size or difficulty.
Indecisive - Characterized by lack of decision and firmness, especially under pressure.
Indifferent - The trait of lacking enthusiasm for or interest in things generally, remaining calm and seeming not to care; a casual lack of concern. Having or showing little or no interest in anything; languid; spiritless.
Infamy - Having an extremely bad reputation, public reproach, or strong condemnation as the result of a shameful, criminal, or outrageous act that affects how others view them.
Intolerant - Unwilling to tolerate difference of opinion and narrow-minded about cherished opinions.
Judgemental - Inclined to make and form judgements, especially moral or personal ones, based on one’s own opinions or impressions towards others/practices/groups/religions based on appearance, reputation, occupation, etc.
Klutz - Clumsy. Blunderer.
Lazy - Resistant to work or exertion; disposed to idleness.
Lewd - Inclined to, characterized by, or inciting to lust or lechery; lascivious. Obscene or indecent, as language or songs; salacious.
Liar - Compulsively and purposefully tells false truths more often than not. A person who has lied or who lies repeatedly.
Lustful - Driven by lust; preoccupied with or exhibiting lustful desires.
Masochist - The deriving of sexual gratification, or the tendency to derive sexual gratification, from being physically or emotionally abused. A willingness or tendency to subject oneself to unpleasant or trying experiences.
Meddlesome - Intrusive in a meddling or offensive manner, given to meddling; interfering.
Meek - Evidencing little spirit or courage; overly submissive or compliant; humble in spirit or manner; suggesting retiring mildness or even cowed submissiveness.
Megalomaniac - A psycho pathological condition characterized by delusional fantasies of wealth, power, or omnipotence.
Naïve - Lacking worldly experience and understanding, simple and guileless; showing or characterized by a lack of sophistication and critical judgement.
Nervous - Easily agitated or distressed; high-strung or jumpy.
Non-violent - Abstaining from the use of violence.
Nosey - Given to prying into the affairs of others; snoopy. Offensively curious or inquisitive.
Obsessive - An unhealthy and compulsive preoccupation with something or someone.
Oppressor - A person of authority who subjects others to undue pressures, to keep down by severe and unjust use of force or authority.
Overambitious - Having a strong excessive desire for success or achievement.
Overconfident - Excessively confident; presumptuous.
Overemotional - Excessively or abnormally emotional. Sensitive about themselves and others, more so than the average person.
Overprotective - To protect too much; coddle.
Overzealous - Marked by excessive enthusiasm for and intense devotion to a cause or idea.
Pacifist - Opposition to war or violence as a means of resolving disputes. (Can double as a merit in certain cases)
Paranoid - Exhibiting or characterized by extreme and irrational fear or distrust of others.
Peevish - Expressing fretfulness and discontent, or unjustifiable dissatisfaction. Cantankerous, cross, ill-tempered, testy, captious, discontented, crotchety, cranky, ornery.
Perfectionist - A propensity for being displeased with anything that is not perfect or does not meet extremely high standards.
Pessimist - A tendency to stress the negative or unfavourable or to take the gloomiest possible view.
Pest - One that pesters or annoys, with or without realizing it. Nuisance. Annoying. Nag.
Phobic – They have a severe form of fear when it comes to this one thing. Examples: Dark, Spiders, Cats
Practical - Level-headed, efficient, and unspeculative. No-nonsense.
Predictable - Easily seen through and assessable, where almost anyone can predict reactions and actions of said person by having met or known them even for a short time.
Proud - Filled with or showing excessive self-esteem and will often shirk help from others for the sake of pride.
Rebellious - Defying or resisting some established authority, government, or tradition; insubordinate; inclined to rebel.
Reckless - Heedless. Headstrong. Foolhardy. Unthinking boldness, wild carelessness and disregard for consequences.
Remorseless - Without remorse; merciless; pitiless; relentless.
Rigorous - Rigidly accurate; allowing no deviation from a standard; demanding strict attention to rules and procedures.
Sadist - The deriving of sexual gratification or the tendency to derive sexual gratification from inflicting pain or emotional abuse on others. Deriving of pleasure, or the tendency to derive pleasure, from cruelty.
Sadomasochist - Both sadist and masochist combined.
Sarcastic - A subtle form of mockery in which an intended meaning is conveyed obliquely.
Sceptic - One who instinctively or habitually doubts, questions, or disagrees with assertions or generally accepted conclusions.
Seducer - To lead others astray, as from duty, rectitude, or the like; corrupt. To attempt to lead or draw someone away, as from principles, faith, or allegiance.
Selfish - Concerned chiefly or only with oneself.
Self-Martyr - One who purposely makes a great show of suffering in order to arouse sympathy from others, as a form of manipulation, and always for a selfish cause or reason.
Self-righteous - Piously sure of one’s own righteousness; moralistic. Exhibiting pious self-assurance. Holier-than-thou, sanctimonious.
Senile - Showing a decline or deterioration of physical strength or mental functioning, esp. short-term memory and alertness, as a result of old age or disease.
Shallow - Lacking depth of intellect or knowledge; concerned only with what is obvious.
Smart Ass - Thinks they know it all, and in some ways they may, but they can be greatly annoying and difficult to deal with at times, especially in arguments.
Soft-hearted - Having softness or tenderness of heart that can lead them into trouble; susceptible of pity or other kindly affection. They cannot resist helping someone they see in trouble, suffering or in need, and often don’t think of the repercussions or situation before doing so.
Solemn - Deeply earnest, serious, and sober.
Spineless - Lacking courage. Cowardly, wimp, lily-livered, gutless.
Spiteful - Showing malicious ill will and a desire to hurt; motivated by spite; vindictive person who will look for occasions for resentment. Vengeful.
Spoiled - Treated with excessive indulgence and pampering from earliest childhood, and has no notion of hard work, self-care or money management; coddled, pampered. Having the character or disposition harmed by pampering or over-solicitous attention.
Squeamish - Excessively fastidious and easily disgusted.
Stubborn - Unreasonably, often perversely unyielding; bull-headed. Firmly resolved or determined; resolute.
Superstitious - An irrational belief arising from ignorance or fear from an irrational belief that an object, action, or circumstance not logically related to a course of events influences its outcome.
Tactless - Lacking or showing a lack of what is fitting and considerate in dealing with others.
Temperamental - Moody, irritable, or sensitive. Excitable, volatile, emotional.
Theatrical - Having a flair for over dramatizing situations, doing things in a ‘big way’ and love to be ‘centre stage’.
Timid -Tends to be shy and/or quiet, shrinking away from offering opinions or from strangers and newcomers, fearing confrontations and violence.
Tongue-tied - Speechless or confused in expression, as from shyness, embarrassment, or astonishment.
Troublemaker - Someone who deliberately stirs up trouble, intentionally or unintentionally.
Unlucky - Marked by or causing misfortune; ill-fated. Destined for misfortune; doomed.
Unpredictable - Difficult to foretell or foresee, their actions are so chaotic it’s impossible to know what they are going to do next.
Untrustworthy - Not worthy of trust or belief. Backstabber.
Vain - Holding or characterized by an unduly high opinion of their physical appearance. Lovers of themselves. Conceited, egotistic, narcissistic.
Weak-willed - Lacking willpower, strength of will to carry out one’s decisions, wishes, or plans. Easily swayed.
Withdrawn - Not friendly or Sociable. Aloof.
Zealous - A fanatic.
I had an anon asking about how to make their character not so perfect. Well, here’s a great list of some flaws you can try to use to balance out his good traits.
-Morgan
hey um so we went to target tonight and we found this talking kylo ren action figure that you’re supposed to shake really hard to “show it your power” and when you shake it it grunts like it’s in pain and when you stop shaking it, it raggedly asks you to show it the power of the dark side again
i cant stop thinking about it
Gotta hop on that bandwagon
Some tiny lil water-themed test animations made in Blender while fooling around with emission shaders!