Alain Delon in Purple Noon Plein soleil (1960) dir. René Clément
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Alain Delon in Purple Noon Plein soleil (1960) dir. René Clément
Alain Delon & J. D. Cannon Scorpio dir: Michael Winner
ALAIN DELON Rocco and His Brothers (1960) dir. Luchino Visconti
“i never see you at the club” ok well i never see you on ao3 at 2am reading about the same two bitches falling in love for the 1000th time in the 500th way
a lil bit late but merry christmas y’all
Now That's What I Call Fallout Textposts Volume 45
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The Great Fact Check of 1812: No One Else
All quotes used in this post come from Pevear and Volokhonsky's translation of War and Peace. As a refresher, since this song is probably popular enough for this to circulate to newcomers, this is a series where I "fact check" the book-accuracy of the libretto of Natasha, Pierre & the Great Comet of 1812 and explain the context of various lyrics, etc.
This was fun and definitely got me back in my Andrei/Natasha feels. Hope you enjoyed! Check out the rest of the series here:
Prologue, Pierre, Moscow, The Private and Intimate Life of the House, Natasha & Bolkonskys
Who do I need to talk to so I can have one of these in my bedroom
Natasha, Pierre, and the Great Comet of 1812 by Dave Malloy, Theatre Elision, 2025.
"i asked chatgpt" well i calculated the number of the beast. it is napoleon. six hundred three score and six. and i will kill him one day. he's no great man, none of us are great men, we're caught in the waves of history. nothing matters; everything matters, it's all the same. Oh, if only I could not see it, that dreadful, terrible, it.
NATASHA, PIERRE, AND THE GREAT COMET OF 1812 at Streetcar Crowsnest
Sebastian Stan as Bucky Barnes CAPTAIN AMERICA: THE WINTER SOLDIER (2014)
the concept art is so fucking gorgeous I can’t