Tyler Daniel Bean - Video Premiere on Gold Flake Paint / New Ā LP Now Available Ā on Skeletal Lightning & Tor Johnson
⢠On Days Soon To Pass LP/CD/Tape out now on Skeletal Lightning / Tor Johnson
⢠Premieres on Substream + The Grey Estates + Brooklyn Vegan
⢠RIYL: Pedro The Lion, Brand New, Damien Jurado, mewithoutYou
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Skeletal Lightning and Tor Johnson released the new full-length from Tyler Daniel Bean in November of 2016. The LP, entitled On Days Soon To Pass, is available from Skeletal Lightning and Tor Johnson on LP, CD or tape.
The video for "Willow II" from On Days Soon To Pass is premiering now on Gold Flake Paint.
On Days Soon To Pass premiered in full on Substream.
Check out "FFFA" on The Grey Estates. and "Willow II" on Brooklyn Vegan.
āWhen I was twenty-three, I decided to live.ā Now twenty-six, Burlington, Vermontās Tyler Daniel Bean was identifying a turning point in the development of his second album, On Days Soon To Pass. In the midst of a four-year bout with his major depression, he was working his way through the series of poems that would culminate in this albumāall of which also constituted his capstone project for a masterās in literary studies and confessional poetry. He was aiming to discover a language of process that would lead toward preservation rather than annihilation, learning hands-on, not only what preservative writing is, but also how to reorient creative work to better engage with and project hope. Being the person you can live with, it turns out, is a recursively creative endeavor, an on-going challenge, requiring choice and assimilation. Dealing with mental health disorders particularly requires regular self-renewal: the recurring epiphany of interacting constructively with the world.
Ā While on the surface On Days Soon To Pass confronts loss, fear, anxiety, and depression as often as it does love and joy, ultimately it presents a non-linear depiction of Beanās on-going battle with the prospect of suicide. The first track, āArchibald Street,ā is one starting point, but āAll At Once,ā at the end of the record, is anotherāthe series of events in between shift in time, even within the songs, reflecting the evolution of subjective experience. Now complete, On Days Soon to Pass finds him on another side of all of this.
Ā Bean was stultified when he first noticed that these pieces were presenting as suicide songs. It was 2012, just after the release of his first LP, Longing, and fearful, he stopped writing entirely. More than a year passed between penning the first songs for On Days Soon to Pass before beginning his masterās degree. It took another year for him to start writing creatively againāhe was inspired by an idea that grew from his studies: the way fear and art can feed one another, āThe object of fear must be objectified,ā noted filmmaker Stan Brakhage, who used his greatest fears to identify the issues he addressed in his most powerful films. Bean spent the following year bringing light to what he feared most: lossāthe death of his dog, Willow; the death of his close friend and band-mate, Chris Parmelee; one of his own near-death experiences, the one that caused him to want to live. Penetrating all of this, he found love. The overriding theme of the album is, āif you know me, will you still love me?ā Which leads to the realization that the you Bean repeatedly refers to has been there all along, standing beside him when he writhed as well as when he flexed.
Ā To understand this record is to look at its dark, dense surface matter, and see beyond it to the beacon that is love; it is to recognize that functioning in the face of fear is to strive to be fully human; it is finding a way to truly say I want to live, even recognizing the relentlessness of the battle.
Tyler Daniel Beanās On Days Soon To Pass is coming out on November 18th on Skeletal Lightning and Tor Johnson Records. It features Tyler Daniel Bean on guitar, bass, and vocals; Joe Allen Cross on drums; Jessica Lynne McDermott on vocals; Shannon Stott-Rigsbee on violin; Kevin Tyler Yando on guitar; and Nyiko Beguin on synth. It was recorded and mixed by Ryan Stack (My Heart To Joy, The World Isā¦, Now Now) Ā at Format Audio in Amesbury, Massachusetts, and it was mastered by Dan Coutant (Jawbox, Matt Pond PA, Coliseum) at Sun Room Audio in Cornwall, New York. William Schaff (Godspeed You! Black Emperor, Songs: Ohia, Brown Bird, Okkervil River) painted the cover with minimal outside direction, specifically from his experiences listening to the album.









