Podcast #2: noise rock
Continuing this week with a themed episode: Nosie rock tunes from Women, Comfort Food, Black Eyes and Acker. Stay alert: More pickles in ur salad coming sooon.

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Lint Roller? I Barely Know Her
he wasn't even looking at me and he found me
2025 on Tumblr: Trends That Defined the Year
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roma★

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@benoobject
Podcast #2: noise rock
Continuing this week with a themed episode: Nosie rock tunes from Women, Comfort Food, Black Eyes and Acker. Stay alert: More pickles in ur salad coming sooon.
Introducing the NO OBJECT Podcast
I decided to try somethign new with this review blog. Below is the first ever No Object Podcast, featuring tunes from some of my favorite local bands & commentary from yours truly. This is hopefully the first of many, with more bands, genres & topics to covered in the future, as well as interviews, live sessions and... who knows.
Dr. Responsible - Dryads
Ambient music is often about BIG things - planets, glaciers, systems. Take Eno, Aphex's SAWs or the Biosphere discography - the imagery is boundless aerial/cosmic objects. (Or abstract views on household fruit.)
Ambient has a reputation of being distant and transcendental - something to zone you out of your bedroom into an imaginary context. In a way, it's the opposite of folk music, which keeps things grounded and concrete.
So what happens when you combine the two - ambient and folk? Well, it'd be like taking a headtrip, but instead of some dreamscape, its through your own experiences, nostalgia, interpersonal relationships, etc. That's exactly what loopman Dr. Responsible offers on his second LP Dryads.
Ambient folk isn't particularly new or novel, but Dr. Responsible does an extremely good job. He strikes a careful balance between the abstract and the familiar: It never sounds too predictable, or too obscure. In other words, it's enticing the entire time.
Opener Discover, Manipulation, Transcendence starts out droning, but the shifting overtones give it a distinct pensive mood. Come 2 minutes, and the rhythm creeps in from under your feet. From there a changing cast of loops take the stage before they combine, shimmer and fade.
If you thought the album would continue the same way, however, you were mislead. The next track Confrontation 1 is like an old country hymn that was beaten down and fixed with mechanical legs. It features hushed vocals that, while not all that present, add a nice touch.
The rest of the album is an exploration of these two styles - the droning ambient and the jumpy, interlocking loops. Some highlights include tracks Borreal Plain, which captures the digital-warmth oxymoron I love about Odd Nosdam and We Seek the Dryads, which will put you in that gorgeous/comforting headspace I thought you could only get from AnCo's Feels.
Dryads has some really inspiring moments, but it's not always that obvious or distinct. This album is characterized by its subtleties - the light guitar picking, the gradual manipulation of loops. It's not an album that will necessarily pick you up and grab you... you may need to give it an initial pull.
But the fragility isn't necessarily a weakness. Dr. Responsible isn't tracing planets or immense geological features. These songs are small scale, personal, even spiritual. A little personality makes it more relatable - like your buddy who pieces together loops in his bedroom.
Highlight - We Seek The Dryads
Dryads by Dr Responsible
Stream Side A Of "Dryads" above. The rest of the album will be available 1/17/15
Acker - Sea Songs
Haven't posted much the past few months so I'm going to make it up to everyone with some flagrant self promotion.
Acker's Sea Songs is out after 13 months of writing, 2 attempts in the studio, 1 kickstarter campaign and (sadly) zero trips to the beach. If you're familiar with Acker's stuff, it's similar gritty, fast-paced post rock... but with a lot more twist and turns. There's some drone jazz riffage to draw you in. And from there, a grab bag of surf rock, sea punk and ocean metal guaranteed to provide your fill of water body allegories this year.
Highlight - "Mondrian"
sea songs by ACKER
Comfort Food - Dr. Fazian's Feel-Good Brain Pills
Comfort Food plays funky loop-based noise rock that gets damn infectious.
Their songs start from the ground up - loose jams that gradually lock into a groove… two minutes in and I challenge anyone to not start tapping their feet.
The rhythmic contributions from both members are awesome. But it's the vocals that put the icing on the cake. Tracks "Dem Grapes," "Sultan of Fades" and "Christmas in Waukegan" feature some perfectly eerie sing-shouts.
It's like Primus... for people who like a dynamic range.
Highlight - "Dem Grapes"
Dr. Faizan's Feel-Good Brain Pills by Comfort Food
The Gnar - Headless
No Object, meet The Gnar: A psych punk trio that is more raw, bloody and ghost bustin' than Bill Murray himself.
In our first ever blog exclusive, we're debuting their unofficially official music video for "Headless." Watch below:
They deliver a blend of synth-laden rock that's driving and to the point. Though cashing in on some vintage cred, the synth is heavy and commanding. This is not your daddy's synth pop. Spastic drum fills keep the energy in the red until The Gnar drop it to a groove. It's simple but well-calculated songwriting that's tough not to enjoy.
Video cut and pirated by Ryan Ohm.
Weathertunes - The Birds & The Sky
CLASSIC ALBUM REVIEW TIME!
The Birds And The Sky is a 2003 release from German downtempo group Weathertunes.
What you'll find here is some very strong downtempo / ambient electronica with some classical and jazz influences. Compared to their early 00s IDM peers, Weathertunes write more straightforward compositions with more familiar tones (electric piano, vibraphone and clean guitar are all featured).
This isn't as explorative as what, say, Four Tet or Odd Nosdam were doing at the time. But Weathertunes' simplicity has a certain charm and the repetition can pay off. The piecemeal development in "After Dawn," for example, yields a compelling conclusion.
Some will find this album underwhelming - the mix too modest, the drums too midi, or the songwriting too repetitive - but those who give it a listen through will be rewarded with some truly exceptional tracks.
"The Light," with it's lead vocals Stereolab-esque synth melody, is one of the most unique and enjoyable tracks on the album. It's closer to psychedelic pop than any form of IDM. The followup, "Spring And October," however, is the real focal point. It has that perfect combination of playfulness, weirdness and beauty. A perfect representation of what made this nostalgia-obsessed era so great for electronic music.
Highlight - "The Light"
The Birdman Cult - EP1
Here is a really neat EP from a new producer known as The Birdman Cult. The tracks are subtle (and somewhat simple) ambient IDM, but it's gorgeously crafted with an immersive range of sounds.
The lead track "Tommy" is a delicate melodic piece. The soft bell tones laid over breakbeats is reminiscent of prettier Aphex Twin (i.e. Girl/Boy Song). "Monolith" is a bit darker, calling to mind mid-90s Board of Canada and closing tracks "Trash Compactor" and "28:06:48:12" give the EP an abrasive finish.
Not necessarily groundbreaking, but a cool and enjoyable release from a self-proclaimed "novice" producer. Maybe we can convince him to ditch that title, however, and record us an LP?
Highlight - "Tommy"
ep1 by The Birdman Cult
Black Trash & Treasure - Chinese Whispers
Summarizing solo artist Black Trash & Treasure with a single term is difficult, but I'll give it a stab with Dark Soul Sound Collage. In "Haunt Ruminations," the first of two tracks on the Chinese Whispers EP, 'treasure flexes his soulful pop harmonies above layers of synth and static. It's a meandering track with many changes in mood & pace.
Exploration takes precedent over form. This uninhibited style of songwriting yields some awesome moments. The downside, however, is a loss of guidance that can make the tracks feel jumbled.
Notable similarities here are spirit-era Animal Collective and Black Moth Super Rainbow. Around 3:00 in "Familiar Persons," in particular, feels like a psychedelic moment from Dandelion Gum. Though 'treasure presents it with slower, more enticing development. I dig it. A lot.
At 5:17 the song changes completely. This movement is one of my favorites of the album. Backwards synths give way to a soothing guitar & synth harmony. The glitches here are tasteful, building an atmosphere that is dense and serene. The vibe continues for the rest of the track, rewarding those who listen through the EPs entirety.
If I had one bit of advice for Black Trash & Treasure, it'd be to separate these two 11+ minute epics into shorter, more digestible tracks.
Highlight - "Familiar Persons"
chinese whispers by blacktrash&treasure
Mirror Coat - Waking World
Waking World is a brand new EP from Mirror Coat, whose last release had me ogling earlier this summer.
In short, this EP delivers. "Numbers" opens things up with psychedelic grandeur. It's grungy but warm with gorgeous 90s style harmonies. Near the end, forceful tremolo picking shifts abruptly to reserved strumming. It's one of many special moments where Mirror Coat holds your breath.
The album takes a mathy, pop-punk turn with "Permanence." The next track "Waking World" opens with dense wall of sound before shifting to Mirror Coat's signature noodly alt-rock. "Welcome Glow" is a fittingly subdued closer, somewhat reminiscent of Stereolab's spaced-out lounge rock.
It's a dense 4 tracks. There's a lot going in both the rhythm and lead sections. Chord changes happen quickly & often - nudging you along before you get too comfortable. On the plus side, there's never a dull moment. There's a lot to explore on this album and Mirror Coat makes it easy to follow.
Highlight "Numbers"
Waking World by Mirror Coat
Sucra - S/T
Plugging a personal project here....
For a 25-minute EP, Sucra goes lots of places. It's a meandering post rock album, reminiscent of Slint or Mogwai, but with traces of jazz, ambient, psych, doom and noodly emo.
Despite this melting-pot of styles, the album flows very smoothly. Each variation of Sucra's sensory-prickling rock feels welcome, fitting together like pieces of a narrative. Your only lament may be that it doesn't last longer.
Highlight - "Bataphobia"
Sucra by Sucra
Astronaut Husband - Then & Now
Astronaut Husband's second album covers new ground compared to his last release - the blissful, lo-fi acoustic LP Drip.
Then & Now is an album split in thirds. The first set of songs are shoegaze pop with a full band. While the lo-fi aesthetic can be a little messy in "Lily," Alec nails it on the head with "Ride." It's laid back acoustic rock with brilliant synth detail and a graceful, gloomy voice. The distorted synth at 2:00 brings it over the edge in goodness.
"Together" transitions the album to a set of acoustic pieces similar to Drip. Some highlights include the electric piano and slide guitar in "Together," the guitar noodling of "Robin," and harrowing vocals of "Headache."
From here on, Astronaut Husband explores the possibilities of vocal-less ambience. For some, this might be the point where you doze off or switch back to verse-chorus pop. But those who appreciate the genre will find some fantastic moments. For example, the deep and wallowing "Snow Dream" makes a chilling transition from the shaky drone of "Thin."
On the whole, this album is less consistent than Drip, but It's fascinating to see Astronaut Husband (Alec Grefe) experiment with new sounds. Furthermore, with so much detail, Then & Now grows all the more rewarding with multiple listens.
Highlights - "Ride" and "Together"
Then & Now by Astronaut Husband
Bongripper at Gnarfest (Live Review)
AUGUST 2, 2014 - LOGAN SQUARE, USA
In front of stoic carvings of Indians, laborers and missionaries, encased in rolling clouds of exhaled smoke and surrounded from every angle by fans, DIY enthusiasts and curious locals, Bongripper stomped through a menacing 30 minute set.
There couldn't be a more fitting place than the Logan Square monument - a latent ode to Native American genocide, Catholic tyranny, industrial upheaval, meat-packing, coal, sweat, tears and all the undersides of "progress" - to watch Bongripper's doom metal epics.
Not that anyone needed a history lesson to appreciate their glacial-paced songs. At the start of the set, sparse bass drum kicks held us in suspense over the guitar's steady trudge - each soul predicting and anticipating when the wave would hit. Several minutes later, with no more foresight than a snare roll, the group slammed full force. A thousand heads nodded - many failing to hold back their grins.
Chord changes were not very common in either of the 15-some-minute-long pieces. As with most doom metal, monotony was a an exploited theme. The song development, however, was tough to pin down. It was sluggish and nonlinear: Drum fills compounded without giving many hints. It was this unpredictable nature that made the peaks all the the more rewarding.
While the music held up on it's own right, it was the sanctity of the gathering that kept the audience enthralled. Huddled 360 degrees around the stage, we watched each other no less than the band. It was a rare moment where we - the broke, timid and over-stimulated millenials - conquered the public sphere. And with that privilege we stood mostly sober (save discrete sips of beer and weed) to appreciate the breakdown of internet-age pace and the sheer enormity capable of four men with instruments.
Five miles southeast, Lollapalooza-goers were elbowing each other to fill water bottles, fretting over lost flip-flops and cursing double-booked sets. Hosted the same weekend as Gnarfest, Lolla never felt so irrelevant.
It's nice to grow up and realize how else we can spend a summer night.
Miserable by Bongripper
Shout Outs Round 4
Downtempo Edition. According to Urban Dictionary samples, loops and low tempos characterize downtempo as a genre. So here's three super talented artists who's beats fall between 90 and 120 bpm.
Evo Auxilium - In a Perfect World
In a Perfect World by Evo Auxilium
Glitchy downtempo goodness. This 8-track EP features some captivating drum loops and synth performance - all within a dense, otherworldly atmosphere.
Blanke - Crystalline
CRYSTALLINE by blanke
Gorgeous compositions from an ambient beat-maker. Blanke makes great use of acoustic and electronic piano as he builds his delicate-but-groovy songs.
I'm Alone - Winter Moth
Winter Moth by I'm Alone
A diverse set of downtempo jams. This LP draws you in with a set of lullaby-esque openers. Gradually, the range expands: Beats grow louder and the synths cover new ground. Play this album when you fall asleep and you're sure to go some places.
Hyphyskazerbox - Silence
A hypnotic digital waltz with ghostly electronic piano and head-bobbing glitch percussion. "Silence" is the third track off Hyphyskazerbox's LP To Commit Murder. It's a gorgeous and enlightening 2 minutes - sure to pull you out of consumer consciousness into whichever otherworldly realm you subscribe to.
Those of you with me in May heard Hyphy's vast ambient electronica LP VOID I. His follow-up album features even fuller production and bigger dynamics... development that should have us all anticipating what he makes next.
To Commit Murder by hyphyskazerbox
Arcade City - Biosphere 2
ARPEGGIOS GALORE. This 8-track instrumental album features some incredible percussion & synth programming, which, along with Arcade City's carefully-sculpted textures, make an impressive, wholly immersive LP.
Adjusting to Biosphere 2's pace may take some time - especially with an opener as relaxed as "Stratus" - but once you do, the tracks open up like buried treasure. Trap, break beats, hip-hop, club and hard rock rhythms all lie ahead. Over them, loops and arpeggios that compound like puzzle pieces, coalescing in some wonder-striking moments.
No single instrument takes the spotlight (at least not for very long). And aside from establishing a general mood, the synths arpeggiate too quickly to make a statement. While concrete listeners will find this troublesome, the abstract-minded will find it a great opportunity. This album doesn't tell you what to think, rather, it provides a stimulating platform to explore the corridors of your choosing.
Melodically, Biosphere 2 covers the same neutral ground as a Tycho album. Though it has - dare I say - richer dynamics and a wider diversity of tones. The full spectrum is utilized here, though I did feel it was light on the bass.
Albeit vastly intricate, this is a playful album - you can tell Arcade City is learning and exploring. Nonetheless, any hiccups should be overlooked in lieu of Biosphere 2's captivating peaks and valleys. This is a rewarding listen.
Highlights - "Stratocumulus," "Altostratus," "Cirrus" and "Cumulonimbus"
Biosphere 2 by Arcade City
Shout Outs Round 3
On a recent trip to an undisclosed imageboard I was introduced to some very diverse and interesting electronic music. Thus, today's roundup is of several extremely talented electronic solo artists, each representing a niche, bet ya never heard of it-core genre.
Palm Dreams - Chassis Trap Ambient
Gorgeous synth composition with a pulsating trap beat. The intricate chord changes call to mind Oneohtrix Point Never's Returnal, but Palm Dreams takes a much more rhythmic approach. This track will entice you, start to finish.
Mordecai Jones - Breath Out Glitch Chillwave
Warm, seductive samples carry into a groovy hip-hop rhythm. Mordecai Jones tops the track off with a fittingly smooth vocal track. Slick.
Sono - [3am] Adult Swim Ambient
[3am] by sono.
Self-described as "adult swim bump music," Sono lives up to the tag and then some. This short 5-track album features some straight awesome, head-bobbing loops. Tell me "Banpu" doesn't get you going.
Timid Orpheus - Clouds EP Drone Vaporwave
Clouds EP by Timid Orpheus
Incredibly spacious/expansive ambient - parallel to Biosphere's Autor de la Lune in magnitude, but with a faster pace. This EP has some great sounds and enticing development.
VV_ - Corsa Ambient Dub Techno
Okay, this one isn't THAT niche. But VV does take the ambient to colossal proportions. This track is MASSIVE, dark and foreboding. Once the iron-cold percussion rolls in, you're trapped.