Enter the Void, God of Emptiness @biliofollet - Tumblr Blog

Iron Gang the HardCore Years

#iron gang #illustration #comics #fumetto #officina infernale #hardcore

Jose Luis Vaello Bertol - https://jlvb.deviantart.com - https://twitter.com/vaellobertol - http://vaello.blogspot.com.es - https://es-es.facebook.com/jlvaello - https://vaello.carbonmade.com

#illustration

runefisker

Befor the War, Ink on paper

#Illustration

twilightronin

Armour of God II: Operation Condor 1991

#movie #gif

alberthowl-deactivated20190303

Wizard!

Ghosts!

http://alberthowl.deviantart.com/

#wizard #ghost #illustration #illustrazione #hipster #sorcerer #ghastly #summoner

tillinghast23

Atu 0: H.P. Lovecraft

#lovecraft #tarots #Illustration #Black and White #illustrazione #starry night

alberthowl-deactivated20190303

Carried by the Night🌙⭐

#illustration #Character Design #original characters #night #illustrazione #comics #sketch #fumetto #cat #gatto #kitten #starry night #dream #oniric #artists on tumblr

pierppasolini

My Favorite Films: Nosferatu (1922) // dir. F. W. Murnau

It will cost you sweat and tears, and perhaps… a little blood.

#movie #Black and White #nosferatu #horror

alberthowl-deactivated20190303

Random characters

#illustration #original characters #character drawing #sketch #illustrazione #character design #random #people

archatlas

The Art of Ray Morimura

Ray Morimura is a graduate of Tokyo Gakugei University, where he studied oil painting. Originally his works were geometric-style abstractions. But later he was inspired by Shigeru Hatsuyama and Sumio Kawakami, and began to study woodblock techniques. Unlike most other Japanese woodblock printmakers, he uses oil-based inks to create these detailed images.

His technique is to carve both 6mm thick plywood blocks and 3mm thick blocks laminated with P-tile, a flooring material. The “linocut” process permits quite complex designs, which are printed on mulberry bark kozo paper. Essentially each color requires a separate block, and separate inking. Some blocks are printed with solid colors, while others include bokashi or a gradation of color. Of his work, Morimura says “printing demands total concentration as a single hair or dust can ruin a print. I usually clean my studio thoroughly and wait to begin the printing process until after midnight when it is quiet. With prints one can never be certain of the outcome until the final print is completed. There is always the unexpected, which makes it all the more intriguing. As with Zen and ink paintings, I hope something spiritual, in a contemporary sense, can be expressed in these landscape works.”