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It’s eepy time

[birbycakes]

Speaking of finishing art being Impossible, I'm probably not gonna work on this anymore, at least not anytime soon... but I painted her face so!!! heres an update to this.

[100egg]

[fauxbloodhoundknight]

do you ever connect a song to a boss, bc it gets stuck in your head or it reminds you of them. happened to me with fire burning by sean kingston and messmer

[kadarafink]

Humble owner of every boss in the ER🙏 (Except Morgott, cause he's my goat)

Now I have TikTok 🙃 Posted last couple of pieces there too. If someone wants to check and follow, here: @kadarafink

[queencalico]

[narwhalsarefalling]

this was the image i was trying to send btw

[galladegamer]

[thememedaddy]

[passionpeachy]

nightlight for mrsmollusca 🕯️

[orphetoon]

do you think joey knows the word egyptologist

original post:

[ferricsailor]

no you dont masaru

[the-spoopy-ghost-of-raejin99]

[sunderwight]

The problem with studying the deep ocean is that humans need light to look at things, the depths of the ocean are extremely dark, and what lives there is accustomed to spending most of its time in that darkness. So when we go down there with submersibles and turn on Big Lights to see, we invariably and dramatically alter what's going on, in the same way that it's generally difficult to observe the natural behaviors of terrestrial animals if you whip out a megaphone and shout HEY GUYS WHAT ARE YOU DOING at them first.

[adizzyninja]

A humble snubnose eelpout on its way to the whale fall buffet when some nearby humans give it a quick, unintrusive study:

[julianova44]

I put this in the comments but feel it needs a reblog- Check out some of Dr Edith Widder’s work on light in the deep sea! Among other things, she used the bioluminescence of stoplight fish to deduce wavelengths which most deep sea animals can’t perceive and used that to create light filters to be able to film with minimal disturbance! And that’s how we got 25 minutes of giant squid footage!!!!

[poketcg-art]

Gulpin -- Tomozaku Komiya

[teaboot]

I hate you Ozempic craze I hate you 'heroin chic' I hate you weight loss ads on public radio I hate Burn Fat Fast ads every thirty seconds I hate you I hate you I hate you

[teaboot]

I grew up before the term 'thigh gap' was invented I grew up before 'hip dip' was invented I was born before 'muffin top' was a thing before 'clean girl look' was a thing before 'glass skin' was a thing before razoring off peach fuzz was a thing and I'm so so so fucking tired of us inventing new concepts purely for the purpose of convincing people to hate their own bodies enough to buy products

[hateusandseeifwemind]

[pinene]

Can anyone explain wtf is going on here especially a Korean speaker

[tadeadshihamurder]

someone on reddit explained 😭

[no-one-offical]

‎

[desmolbean404]

That is one of the most astronomical fuck up translations I have ever seen.

[dorothylarouge]

[itwashotwestayedinthewater]

[itwashotwestayedinthewater]

happy decade to the horrible beast i have wrought

[blumineck]

This tickled me!

More of my content

[iloveyou9]

[evilkitten3]

context according to instagram:

original image from the magazine:

[grovedg]

Found a scan of this issue on the Internet Archive (it's the back cover). This scan is 4000x6000 for all your high resolution needs!

La Domenica Del Corriere v60 n29 1958-07-20 (Darwin-IA) : Free Download, Borrow, and Streaming : Internet Archive

La Domenica Del Corriere v60 n29 July 20 1958, Milan, Italy, 36 pages, 40 lira.Front and rear covers by Walter Molino.

[pomme-poire-peche]

The caption reads: "Defeated by roses. Near Turin's Lingotto station, along a lonely path, Miss Guida Concetta Rinino, 28 years old, who was bringing a nice bunch of roses to a relative, was accosted by an unknown young man. The young woman, rather than losing heart, defended herself with extraordinary energy, using the bunch of flowers as a weapon. So it was that the scoundrel, his face all scratched up, had to flee. (Drawing by Walter Molino.)"

[teaboot]

Incredible. At a distance I understand how the woman might appear to be the abuser and the man the sympathetic victim, but the second you zoom into the man’s face the pink-cheeked rage- not remorse, or rejection, or embarrassment- not heartbreak or despair- but RAGE- the deeper story speaks itself into your suspicions.

And the bit where they’re HER roses? Almost a relief, but also sadder, as she will arrive at whatever event without them, or with them destroyed.

Do you think when the righteous anger and anxiety and annoyance fade, when she arrives at her destination- will her loved ones applaud her? Will she be proud? Will her hands shake? Will she walk home with company from then out, and for how long?

In this moment, she is provoked into anger. Anger is good- it appears strong. But look at his face. Would you put it past him to linger there after dark, in case she returns alone?

What story will HE tell, of ‘I was perfectly polite, but she didn’t even give me a chance- women like that, they’d swoon for a jerk in a heartbeat, but kind and flattering men like me?…”

I love this piece. It paints both stories while illustrating the power dynamics and struggles at play. This should be shown in art classes