FIHMF!!!!!!!!

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ellievsbear
d e v o n
PUT YOUR BEARD IN MY MOUTH
we're not kids anymore.
Jules of Nature
taylor price
NASA
ojovivo
Lint Roller? I Barely Know Her

PR's Tumblrdome
official daine visual archive

tannertan36
macklin celebrini has autism

pixel skylines
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will byers stan first human second

roma★

gracie abrams
sheepfilms

seen from United States
seen from Ecuador

seen from United States

seen from United States

seen from United States

seen from Saudi Arabia

seen from Spain

seen from United States

seen from United States
seen from United States
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seen from United States

seen from Malaysia
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@birdmouthed
FIHMF!!!!!!!!
American bison with sunflowers at Antelope Island State Park.
SORRY, BABY 2025 — dir. Eva Victor
ILYA ROZANOV WEEK: DAY FOUR FAVORITE TRAIT ↪ HIS EMPATHY AND KINDESS 🥺💕
“When our childhood homes are chaotic and dangerous, we learn that the way to stay safe is to always be on alert — hypervigilant. Our nervous system never calms down because it’s constantly on the lookout for the next bomb that is going to explode [...] As the show goes on, we will learn that underneath Ilya’s extremely hard shell is the heart of a squishy teddy bear wrapped in a warm blanket, but it takes YEARS for Shane to see it. When we look at Ilya through the lens of what he learned as he grew up, it makes sense why he behaves the way he does. We can even have empathy for the level of hypervigilance and fear he lives with. I like to lay things out this way because it’s usually a hell of a lot harder to give ourselves that same grace. We have an idea of who we “should” be in our heads, and when we don’t live up to that we assume it’s because we’re a failure, a useless waste of space. None of that is true: we are behaving in ways that make complete sense when we understand how our nervous system was trained to respond to our environment.” — Reading Ilya Rozanov through the lens of trauma.
A lion cub refuses to exit the inside of a giraffe carcass despite the prompts from his mom. Fun is fun even if you are playing in blood and gore and not dirt.
Photographed by Robert Prehn at Pondoro Game Lodge
Paper embroidered with ‘Forget Me Not’ in human hair (Weaver’s Cottage)
How are these 1 year apart?
That scene says, “I want you and not just in a sexual way, but I like you, you make me swoon, you make me melt.” I think that's a really interesting layer. (x)
FIFA graffiti seen in Jerusalem
can we please be feminists again.
Poppy De Havilland - At The Window, 2026 - Oil on canvas
'Purple Aurora' (2025) by Rebecca Manson (American, b. 1989)
Porcelain, glaze, adhesives, canvas, pigment, and hardware (70 x 64 x 5 inches)
Tiny frog inside garden rose
August next week !!?!??????!!!!?????!!??????
Crimson Peak (2015) dir. Guillermo del Toro
behind the scenes