there is no entrance to the basement
Noah Kahan
let's talk about Bridgerton tea, my ask is open

blake kathryn
Monterey Bay Aquarium
almost home

★
todays bird
Aqua Utopia|海の底で記憶を紡ぐ

#extradirty
Cosmic Funnies
Cosimo Galluzzi
macklin celebrini has autism
Stranger Things
noise dept.
taylor price

tannertan36

if i look back, i am lost
One Nice Bug Per Day
sheepfilms
Xuebing Du

seen from United States

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seen from Malaysia
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@blackchantilly
there is no entrance to the basement
Tuesday Riddle, ‘Midnight Magpies’, 2021
After enjoying the Backrooms movie we decided to get caught up on Kane Parsons's videos (meaning we had seen only the first video in the Backrooms series when it first came out however man years ago). I ended up liking this other series better, though. I must have gasped at least half a dozen times during that 45-minute video.
So I wasn't expecting this to be set partially in Dallas. I'd definitely driven by that mall before it was demolished. Also, after some googling to see how much of the stuff actually existed (basically all of it except for the impossible parts), I am now seeing social media posts about the north Texas art scene, lol. The algorithm is freaking me OUT.
drab majesty - the skin and the glove
the hauntings of Andrew Wyeth
Oh yeah, tl;dr, I don't have breast cancer! Yay!
In more detail, the note in my chart said, "You don't have cancer, you have fibrous breasts." So I guess I'm supposed to get mammograms and maybe ultrasounds every year now and expect there to be more weird shit going on that's not necessarily problematic.
A little bit of reading on the internet about what else a benign breast growth could be (because I didn't actually get a diagnosis for anything, to my knowledge) turned up something called scleroting adenosis. Something about unusual growth in the lobules of the breast that involve calcifications, and sometimes the calcifications can form into clumps. They look like cancer via imaging so they need to be biopsied to be sure. Also they hurt, and this one has been hurting (I guess breast cancer doesn't hurt?). It also would explain why they had trouble getting the needle into the mass during the biopsy.
Anyway! All is well, thank god. I was preparing for the worst. I still don't 100% have answers but at least I have a vague idea of what might be going on.
Silent Hill 2 (2001)
9/10, the pizza looks perfectly cooked and the toppings are very visually pleasing. I don't love the awkward texturing on the side of the cut slice but it's not crazy noticeable. Docking it a point for looking too greasy for my liking though.
When I first heard "Master Hit" by Front 242 I quickly assumed it was about Renfield from Dracula. Then I read an interpretation that it was from the POV of a pet snake and that made more sense to me. Today I listened to it and thought it could be a metaphor about well-meaningly smothering the person you love because they've lost interest in you. Truly a Rorschach test of a song. Maybe it actually doesn't mean anything. Who knows?
So someone with more creative authority than me at my job has decided that one of our programs this year is going to use one of this year's Pantone color palettes. That means that all of the promotional materials, signage, programs, etc. are going to use these colors. I hate the colors so much that I'm compelled to make it everyone else's problem as well. I can't hold it in anymore.
A lot of people have said much about the Cloud Dancer bullshit. I also hate it, and it is included in the palette, but I'm not going to focus on it. Look at its compatriots.
So not all of the colors are bad. Ice Melt, Lemon Icing, and Peach Dust could be good in the right contexts. Even fucking "Raindrops on Roses" 🙄 could possibly have its merits in some situation. The problem is that, as a whole, it looks like someone took some perfectly good pastel colors and put a 15% greige filter (probably literally just a swatch of Cloud Dancer at 15% opacity) over them. The result is a muddy, dusty, desaturated dystopia.
Orchid Tint in particular is so depressing that it makes me want to die. Actually the powers that be at work apparently decided to replace it with a color called Quiet Violet from another palette:
Which basically looks like almost the same color, just made slightly warmer and with the K slider moved up 20 points or so. It makes me want to barf no less.
I also majorly take issue with Almost Aqua. The "almost" is doing so, so much heavy lifting here, considering it's a fucking WARM GREEN. Is my screen display that inaccurate? Are they trying to gaslight me into thinking that aqua is not a kind of greenish-blue but rather some kind of ash-laden and decrepit spring green? Even overlooking that, I cannot imagine willingly using a color with the word "almost" baked into the title in my designs. The lack of commitment is deplorable.
Another thing I hate is that none of the colors stand out. They're cohesive, sure, but if you only use these in your designs then it's going to look so, so bland and boring. There's no opportunity for emphasis here, and that's one of the biggest tenets of design.
So my initial plan was to take the colors and make them a little more saturated in the materials I'm designing and pray nobody notices, because I can't be staring at such bleak colors for weeks/months on end; I'm concerned it'll insidiously start affecting my mental health. Then I looked at this image that Pantone was using to demonstrate the palette in action:
The first point I will make is that these are NOT EVEN THE SAME COLORS. The parts that don't appear unrealistically washed out by the lighting are either darker or more saturated than the swatches, so obviously they couldn't even figure out a good example of how to use them exactly as presented.
My second point is that yes, the image is almost certainly AI-generated:
I'm not terribly surprised, but I'm still disappointed that they seemingly couldn't do any better than that. The whole thing feels desperately phoned in. It also sort of feels like a cry for help.
Anyway, it's wild to me that some people in 2026 are still pretending that Pantone is some great authority on design that's worthy of following. While some of their color of the year picks have been decent over the years, I've never understood the point of incorporating their arbitrary trends in designs just because.
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Ooh this just popped into my head and thought it might be a fun ask if you have a random moment to kill! What's a font/typography fact that you found recently that made you go "oh that's dope/cool how they did that/super pretty/wild history"? Just one of those little things you weren't aware of before but made you happy to learn, as general or esoterically niche as you want. I figure you've probably stumbled across some interesting things in your studies and my dragon hoard is collecting people's fun little tidbits from the things they study for fun!
Futura (1927) [Daylight Fonts · Fonts In Use · Identifont] is one of my favorites out of the well-established sans serifs, but one thing that annoys me about it is how C and c have vertical terminals, while G and e have angled terminals.
Besides being internally inconsistent, I find the vertical terminals ugly. (I dislike Antique Olive (1962) [Daylight Fonts · Fonts In Use · Identifont] for the same reason, but at least it uses its vertical terminals consistently.)
I recently learned the reason for this (from the book Paul Renner: The Art of Typography): Futura was designed first and foremost for writing German. In German the letter c only occurs before h and k, and in traditional German blackletter typography, ch and ck are obligatory, inseparable ligatures.
Futura doesn't have joined ch/ck ligatures, but ch and ck were still cast on a single piece of metal, with a smaller gap between the c and h/k than between other letters. The vertical terminal on the c was necessary to allow these letters to be placed so close together.
If Futura had been designed in a non-German-speaking country, the C would probably look different. Yet the German design was used and continues to be used all over the world (though usually with a normal-sized gap between the c and the h/k).
Is there a version of future where this is fixed?
Century Gothic (1990) [Daylight Fonts · Fonts In Use · Identifont] is not exactly Futura, but it's similar, and it has angled terminals:
Century Gothic is the Arial of Futuras, and no I shall not be taking questions at this time.
If you want something geometric, timeless and elegant, go for Herb Lubalin’s Avant Garde (with its dozens of weights and cool variant ligatures), or Adrian Frutiger’s Avenir if you want something with that late-20th-century techie sleek vibe.
Aurora Borealis (Frederic Edwin Church, 1865)
“Metamorphosis of Consciousness” (2025) by Chiharu Shiota | Ph: Sunhi Mang
mixed media for solo exhibition “Silent Emptiness” at Red Brick Museum, Beijing, China
A playlist featuring TR/ST, Drab Majesty, The Faint, and others
A weirdly moody mix for summer.
Track listing:
“Iris” - TR/ST
“The Other Side” - Drab Majesty
“Automaton” - The Faint
“Juice” - Lizzo
“Miami Memory” - Alex Cameron
“Other Side” - Surfing
“Dead Stars” - Covenant
“Toyota Prius” - Eyeliner
“Lucid Dreams” - Sidewalks & Skeletons ft. Goo Munday
“God Tonight” - Real Life
“Arcadia” - 2 8 1 4
“Afterhours” - Covenant
“Adrift” - Lust for Youth
“Oxytocin” - Drab Majesty
“Control Me” - TR/ST
“The Wind” - PJ Harvey
In hindsight, this wasn't that moody? Lol. Anyway, this playlist holds up.
Salvatore Postiglione (1861–1906), Dante and Beatrice (detail)
I’ve been having such a Drab Majesty moment recently #DrabMajestySummer
This song is so funny.