BLOODWORN; private multimuse feat. santos ferreira and petra.
( SANTOS: intro / stats / navigation
( PETRA: intro / stats / navigation
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@bloodworn
BLOODWORN; private multimuse feat. santos ferreira and petra.
( SANTOS: intro / stats / navigation
( PETRA: intro / stats / navigation
TASK 001 - SANTOS.
[ Β deepika padukone & Β 35 Β & Β cis female & Β she/her Β ] Β stars Β above, Β is Β that Β PETRA Β of Β THE Β ICE Β NATION Β ? Β i Β overheard Β people Β talking Β about Β them; Β they Β say Β that Β they're Β PERCEPTIVE but Β when Β their Β JADED Β side Β rears Β its Β head Β things Β can Β get Β ugly. Β Β did Β you Β know Β they Β DON'T Β believe Β that Β the Β machines Β were Β made Β by Β gods and Β DO believe Β in Β elemental Β spirits? is Β that Β the Β case Β for Β all Β people Β who Β were a WARRIOR ? Β people Β who Β have Β run Β into Β them Β say Β that Β they Β remind Β them Β of Β VINES STRAINING FOR SUNLIGHT AND THE DYING WHISTLE OF AN ARROW Β but Β i Β wonder Β if Β we'll Β see Β if Β there's Β more Β to Β them Β than Β previously Β thought Β ? Β whatever Β the Β case, Β i Β know Β they have Β NEUTRAL Β feelings Β about Β the Β SPACERS. Β
status: closed to @bloodwornβ timeline: two years prior setting:Β juvenile detention mess hall
π π΄π½ππ Β π·π°π³ Β πΌπΎπππ»π Β πΊπ΄πΏπ Β ππΎ Β π·π΄πππ΄π»π΅ Β ππΈπ½π²π΄Β beingΒ sentΒ toΒ theΒ skybox,Β ifΒ onlyΒ becauseΒ sheΒ knewΒ keepingΒ quietΒ andΒ outΒ ofΒ sightΒ wouldΒ beΒ theΒ secondΒ bestΒ wayΒ toΒ keepΒ herselfΒ alive.Β theΒ first?Β findingΒ theΒ biggest,Β baddestΒ guyΒ inΒ thisΒ placeΒ andΒ stickingΒ withΒ him.Β sometimes,Β venusΒ wonderedΒ ifΒ thoseΒ thingsΒ shouldΒ beΒ theΒ otherΒ wayΒ around,Β butΒ thatβsΒ notΒ enoughΒ toΒ stopΒ herΒ fromΒ doingΒ whatΒ sheΒ plansΒ toΒ now.Β santosΒ ferreiraΒ isnβtΒ theΒ baddestΒ guyΒ inΒ hereΒ butΒ heΒ wasΒ sureΒ closeΒ toΒ theΒ top,Β andΒ everΒ sinceΒ hisΒ fallΒ fromΒ grace...Β well,Β venusΒ seesΒ anΒ opening.
venusΒ nepaliΒ slidesΒ herΒ blueΒ lunchΒ trayΒ acrossΒ theΒ tableΒ asΒ sheΒ climbsΒ overΒ theΒ steelΒ benchΒ toΒ takeΒ aΒ seatΒ oppositeΒ santos.Β theΒ onlyΒ otherΒ oneΒ atΒ theΒ table,Β itβsΒ clearΒ thatΒ sheβsΒ hereΒ forΒ him.Β Β β hey, βΒ sheΒ says,Β leavingΒ itΒ simplyΒ atΒ thatΒ forΒ now.Β sheΒ hasΒ noΒ doubtΒ thatΒ sheβllΒ expectΒ aΒ barrageΒ ofΒ abuseΒ anyΒ minute,Β butΒ venusΒ simplyΒ liftsΒ herΒ plasticΒ forkΒ asΒ sheΒ raisesΒ herΒ browsΒ atΒ him.Β goΒ onΒ then,Β theΒ gestureΒ says.Β sayΒ something.Β sheΒ knowsΒ whatΒ sheΒ wantsΒ andΒ sheβsΒ goingΒ toΒ getΒ it...Β andΒ somethingΒ tellsΒ herΒ thisΒ guyΒ isnβtΒ asΒ terribleΒ asΒ heΒ seems.Β isnβtΒ sheΒ theΒ same?Β maybe.
@shecontempt
β π΄π°ππ, β Β π π΄π½ππ Β πΌπππΌπππ, Β ππ΄π»π» Β π°ππ°ππ΄ Β πΎπ΅ Β the Β tension Β in Β his Β fists Β and Β the Β defensiveness Β of Β his Β shoulders. Β venus Β means Β no Β harm Β but Β sheβd Β likely Β react Β in Β the Β same Β way Β if Β the Β roles Β were Β reversed. β iβm Β not Β here Β to Β taunt Β you. β and Β because Β she Β anticipates Β that Β he Β doesnβt Β have Β a Β lot Β of Β patience Β right Β now, Β sheβll Β keep Β it Β short Β and Β sweet.
β the Β way Β i Β see it, Β youβve Β pissed Β off Β a Β lot Β of Β people Β in Β here, β she Β says, Β her Β gaze Β flickering Β down Β to Β her Β food Β as Β she Β absent-mindedly Β pushes Β it Β around Β on Β her Β tray. Β she Β seems Β casual Β but Β sheβs Β on Β high Β alert, Β just Β waiting Β to Β jump Β out Β of Β the Β way Β if Β he Β reaches Β for Β her. Β she Β might Β not Β be Β the Β strongest Β but Β sheβs Β fast; Β faster Β than Β most. Β β and Β your Β friends Β have Β ditched Β you. Β theyβre Β assholes. β venus Β stabs Β the Β fake Β meat Β on Β her Β plate Β with Β her Β plastic Β knife Β as Β if Β to Β prove Β a Β statement, Β although Β the Β way Β the Β knife Β bends Β a Β little Β makes Β it Β a Β pretty Β sad Β one. Β looking Β up Β at Β him, Β her Β own Β gaze Β steely, Β the Β girl Β continues, β what Β was Β done Β to Β you Β was Β wrong. Β i Β think Β that. Β others Β think Β that, Β too, Β but Β theyβre Β too Β afraid Β youβll Β kick Β their Β ribs Β in Β if Β they Β come Β near Β you. Β so Β here Β i Β am. β she Β lowers Β her Β cutlery, Β head Β tilting Β upwards Β confidently Β as Β her Β gaze Β remains Β focused Β on Β santos. β while Β iβm Β sure Β you Β donβt Β need Β anyone, Β and Β nor Β do Β i, Β it Β can Β be Β beneficial Β to Β be Β two Β rather Β than Β one Β in Β this Β place. Β i Β know Β that. Β iβm Β sure Β you Β know Β that. Β you Β get Β what Β iβm Β saying, Β ferreira? β Β she Β wants Β a Β partnership Β with Β him, Β thatβs Β what.
πππ πππππ πππβπ ππππππ πππβπ πππππΒ --- santosβll give her that. the skybox isnβt the kind of place you get through solo for very long, not with new gangs sprouting up daily for a piece of the proverbial - and limited - pie. itβs what had gotten him allied with the likes of basco in the first place: a sort of common-sense tactic that led them down this now-tainted path.
but for all that logic and reason, he doesnβt trust any of this --- neither her placation nor her offer of alliance. how can he after the last couple weeks? the cut on his faceΒ ( courtesy of his so-called best friendΒ )Β smarts at the sight of anyone else, and here she is, settled and offering platitudes he sees right through.
he meets her silent statement with one of his own; a pointed press of his tray away from him as if to punctuate his loss of appetite --- and a very limited intention to stay there any longer. she had better say her piece.
βi donβt get what youβre sayinβ, no ---β he spits, visibly unamused as his arms fold over his chest.Β βwhy the fuck do you think i even wantΒ toΒ βbe twoβ in the first place? whatβre youΒ gonna do for me?β
HE SETS OUT WHEN THE SUN'S JUST RISING; a detail that's of little note to him, but had been insisted on by the tavern traders when they'd heard his plan.
at its simplest, the voyage is a risk. santos is only a few weeks out of eight years of captivity and barely versed in the ground and its cities. but, that risk feels negligible against the thought of leaving venus, wherever she is, alone. thereβs a rage in him just thinking about it; searing his insides like bile until heβs at his witβs end.
perhaps it's why he's so withdrawn as he follows the marked path out of hinton; steely in a way thatβs unlike even him. he moves with a stilted purpose, so focused on this goal no one else can see, he doesnβt notice eris until heβs practically upon her. the realization, though, changes his demeanor very little; in fact, sheβs the last person he wants to see when heβs setting out for this.Β
he wonders if heβll be lucky enough to avoid her notice. // @lightlvssβ
location: hinton commercial sector, tavern. timeline: shortly after cronos crash. availability: open to all [ capping at 2-3 ].
ππ'π ππππππππππππ, ππππππ ---Β being on the ground. the crash had been terrifying, sure; the destruction harrowing and rebuild taxing. but there's something about the crisp of open air, the weight of solid earth that makes up for it. almost makes it worth it.
even if he hadn't been locked in the sky box for most of his life, there's only so much a finite space station can offer. the walls would have closed in on him sooner or later, perhaps growing the same darkness that tends to him now; but here, that's all a thing of a storied past. now, he's here, a world of unknowns ahead of him with the ability to go where he pleases and do what he wants.
today, that whim's brought him to the commercial sector. he's been there before in the early days, for things to help him, venus, and dawa settle in their new home. but today, he's there to explore. to understand, specifically, what goes on in that place teeming with bodies, most of whom can't seem to walk straight when they're done.
the concept isn't completely lost on him --- taverns and all that. but he's never experienced it himself, not with his formative years spent under lock and key. so when he ducks inside, it's with an intrigued, but cautious eye; a careful step until he's managed his way to the front of the bar (thank the stars for his absurd height) to say to no one in particular: "what's good here?"
status: closed to @bloodwornβ timeline: two years prior setting:Β juvenile detention mess hall
π π΄π½ππ Β π·π°π³ Β πΌπΎπππ»π Β πΊπ΄πΏπ Β ππΎ Β π·π΄πππ΄π»π΅ Β ππΈπ½π²π΄Β beingΒ sentΒ toΒ theΒ skybox,Β ifΒ onlyΒ becauseΒ sheΒ knewΒ keepingΒ quietΒ andΒ outΒ ofΒ sightΒ wouldΒ beΒ theΒ secondΒ bestΒ wayΒ toΒ keepΒ herselfΒ alive.Β theΒ first?Β findingΒ theΒ biggest,Β baddestΒ guyΒ inΒ thisΒ placeΒ andΒ stickingΒ withΒ him.Β sometimes,Β venusΒ wonderedΒ ifΒ thoseΒ thingsΒ shouldΒ beΒ theΒ otherΒ wayΒ around,Β butΒ thatβsΒ notΒ enoughΒ toΒ stopΒ herΒ fromΒ doingΒ whatΒ sheΒ plansΒ toΒ now.Β santosΒ ferreiraΒ isnβtΒ theΒ baddestΒ guyΒ inΒ hereΒ butΒ heΒ wasΒ sureΒ closeΒ toΒ theΒ top,Β andΒ everΒ sinceΒ hisΒ fallΒ fromΒ graceβ¦Β well,Β venusΒ seesΒ anΒ opening.
venusΒ nepaliΒ slidesΒ herΒ blueΒ lunchΒ trayΒ acrossΒ theΒ tableΒ asΒ sheΒ climbsΒ overΒ theΒ steelΒ benchΒ toΒ takeΒ aΒ seatΒ oppositeΒ santos.Β theΒ onlyΒ otherΒ oneΒ atΒ theΒ table,Β itβsΒ clearΒ thatΒ sheβsΒ hereΒ forΒ him.Β Β β hey, βΒ sheΒ says,Β leavingΒ itΒ simplyΒ atΒ thatΒ forΒ now.Β sheΒ hasΒ noΒ doubtΒ thatΒ sheβllΒ expectΒ aΒ barrageΒ ofΒ abuseΒ anyΒ minute,Β butΒ venusΒ simplyΒ liftsΒ herΒ plasticΒ forkΒ asΒ sheΒ raisesΒ herΒ browsΒ atΒ him.Β goΒ onΒ then,Β theΒ gestureΒ says.Β sayΒ something.Β sheΒ knowsΒ whatΒ sheΒ wantsΒ andΒ sheβsΒ goingΒ toΒ getΒ itβ¦Β andΒ somethingΒ tellsΒ herΒ thisΒ guyΒ isnβtΒ asΒ terribleΒ asΒ heΒ seems.Β isnβtΒ sheΒ theΒ same?Β maybe.
πππππβπ π πππππππππ ππ πππ ππππ ππππ πππβπ ππ ππππ. hasnβt since the fight a week before thatβd put him in the infirmary for one day and solitary for a few more. and while santos imagines that the cut down the right side of his face could be the culprit, something about the painβs turgid quality tells him otherwise.Β
it feels like he could explode; like thereβs something gnawingΒ at his skull in a bid to escape. heβd found the days in confinement maddening - unable to sit still with his feelings of betrayal (and a muted self pity). but now, he almost wishes he could go back to that heady silence - the lunchroom is chaos, even from the corner he has to himself.
the guards had done well to keep his former friends in a separate period to avoid another brawl, but that doesnβt stop the other kids from whispering and staring; some from fear, others intrigue.
and apparently, it doesnβt stop one of them from crossing the room to join him despite every warning in his steely demeanor. at a glance, santos is unbothered; not even looking up when the greeting comes. but, the way his fingers tighten and shoulders square exposes his inner unease; a feeling that imbues itself in aΒ βgreetingβ of his own.
βthere a reason youβre talking to me?β
[ Β jacob elordi & Β 21 Β & Β cis male Β ] Β stars Β above, Β is Β that Β SANTOS Β FERREIRA Β of Β THE Β SKY Β PEOPLE ? Β i Β overheard Β people Β talking Β about Β them; Β they Β say Β that Β they're Β RESOURCEFUL Β but Β when Β their Β VINDICTIVE Β side Β rears Β its Β head Β things Β can Β get Β ugly. Β is that Β the Β case Β for Β all Β people Β who Β were a Β JUVENILE Β PRISONER ? Β i Β heard Β they Β can Β usually Β be Β found Β around Β HINTON. Β people Β who Β have Β run Β into Β them Β say Β that Β they Β remind Β them Β of Β BATTERED Β KNUCKLES Β AND Β BLOODY Β GRINS, Β but Β i Β wonder Β if Β we'll Β see Β if Β there's Β more Β to Β them Β than Β previously Β thought Β ? Β whatever Β the Β case, Β i Β know Β they Β have Β NEUTRAL Β feelings Β about Β the Β GROUNDERS.
JACOBΒ ELORDIΒ asΒ charlieΒ inΒ deepΒ water
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