people need to understand that main character does not equal hero!!! The main character can be bad!!!! You can simpathize with him but protagonist does not mean good guy, and antagonist does not mean bad guy

roma★
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@bluehairedboyfriend
people need to understand that main character does not equal hero!!! The main character can be bad!!!! You can simpathize with him but protagonist does not mean good guy, and antagonist does not mean bad guy
Canada’s Power Couple
Harris do his best as always
so I just watched the odyssey movie....
and I made this within 5 minutes of returning. so I think that sums up my thoughts on it. (though im willing to rant more if ppl want it. cause I have COMPLAINTS)
he still did 9/11 no one can take that from him ❤️
You know when there's like, a straight show and everyone's like "it's full of queer subtext between the main straight dudes, and this character is obviously autistic and they really meant to say trans rights"? And then there's a queer show and all of a sudden it's "no but they weren't sensitive about this character's trauma and the queer sex scenes are too short and they're all problematic as fuck, i can't even watch"? And then our shit doesn't get renewed, and we hated on it the whole way for not embodying the perfection we'd never dream of demanding from the straight show?
Yeah, something like that
Have we considered that between Ilya Slavanov and Mr. Autism 3000 this is probably how they look to the outside world even when they're as happy as can be 😭
I feel like if you hate ABBA as an adult that's like a red flag to me
love me love me say that you love me fool me fool me go on and fool me
PACIFIC RIM / faceless 2013 • dir. Guillermo del Toro
summer thunderstorms are one of the most romantic things in the world, actually
everyone say thank you to that one anne hathaway twelfth night promo image for all it's done for fandom
Thank you Anne Hathaway Twelfth Night promo image! I love you Anne Hathaway Twelfth Night promo image!
The writer's barely plausible alibi.
#i think this is that thing where 19th century authors had to contrive a series of events for the manuscript to “appear” in their possession #complete with justifiable narrator and with total disregard for the rest of ways the rest of the text break reality #“yes it is entirely possible that a guy was briefly in another world and made it back here to give me his journal before leaving entirely” #“don't think too hard about it” (via @flameintheblacknight)
Say what you will about 19th Century literary critics' inexplicable hate-boner for the third-person omniscient perspective, but the lengths that 19th Century authors often went to in order to avoid getting CinemaSins dinged for failing to adequately contextualise how the narrator could possibly know all this are frequently the funniest stuff I've ever read.
#there's one point in Frankenstein where we're like four layers of meta-narrative deep #safie telling a story to the delaceys being recounted by the creature to Frankenstein who is telling this to Walton #who is recounting everything to his sister #wonderful stuff (via @bones-edition)
I'm trying to recall whether Shelley's Frankenstein is actually the most deeply narratively-nested 19th C. novel I've ever read, and I think it might actually be – I can think of a couple of others that get three layers deep, but none that exceed four.