And award for the best character development ever goes to…
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gracie abrams
todays bird
The Stonewall Inn
Cosimo Galluzzi

Game Changer & Make Some Noise
Mike Driver
★
2025 on Tumblr: Trends That Defined the Year
official daine visual archive

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Not today Justin
Monterey Bay Aquarium

❣ Chile in a Photography ❣

Kiana Khansmith

shark vs the universe

#extradirty
The Bowery Presents
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RMH
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@blydenses-blog
And award for the best character development ever goes to…
+bonus
Gallavich’s first and last moments.
Camp, Met Gala 2019
Joana calling Cris beautiful after she’s been ugly crying has the same energy as David telling Matteo he looks good after he’s had a breakdown pass it on
Vann: no estaba tan borracho
Enzo: Vann
Enzo: estuviste bailando y tirándole los tejos a Kózel
Vann: ¿y, qué?
Enzo: que le preguntaste si tenía novio y te echaste a llorar cuando dijo que no, imbécil
Martino 😍 Rametta
the romance the tenderness of it all
it’s very sweet how joana always compliments cris on her work and hypes her up when she doubts herself. cris is gonna have a hella supportive girlfriend im crying
GUYS
Ruben take the hint
jueves 13:46
sending a formal letter with sarcastic and sweet undertones to your crush, calling her Madame and using your school project as an excuse to meet her again, is something only a sapphic girl would do
english translation for the lastest clip!
[writing on the laptop: at the end the Marquise of Merteuil took off her corsé, her make up, and all it was left was herself, nothing else. She doesn't have her costume anymore, she's all alone]
[note from joana: my dearest madame, i write you this letter to ask an audience with you. we have to put in common both of the parts of the project Monseiur Pedro trusted as with and i burn in the desire of a B, don't you? Madame Joana]
brother: hellooo?
cris: hey
b: are you studying?
c: i try but it is hard in this house
b: ok, got it, I'll be quiet
b: are you not going to check it? for real?
c: i assure you now, yes, i am not
b: damn, and you read this?
c: yesss
b: c'mon i don't believe you
c: ay, dani, come on now
b (over the phone) : tell me. yes. yes. ok. take it, it's for you.
c: is mom?
b: no, Rubén
c: tell him i'm not here
b: what?
c: dani, tell him i'm not here
b: take it and say it yourself
c: no, tell him i'm not here please. tell him
b: hey, sorry, i thought she was here but she isn't, she must have gone out with my mom or something. ok. yes. I'll call you later.
c: what are you doing? i'm doing a project for class, idiot
b: are you mad or what?
c: see, i don't want to talk to Rubén, don't overstep, do i overstep with what you do? no, the end
b: cris, it's not the same
c: why?
b: if you want to ignore Rubén it'll be ok with me, i don't give a fuck but send him a fucking text, it doesn't cost you nothing, he's my friend
c: ok I'll do it
b: yes and when?
c: and what do i know? fuck dani, leave me alone
b: no, i don't leave you alone, girl
c: and why not?
b: because no. fuck, now I'm mad. Now you take your phone and write Rubén and tell him whatever but i will not be dragged with your shit, you are always like this, why the fuck do i have to tell him that you aren't here, telling lies for you? you got yourself into this mess and you will get yourself out alone. fuck you are not a kid anymore, cris, what, where are you going now? ok great
[cris writes and deletes this: hello Rubén, I'm sorry]
[message from amira: the day after tomorrow I'll pass by your house during the evening and we'll go buy Viri's present?] [cris' response to amira: ok]
[message from cris to joana: hello joana, should we meet up tomorrow for the project? i already have my part done]
[cris tries to write: hello Rubén, sorry]
[messages from joana:
ok, tomorrow
well no, better on Saturday
saturday, ok?
ok?
ok?
ok?]
[message from cris to joana: Saturday, ok]
requested by anonymous
St. Peter’s Basilica
David: 3.01 → 3.05
literalmente cualquier cosa relacionada con la Segunda Revolución: *existe*
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