A blog where I post my reviews on books I read and things about my favorite books. I reblog tips about writing and prompts. I may post some of my own stories. So if you love books and writing this is the place for you :)
What I hear most often from writers switching from short fiction to novels is: how do you stay invested for the long haul? How do you care about the same story for the time it takes to finish an entire book?
As someone who began with novel writing and never really mastered the art of the short story, I’ve always had the opposite question (how do you keep it to a minimum? how do you condense your ideas into just a few pages). But this doesn’t mean I’ve never had that age old book commitment problem. Even the best stories can drift away from us, and even the most dedicated writers will experience the occasional hiccup in their writing schedule. Too much time away–whether it be a busy schedule, a new child, an illness, or just general lack of inspiration–it can make coming back to the book after a writing drought seem impossible. You sit down in front of your story, see these words so old you hardly remember writing them in the first place, and think, how can I possibly keep going?
Coming back to an old story can feel a lot like a high school reunion: bumping into people you once knew so well but who have now become strangers, and now you hardly know to strike up a conversation. But just like a reunion, you have two choices: runaway and give up on the relationship for good, or force the smalltalk until you break into something real. If you’re lucky, by the end of the night, you can be laughing and having a great time, saying it’s like things “never changed at all” before you’re through. A book is the same way.
Just as we bring up “the good ‘ol times” in conversations, it’s important to revisit what made you write the book in the first place. Some things that have helped me have included:
Taking notes of my character’s planned emotional and physical arcs over the course of the book. This way if I lose investment or take too much time away and begin to lose that connection to their emotional state, I can return to my notes and see where I wanted them to be and start to understand their state of mind again and their purpose in my story.
Take notes of your planned plot or, if you’re not a structured planner, some things you hope to happen in the story or directions you might like it to go. This will be your road map later if you get lost along the way.
Make a playlist (or other art form, if you’re a painter, poet, etc.) that reminds you of your story. Listening to these songs later can help you to revisit the mindset you were in while writing and spark that creativity.
Go back and reread some of your older, already written chapters. This can help you to remember what the tone of the story was and how the dialogue was sounding. If you don’t and take a long break in the story, there’s a large chance that your story will end up disjointed with two separate narrative styles and tones that will be jarring for the readers (and yourself as you read it back later). This can also trigger the memory of how it felt to write this story last time and to hopefully help you to continue writing it again.
Practice writing a scene with your character(s) that won’t make it into the book. Jumping right back into the novel can seem daunting at times, so it may help to open a new document and write a random event just for practice on regaining and writing your character. Other useful exercises might include an interview, biography, or sample social media account for your character if applicable.
Just keep writing. Sometimes you have to write something terrible to break through to something good. But don’t worry. The delete button exists for a reason, and the editing process will be a lifesaver down the line.
To all the writers out there: how do you keep yourself focused and interested during the course of writing a novel? Do you have any tips for maintaining writing momentum?
Feel free to add to this post or submit your own advice to share with your fellow writers at ancwritingresources.tumblr.com
It begins with Peter, a devoted man of faith, as he is called to the mission of a lifetime, one that takes him galaxies away from his wife, Bea. Peter becomes immersed in the mysteries of an astonishing new environment, overseen by an enigmatic corporation known only as USIC. His work introduces him to a seemingly friendly native population struggling with a dangerous illness and hungry for Peter’s teachings—his Bible is their “book of strange new things.” But Peter is rattled when Bea’s letters from home become increasingly desperate: typhoons and earthquakes are devastating whole countries, and governments are crumbling. Bea’s faith, once the guiding light of their lives, begins to falter. Suddenly, a separation measured by an otherworldly distance, and defined both by one newly discovered world and another in a state of collapse, is threatened by an ever-widening gulf that is much less quantifiable. While Peter is reconciling the needs of his congregation with the desires of his strange employer, Bea is struggling for survival. Their trials lay bare a profound meditation on faith, love tested beyond endurance, and our responsibility to those closest to us. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ So I just finished ‘The book of Strange New Things’ by Michel Faber. It was my summer reading book for school. It is a dystopian book with a deep meaning. 4 stars ★★★★
The novelist James Smythe, who has been analysing the work of Stephen King for the Guardian since 2012, on the lessons he has drawn from the master of horror fiction
Stephen King is an All-Time Great, arguably one of the most popular novelists the world has ever seen. And there’s a good chance that he’s inspired more people to start writing than any other living writer. So, as the Guardian and King’s UK publisher Hodder launch a short story competition – to be judged by the master himself – here are the ten most important lessons to learn from his work.
1. Write whatever the hell you like
King might be best known – or, rather, best regarded – as a writer of horror novels, but really, his back catalogue is crammed with every genre you can think of. There are thrillers (Misery, Gerald’s Game), literary novels (Bag Of Bones, Different Seasons), crime procedurals (Mr Mercedes), apocalypse narratives (The Stand), fantasy (Eyes Of The Dragon, The Dark Tower series) … He’s even written what I think of as being one of the greatest Young Adult novels of all time: The Long Walk. Perhaps the only genre or audience he hasn’t really touched so far is comedy, but most of his work features moments that show his deft touch with humour. It’s clear that King does what he wants, when he wants, and his constant readers – the term he calls his, well, constant readers – will follow him wherever he goes.
2. The scariest thing isn’t necessarily what’s underneath the bed
Horror is a curious thing. What scares one person won’t necessarily scare another. And while there might be moments in his horror novels that tread towards the more conventional ideas of what some find terrifying, for the most part, the truly scary aspects are those that deal with humanity itself. Ghosts drive people to madness, telekinetic girls destroy whole towns with their powers, clowns … well, clowns are just bloody terrifying full stop. But the true crux of King’s ability to scare is finding the thing that his readers are actually worried about, and bringing that to the fore. If you’re writing horror, don’t just think about what goes bump in the night; think about what that bump might drive people to do afterwards.
3. Don’t be scared of transparency
One of my favourite things about King’s short story collections are the little notes about each tale that he puts into the text. The history of them, the context for the idea, how the writing process actually worked. They’re not only invaluable material for aspiring writers – because exactly how many drafts does it take to reach a decent story? King knows! – but they’re also brilliant nuggets of insight into King himself. Some people might think that it’s better off knowing nothing about authors when they read their work, but for King, his heart is on his sleeve. In his latest collection, The Bazaar of Broken Dreams, King gets more in-depth than ever, talking about what inspired the stories in such an honest way that it couldn’t have come from another writer’s pen. Which brings us to …
4. Write what you know. Sort of. Sometimes
Write what you know is the most common writing tip you’ll find anywhere. It’s nonsense, really, because if we all did that we’d end up with terribly boring novels about writers staring out of windows waiting for inspiration to hit. (If you like those, incidentally, head straight for the literary fiction section of your nearest bookshop.) But King understands that experience is something which can be channelled into your work, and should be at every opportunity. Aspects of his life – addiction, teaching, his near-fatal car accident, rock and roll, ageing – have cropped up in his work over and over, in ways that aren’t always obvious, but often help to drive the story. That’s something every writer can use, because it’s through these truths that real emotions can be writ large on the page.
5. Aim big. Or small
King’s written some mammoth books, and they’re often about mammoth things. The Stand takes readers into an apocalypse, with every stage of it laid out on the page until the final fantastical showdown. It deals with a horror that hits a group of characters twice in their lives, showing us how years and years of experience can change people. And The Dark Tower is a seven (or eight, or more, if you count the short stories set in its world) part series that takes in so many different genres of writing it’s dizzying. When he needs to, King aims really big, and sometimes that’s what you have to do to tell a story. At the other end of the spectrum, some of King’s most enduring stories – Rita Hayworth & Shawshank Redemption, The Mist – have come from his shorter works. He traps small groups of characters in single locations and lets the story play out how it will. The length of the story you’re telling should dictate the size of the book. Doesn’t matter if it’s forty thousand words or two hundred, King doesn’t waste a word.
6. Write all the time. And write a lot
King’s published – wait for it – 55 novels, 11 collections of stories, 5 non-fiction works, 7 novellas and 9 assorted other pieces (including illustrated works and comic books). That’s over a period of 41 years. That’s an average of two books a year. Which is, I must admit, a pretty giddying amount. That’s years of reading (or rereading, if you’re as foolishly in awe of him as I am). But he’s barely stopped for breath. This year has seen three books published by him, which makes me feel a little ashamed. Still, at my current rate of writing, I might catch up with him sometime next century. And while not every book has found the same critical and commercial success, they’ve all got their fans.
7. Voice is just as important as content
King’s a writer who understands that a story needs to begin before it’s actually told. It begins in the voice of the novel: is it first person, or third? Is it past or present tense? Is it told through multiple narrators, or just the one? He’s a master at understanding exactly why each story is told the way it’s told. Sure, he might dress it up as something simple – the story finding the voice it needs, or vice versa – but through his books you can see that he’s tried pretty much everything, and can see why each voice worked with the story he was telling.
8. And Form is just as important as voice
King isn’t really thought of as an experimental novelist, which is grossly unfair. Some of King’s more daring novels have taken on really interesting forms. Be it The Green Mile’s fragmented, serialised narrative; or the dual publication of The Regulators and Desperation – novels which featured the same characters in very different situations, with unsettling parallels between the stories that unfolded for them; or even Carrie’s mixed-media narrative, with sections of the story told as interview or newspaper extract. All of these novels have played with the way they’re presented on the page to find the perfect medium for telling those stories. Really, the lesson here from King is to not be afraid to play.
9. You don’t have to be yourself
Some of King’s greatest works in the early years of his career weren’t published by King himself. They were in the name of Richard Bachman, his slightly grislier pseudonym. The Long Walk, Thinner, The Running Man – these are books that dealt with a nastier side of things than King did in his properly attributed work. Because, maybe it’s good to have a voice that allows us to let the real darkness out, with no judgments. (And then maybe, as King eventually did in The Dark Half, it’s good to kill that voice on the page … )
10. Read On Writing. Now
This is the most important tip in the list. In 2000, King published On Writing, a book that sits in the halfway space between autobiography and writing manual. It’s full of details about his process, about how he wrote his books, channelled his demons and overcame his challenges. It’s one of the few books about writing that are actually worth their salt, mainly because it understands that it’s about a personal experience, and readers might find that useful. There’s no universal truths when it comes to writing. One person’s process would be a nightmare for somebody else. Some people spend years labouring on nearly perfect first drafts; some people get a first draft written in six weeks, and then spend the next year destroying it and rebuilding it. On Writing tells you how King does it, to help you to find your own. Even if you’re not a fan of his books, it’s invaluable to the in-development writer. Heck, it’s invaluable to all writers.
My dash has become dead lately so if you’re active and blog about anything bookish related- preferably YA but I’m not picky- please reblog this and I’ll deffo check your blog out ☺
Things I Try to Remember When I’m Nervous About Writing
1. Write what you want to read.
2. There is no problem with a story so great that it cannot be fixed in revision. Keep going.
3. If your story is as uncreative as you think it is, you wouldn’t want to write it so badly. You want to write it because there’s a unique spin on it you have never seen, and want to express. Many people may write similar stories, but it’s the details that make it personal. You may not know it now, but there is someone who is looking for exactly what you’re writing. If you don’t finish it, they’ll never see it.
4. You can write something amazing and still be met with silence. There are myriad reasons for this that have nothing to do with the quality of what you produce.
4.1 It’s okay to repeat post your work if no one has seen it.
4.2 It’s okay to post your work in multiple places.
5. You don’t have to agree with every criticism (but take it gracefully anyway).
6. Most writers are scared of the same things you are.
7. Don’t judge your works in progress against the archives of finished, polished stories other writers have put together. Archives are Internet portfolios and generally don’t show all the multitude of failures, incomplete, and draft-form works those writers are also struggling with. They aren’t perfect and you don’t have to be, either. Keep working and you will have a portfolio of your own.
8. Don’t be afraid to share your ideas with other writers. It’s not annoying as long as you’re not self-important about it. Be humble and gracious, and others will reciprocate.
8.1 You can’t write as well in a vacuum; the more people know that you are working on something, and what, the more support you will get for that work. Starting a dialogue before you post something will make it more likely people will read it when you do post it.
9. It’s okay to take breaks. If the ideas just aren’t coming, go do something else for a while.
10. Be kind to yourself. Don’t call yourself names. You are not stupid, or uncreative, or boring. You wouldn’t call other people those things, so don’t do it to yourself.
I don’t know if these are helpful to other people, but they are helpful to me, so just in case, here they are!
It’s been a while since I’ve made a post, and I figured that these tips might be extra helpful with exam season approaching. As someone who struggles a lot with procrastination, I do everything I can to fight the urge to put assignments off until the last minute (even though I’m not always successful).
Writing Affirmations, submitted by Camp NaNoWriMo participants. (Text reads: “I will celebrate every hard-earned victory, be it just finishing a sentence, a page, or a project.” By NaNoWriMo user KDFernandez)
This topic is an exploration of the storytelling process at Pixar.
Pixar has partnered with Khan Academy to create free, online lessons in story telling. The first lesson is already uploaded and linked above.
While later lessons are geared towards film-making, the first lessons include storytelling, character, and story structure. They also come with activities, giving users an opportunity to practice what they’ve learned from the videos.
Have you ever had problems coming up with character flaws or weaknesses for your characters? Well don’t worry, I have you covered! I’ve compiled a list of 100 negative character trait profiles! Pick your favorite profiles, apply it to your character, and get to writing.
Happy New Year!! This year had been a good year for me and hopefully 2017 will be good too. I got to visit my friends after a year and I started to work on my first novel. 2017 will hopefully give me new experiences and choices. I hope everyone of you had a great year. 2017 will hold many new things for all of us, whether they may be good or bad. Once again Happy New Year!! P.S Belated Merry Christmas. I couldn't wish you guys earlier because I was in California for Christmas.
The writing is -- I'm free from pain. It's the place where I live; it's where I have control; it's where nobody tells me what to do; it's where my imagination is fecund and I am really at my best. Nothing matters more in the world or in my body or anywhere when I'm writing.
Create your own haunted house and have your OCs spend the night.
Here are some brainstorming ideas:
Where is the house? In the center of town? Lost in the woods? Set atop a hill overlooking the city?
What does the house look like? A Victorian mansion? A Hundred year old farm house? A condo built just a year ago?
What state is the house in? Is it maintained or left abandoned? Is it still furnished? Does someone still live in the house?
How do the locals perceive the house? Do they stay away or use it as a tourist attraction?
What local legends are spread about the house? Are they exaggerated by the locals or kept hush and only a few know the truth? What is said to happen in the house during the night? What happens to those you stay in the house? How old is the legend? Is it strongly believed or widely disregarded as falsehood?
And finally, why is the house haunted? Is this haunting real?
Use the tag #Octoberspookywritingchallenge2016 to share your work!
The October Spooky Writing Challenge is a creative writing challenge. Each day’s challenge will post at 10. A.M. EST. Participate in all the days, or just a few— the choice is yours. The challenges cover a wide variety of subjects including writing prompts, world building prompts, character prompts, writing with your OCs, and more!
