Scott Walker, Sweden 1965 by Bent Rej
Not today Justin

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Scott Walker, Sweden 1965 by Bent Rej
Ringo Lam - City on Fire (1987)
Buster Keaton and Ford West Sherlock Jr. - 1924
TimothĂŠe Chalamet on the set of âMarty Supremeâ
stupid faces fffck
New York City, 1978. Joel Meyerowitz. Pigment print
Truck stop outside Las Vegas, Nevada, Photo by Robert Frank, c. 1955-56
City on Fire (1987)
an insanely stylish and action-packed Hong Kong classic with an unexpected brotherhood and an even more unexpected ending!
its got some excellent actors that you will definitely be familiar with if youâre a fan of HKâs blockbuster era! not to mention a fast-paced plot and a smooth, jazzy soundtrack!
the vibes were suaveee, so much so, it apparently inspired tarantinoâs reservoir dogs, which is not surprising at all because this is truly a cult classic
March 27, 1926 New York City looking south from Fulton Street to John Street at Nassau Street. From New York City-Vintage History, FB.
London 1957, i'm not going to say much, just enjoy a lost time and revel in a little nostalgia.
Please check out other posts with hashtag #video on @vintage-london-images
Reblog
The Waco Times-Herald, Texas, June 19, 1936
Illustration from Address in verse to Robert of Anjou, King of Naples, from the town of Prato in Tuscany (the âRegia Carminaâ), by Pacino di Buonaguida, 1335-1340
Monica Barbaro
The Sweet East (2023)
"A functioning artwork depicts humanity accurately in some way, it resounds with its viewer or reader. That is the only relevance that should count. âRelevanceâ (groan) for âmodern audiencesâ (double groan) is why Dr Who canât just be a mad posh professor having delightful adventures. Itâs why female characters with professional roles have become a row of interchangeable plucky nâ sassy robots. Itâs why Achilles in the imminent film of The Odyssey is set to be portrayed by a crazy broad. Relevance is why, as they say, we canât have nice things" - Gareth Roberts
VisiĂłn de Santa Elena.
Hacia 1580.
Paolo Caliari #Veronese (1528-1588).
@Musei_Vaticani
Mylène Demongeot, 1960s
The picture was taken during the filming of the Italian peplum "The Abduction of the Sabine Women" (ital. Il ratto delle Sabine), released in 1961.