Nick Cave I Sad Waters (Rare Acoustic Version)
You have seduced my soul And I donât know right from wrong

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Nick Cave I Sad Waters (Rare Acoustic Version)
You have seduced my soul And I donât know right from wrong
I feel like a fake person, I feel like I have to put a
mask on to be accepted by anyone, and I've
been like that for so long.
If I tell someone I'm nervous about something
they say: "just be yourself"
I haven't been myself for so long
I don't even remember how
I feel like I don't know who I am anymore, and I
don't like it
But as of about 8:30pm yesterday I have a fresh
start, and the only thing I can think about is
"how am I going to fuck it all up, just like the
other fresh starts I've had
And it scares the shit out of me because I've
hurt so many people, and I know I'm going to do
it again.
So if you want to go anywhere in life
Don't bring me
No one invites me to do anything anymore, and
don't blame them
They don't even think of me anymore, and if
they do I'm sure it's not the good in me that they
see
If there is any
And if there is, I can't see it
People that hang around me are just going to
end up stuck with me in the hole that I just seem
to be digging deeper and deeper
I literally just spent 2 months as someone else's
problem
Nobody deserves that
And I feel like shit for doing it because they were
too nice, and I took advantage of them
It's not like anyone can take advantage of me, I
don't have anything worth the time it would take
to get close enough to me to take advantage of
honestly don't even know if any of this makes
sense but if it does, then there's at least one
thing I've done right
(found on Instagram)
Love Raxx đŻđŻđŻ #raxx #raxxkillinit #Raxxbesnappin
Snow
by Mary Ruefle
Every time it starts to snow, I would like to have sex. No matter if it is snowing lightly and unseri- ously, or snowing very seriously, well on into the night, I would like to stop whatever manifestation of life I am engaged in and have sex, with the same person, who also sees the snow and heeds it, who might have to leave an office or meeting, or some ar- duous physical task, or, conceivably, leave off having sex with another person, and go in the snow to me, who is already, in the snow, beginning to have sex in my snow-mind. Someone for whom, like me, this is an ultimatum, the snow sign, an ultimatum of joy, though as an ultimatum beyond joy as well as sor- row. I would like to be in the classroomâfor I am a teacherâand closing my book stand up, saying âIt is snowing and I must go have sex, good-bye,â and walk out of the room. And starting my car, in the beginning stages of snow, know that he is start- ing his car, with the flakes falling on its windshield, or, if he is at home, he is looking at the snow and knowing I will arrive, snowy, in ten or twenty or thirty minutes, and, if the snow has stopped off, we, as humans, can make a decision, but not while it is still snowing, and even half-snow would be some thing to be obeyed. I often wonder where the birds go in a snowstorm, for they disappear completely. I always think of them deep inside the bushes, and further along inside the trees and deep inside of the forests, on branches where no snow can reach, deep- ly recessed for the time of the snow, not oblivious to it, but intensely accepting their incapacity, and so enduring the snow in brave little inborn ways, with their feathered heads bowed down for warmth. Wings, the mark of a bird, are quite useless in snow. When I am inside having sex while it snows I want to be thinking about the birds too, and I want my love to love thinking about the birds as much as I do, for it is snowing and we are having sex under or on top of the blankets and the birds cannot be that far away, deep in the stillness and silence of the snow, their breasts still have color, their hearts are beating, they breathe in and out while it snows all around them, though thinking about the birds is not as fascinating as watching it snow on a cemetery, on graves and tombstones and the vaults of the dead, I love watching it snow on graves, how cold the snow is, even colder the stones, and the ground is the coldest of all, and the bones of the dead are in the ground, but the dead are not cold, snow or no snow, it means very little to them, nothing, it means nothing to them, but for us, watching it snow on the dead, watching the graveyard get covered in snow, it is very cold, the snow on top of the graves over the bones, it seems especially cold, and at the same time especially peaceful, it is like snow falling gently on sleepers, even if it falls in a hurry it seems gentle, because the sleepers are gentle, they are not anxious, they are sleeping through the snow and they will be sleeping beyond the snow, and although I will be having sex while it snows I want to remember the quiet, cold, gentle sleepers who cannot think of themselves as birds nestled in feathers, but who are themselves, in part, part of the snow, which is falling with such steadfast devotion to the ground all the anxiety in the world seems gone, the world seems deep in a bed as I am deep in a bed, lost in the arms of my lover, yes, when it snows like this I feel the whole world has joined me in isolation and silence.
the clueless among us say death is only a beginning. they talk clouds and blinding light and happiness. from my pocket, i pull out my fatherâs tumor, still warm. a thin rivulet of blood slides down my forearm to my elbow, and falls, staining the sidewalk. death can be so small, i tell them. and the dead so greedy, robbing your memories while you sleep. every morning a beautiful black bird visits my mother at her kitchen window. she said at first i asked your father what he wanted, but he didnât reply and didnât have to. at night she sleeps with a framed picture of my father, the soldier, grey beret, beautiful skin, eyes dense like a ravenâs. she brings flowers every day to his tomb. sometimes roses, sometimes carnations, whatever is on sale and looks firm. these she tapes to the polished slab of granite that covers his crypt. on her way out she begs the caretakers not to take down the flowers at least until the next morning. but iâve seen their tractor and the cart it pulls, heading to a dumpster, a heap of broken stems and crushed petals, plastic water bottles, cards.
i lay beside you, evenly
I lay beside you, evenly, And like this and like that We forget things Until evening. Then a glass of wine, Then olives. I brush your hair.
We are disturbed by wind, scratching At the door. We rub together matches. The way is lit, shadows thrown. Our fingers Smell of sulfur, even down at the beach.
Without a moon, the water still finds a color To hold on to. It folds And flattens, flattens    And folds.
Like this and like that, The between of us disappears.
migration
[one from way back]
i. turmeric clouds, a kum-kum sunset paints the bullocks grazing. the gods are proud tonight, cradled in the banyan, and gossip drops its roots into the century.
ii. across the river a peasantâs wife pillars a head of vegetables. her breast a petal of hibiscus plucked at by an infant as she renders change. her husband lost his cock to a netmaker from Madras. what to do? they ate the bird and wore the feathers, which hang like rays of light on their drab indigence.
iii. a potter searches for isolation in the community of duty. from the riverbed she gathers clay and fires a cistern to escape into, but it will hold only water. not knowing how to drown, she heads for America, where she learns the only logical refutation to the accusation i am nothing! becomes i am everything! in that wilder sea.
iv. an alley, Bombay. beyond the hawker rows that fibrillate on the rumblehorizon of police trucks a woman stones thin windowsâthey fragment into prior dreams. she decorates her gods with flower petals and leadrust, and tabloid words which spiral down in strings, and apple skins and mango pulp, and the many, many masks that gravity brings.
it isn't
inspired by W. Staffordâs It Is
it isnât so much the tremulous What as it is the inevitable When that stops my blood. it is bad enough that things happen, but then, when I cut them open and reasons are revealed beating vigorously, thatâs when scars form like knuckles. Â
I should be more positive, in time my center will be hollow. this is what Iâll work with.
we recycle dutifully our words, the words behind our words,
how a phrase can so easily sit in a chair, explaining everything! how its beginning and its end curl, verblessly from backrest to seat to scratched leg.
words that fall around our legs, syllables contract, relax. we bend our words, our legs, always stepping slowly.
âBeauty today can have no other measure except the depth to which a work resolves contradictions. A work must cut through the contradictions and overcome them, not by covering them up, but by pursuing them.â - Theodor W. Adorno, Functionalism Today
remembering for the future
Most falling-outs seem to be misunderstandings. And when the trust in language falters, we seem to lack ways to make better. Time heals the connection into a rickety bridge, over which we must take tender steps. Only through walking a kind of mess (of language), and acceptance of the mess, something can be kept, restored, brought into view. We all stumble with what is most beautiful. I want to show you the lighted boats, birds, pieces. How affection is crystalline. But I show it all in the wrong light, sometimes despite myself. I stumble at the door. And it is a true heart to you, which falls and breaks. The disappointment closes the door between us. And this isnât what happened at all. The fact is that we were in a room, talking, and I hurt you. And what saves us, as if by miracle, is that we can see each other in the room, again. Talking with forgiveness. After having walked the mess all over, again; to see a life we both want to have, again. As we did, in a room once together. As we saw once so clearly, the most beautiful given to us.
Loveâs Vow
A promise given in any relationship, of every shape and kind. A giving of oneâs word oneâs heart to another in trust and joy. To know that there is always someone that will be there no matter what, for beings such as ourselves were never meant to be alone.
Truth found in the words âI love youâ, something to place value I when spoken. Whether in an romantic or platonic way, giving of yourself to another is always a risk worth taking.
Better to have loved then to have not. Better to have tried and lost, than to have never tried at all. Once these feelings are experienced nothing can be the same. Each time we try, each time we give, like the flakes of snow a different patterns emerge. Yet each relationship can be a thing of beauty if we want them to be.
Renew your truth, your faith, your vow in the ideas of love and all it in compasses. Dare to try even when you may feel itâs not worth trying again. Love is a beautiful thing when experienced in the best ways, donât give up. There is love in all itâs forms waiting for youâŚ
Happy Valentineâs Day â¤ď¸ Tumblbumbles âŽď¸âŻď¸đ.
Image: google.com / vow of love pics
Let me know what you think and pass the thought along.
Archilochos, tr. by Willis Barnstone, from Greek Lyric Poetry; âLove,â
âHaving a sister or a friend is like sitting at night in a lighted house. Those outside can watch you if they want, but you need not see them. You simply say, âHere are the perimeters of our attention. If you prowl around under the windows till the crickets go silent, we will pull the shades. If you wish us to suffer your envious curiosity, you must permit us not to notice it.â Anyone with one solid human bond is that smug, and it is the smugness as much as the comfort and safety that lonely people covet and admire.â - Marilynne Robinson, Housekeeping
âIt is a curious thing, the death of a loved one. We all know that our time in this world is limited, and that eventually all of us will end up underneath some sheet, never to wake up. And yet it is always a surprise when it happens to someone we know. It is like walking up the stairs to your bedroom in the dark, and thinking there is one more stair than there is. Your foot falls down, through the air, and there is a sickly moment of dark surprise as you try and readjust the way you thought of things.â - Lemony Snicket, Horseradish