NCTE Guidelines
http://www.ncte.org/positions/statements/onreading
Cosimo Galluzzi
Xuebing Du

#extradirty
NASA

❣ Chile in a Photography ❣

oozey mess
Keni
DEAR READER
taylor price
Jules of Nature

No title available
noise dept.

if i look back, i am lost
TVSTRANGERTHINGS
trying on a metaphor
Noah Kahan
Sade Olutola
occasionally subtle

Kiana Khansmith
Aqua Utopia|海の底で記憶を紡ぐ

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@brynkandel-blog
NCTE Guidelines
http://www.ncte.org/positions/statements/onreading
3.28 Routman & Portalupi
Writing Workshop: Shared writing provides the students with a safe and collaborative setting that promotes cohesive writing. (students share ideas with each other, teachers shouldn't be correcting students just expanding on their ideas) Whole Group Shared Writing includes the students and the teacher in a back and forth relationship where they compose a story together: "On Tuesday, we went to Park Forest.." -Keep up in classroom so less fluent writers can look back to it and recreate it for the next story. -Also known as "Language Experience" Routman says writing and reading shouldn't be separate subjects-they go hand in hand. Teachers should spend less time on stuff (activities) and more on actually reading and writing (like journals, summaries, informational writing, etc) Portalupi talks about the writing cycle--prewriting, rough draft, revise, edit, publish
Fluency Assessment: DIBELS vs Miscue Analysis
DIBELS - read a predetermined passage for a set amount of time - teacher takes notes as kids are reading - asks comprehension questions after - benchmarks determined and can be increased by WPM
MISCUE - not timed - not as threatening, more relational - quality not quantity of miscues - high quality- doesn’t change the meaning - low quality- changes the meaning
3.14 Boldt & Ranker
Boldt: Kyle & The Basilisk—Understanding Children’s Writing as Play
** “Learning grows out of individuals’ experiences and expressions, and that curriculum and pedagogy must therefore emerge from the children’s interests and their lives.”
*play allows children to confidently explore the world and relate objects in the world.
* “Through such play, the child’s imagination catches fire in a way that creates the potential for aesthetically rich experiences and expressions throughout our lives.”
*It is the role of the spectator that enables our passion for living.
--Wow, what a thought. This seems to hold true since children are often intrinsically motivated to develop reading and writing skills for the sole reason of being able to communicate with others and have others understand their work.
“…Find a language that speaks of commitment to the potential for creativity and engagement in the world, and that serves as an ethical stance against the demands of conformity and for the value of fantasy and play.”
Ranker: There’s Fire Magic, Electric Magic, Ice Magic, or Poison Magic”: The world of video games and Adrian’s Compositions about gauntlet legends
--Many students come to school with experiences and knowledge—different resources for making meaning—that are the product of these changes in society.
--Think of students as resources for the new media and technology advances.
*This goes hand in hand with all of the genres/popular culture ideas that we discussed earlier in the semester. It is crucial to get students involved based on their interests and vary medias to absorb the information.
Markings for Miscue Analysis
3.12 Goodman, Compton, Mills
Tuesday, 3.12
Goodman, Compton-Lilly, & Mills & O'Keefe for Tuesday
Goodman- Miscue Analysis Jigsaw
--Miscue: unexpected responses cued by the readers’ knowledge of their language and concepts of the world.
--A major assumption of miscue research is that everything that happens during reading is caused by what the reader knows about language and the world. (Expected & Unexpected responses)
--Miscues found in oral reading are same as silent reading
**All readers make miscues
**There is a single underlying reading process
“Meaning construction involves active use of all the language cueing systems. The
language cueing systems include the graphophonic system-the relationships between oral
and written language (phonics); the syntactic system-the relationship among linguistic units
such as prefixes, suffixes, words, phrases, and clauses (grammar); and the semantic systemthe
organization for the meaning system of language. Reading strategies and language
cueing systems are also influenced by the pragmatic system-the knowledge readers have
about the ways in which language is understood by others in their culture.”
Miscue Analysis Procedure:
-must have beginning, middle, end
-new material but content familiar
-25 miscues are minimum to produce pattern of miscue responses
***It is not the number of miscues that a reader makes that is important but the quality of those miscues. Quality is determined by the degree to which a miscue disrupts or enhances the meaning of the text.***
“I do teach and the kids do learn!” by Wendy Hood
-Analyze miscues and retelling of poem, “Rain”
-She notices differences between Nicky who simply retold the story and didn’t get bogged down by miscues and Geraldo who critically analyzes the text and says the characters are ‘stupid’ for going in the rain. Geraldo doesn’t care about the meaning of the text and this may be due to his significant miscues while reading the story.
-I’m a little confused with this miscue analysis process. The one a teacher notes that the students and teachers work together now and it gets rid of the division line between teachers being the experts and the students knowing less. She says that they “become partners in the process” (of reading). I’m not sure how, though… because aren’t they just sitting there taking notes on where the student messes up and doesn’t retell the story correctly? The teacher said prior that they don’t help the students when a tricky word comes up but rather encourages the student to guess or skip the word. It didn’t mention that they go back through and dissect the words either, only that they talk about the retelling part and question what the story was about. I’m not sure if this is the most interactive way, although it does provide data and information on the student, it doesn’t seem the most child-friendly. I feel like I would be a bit intimidated having such a strict guide to follow and then being pressured to not mess up while reading, even though I still do it today as an adult.
On that note, I do agree though that it is important to look at the quality of miscue rather than quantity. If it doesn’t affect the understanding of the text, I would not point it out to be a big deal. This is where comprehension becomes the topic since miscues that are high quality will most likely negatively affect a student’s comprehension of the story.
Compton-Lilly: “Sounding Out”: A Pervasive Cultural Model of Reading
--Focuses on phonetic decoding over other strategies particularly those involving meanings of texts and the structures of language.
--“Leads them to the conclusion that reading is a process of breaking down in which the sound sequence is articulated by the reader” p. 92
--Found it’s often not just what students are doing while reading
--It’s a cultural model though enforced by parents, teachers, and law enforcers that “sounding out” is helpful when really it is limiting for children
--How can we change it (over time)? ---Encourage & demonstrate other strategies for reading, take note of what strategies work, and “provide our students with a range of useful word-solving strategies.”
Mills & O’Keefe- Collaborative Inquiry: From Kidwatching to Responsive Teaching
-Inquiry Instruction: TALK was at the heart of truly responsive teaching
-Don’t just kidwatch and observe, engage students in conversation to create planning with and for the students.
-3 critical dimensions: 1. Teachers knowing students, 2. Students knowing each other and their teacher as readers, writers, and learners, 3. Students knowing/getting in touch with themselves as readers, writers, and learners.
-REFLEXIVITY leads to planful action. So, have children reflect on their reading, writing, learning!
"Students are not involved in doing workbooks or worksheets, but are immersed in reading and writing for real purposes based on their interests and individual abilities."
Five & Egawa, 1 - This sums up what authentic reading is all about.
2.19 Class Notes
Authentic Literacy:
creative ways to engage with text
multimodalities
meaningful text
desire to dig deeper
Inauthentic Literacy:
assign books that have no connection to students
sticking to curriculum not designed to students in your classroom
doing "worksheets" (safe-there's no individualism in this)
identifying words-skill & drill
Why does this matter?
We should use authentic practices in our classroom. It keeps students ENGAGED in what they are reading or writing. It is more meaningful and makes the students feel like what they are interested in actually matters.
Linguistics-
[st]ay -- the [st] is the ONSET
d[ay], st[ay] -- the [ay] is the RIME
word families -ay
always go back to text & reread it
2.21 Routman and Fletcher & Portalupi
Routman: Chapter 1: The Essential Writing Life
"I want students to write with passion and ease. I want them to become motivated, confident writers who see writing as an everyday, useful, even enjoyable tool."
Simplify teaching and increase results and enjoyment--we overfocus on procedures, processes, genres, and testing and underfocus on thinking, communicating, inquiring, and exploring language
Our beliefs drive our teaching: demonstrate I'm a reader myself with a reader in mind, connect writing to reading through literature, guide students to choose topics they care about, teach strategies to draft, revise and edit, give conferences with students to assess and evaluate
Optimal Learning Model: explicitly see writing taught, work with expert side by side, independent practice & try writing on own
*This reminds me of the mini lesson ideas. I think these go hand in hand--the process is the same: model, prompt and give guided instruction, check and move onto independent work. Once again, the independent work session should be comprised of a lot of time where students can work on their writing and get feedback from the teacher. The writing is most beneficial when it is chosen by the student, I believe, since it will be more personal and meaningful. I can remember in school being given a prompt and having to write a standard 5 paragraph essay off of it. I hated that! I much rather enjoyed when I could share a personal story through writing or talk about something that I enjoyed--even if it was in a research paper (the format I hated the most!). All of these things are important to keep in mind for my future writing students.
Be explicit! Think aloud as we write, think aloud as we read aloud, notice what authors and illustrators do, analyze effective writing, show examples, establish criteria, compare successful and unsuccessful pieces, discuss and evaluate, celebrate and publish
Fletcher & Portalupi: Chapter 3: Short Term Goals
Instead of focusing on these long term goals and standards (even things related to Common Core) we must focus on short term goals
1. get students to love writing 2. establish safe environment to take risks in writing 3. set up workable system to handle the flow of papers, folders, etc.
"Choice leads to voice"--young readers work best when they feel a sense of ownership, personal investment in their writing
**Then why are the PSSA's and other tests set up around given prompts? Why can't we assess writing that the students have done about a topic of their choice and something they take pride in? What if each child could choose the piece of work they submitted to the PSSA (and other) tests? Is it really fair to asses every student on the same given prompt? I don't think it is... what about previous knowledge? And the fact that some students will still be motivated to answer the prompt to the best of their ability while others will be so uninterested they will just breeze through it. Hm...
Establish safe environment by giving specific praise, letting primary children draw, read aloud from the heart pieces of writing
Have an unfinished writing folder and a finished writing folder
2.19 Wohlwend and Five & Egawa
Wohlwend, Chapter 3: "Just Playin' Around" and "Just Makin' Stuff"
"The boy problem": boys' interests and activity is incompatible with school
The boys' play practices are shaped by models of boyhood circulated through global discourses in schooling, gender, and popular media
"Their pretense imagined out of school events into school space, replaced teacher mediation with peer mediation, and maintained hierarchical mentoring relationships in a boys only space.
Multimodality provides a way to critically examine literacies for layered practices, identities, modes, and discourses
"Multimodality fuels the representational power of literacies by providing multiple avenues for changing the meaning of a sign by making it with different materials, also changing what meansings can be made and who gets access."
**This is so important and true. When we stop trying to fit everyone into this mold that we created is the right way to read/write, then we can see the benefits of all the other types of modalities. For example, singing, as the text mentioned, can lay the foreground for verbal and auditory modes of speech, music, and sound effect. Speech helps to articulate writing and understand readings... so why do we not consider singing as a form of literacy? Once we look at the benefits of all the different types of modalities and how literacy is embedded within them, we can meet the interests of our students and help them so much more.
**Play can help bring out different types of literacy. Many teachers need to remember that children are learning through play, especially young children. That is why free time (like recess) is so important for children. Connecting this with my information gathered from my ECE class, I remember breaking down the importance of play and seeing that it has physical, social, and emotional benefits. It also can be easily tied into a curriculum topic. For example, even in our LLED class when we were learning about the different popular culture genres we were able to use play to make these ideas come to life. Essentially this was just like play, but we were learning at the same time. They are one in the same, which is what we have to remember.
Five & Egawa: Reading & Writing Workshop
Large blocks of time for reading/writing experience
Remainder for mini-lessons or demonstrations, record keeping, assessment, group share
immersed in reading/writing for real purposes based on their interests & individual abilities
**This is key! Students need to be able to connect to what they are reading/writing in order for it to sink in and be meaningful. We can do this by making the reading/writing personal and allow the children to have choice in deciding what they are interested in. A large block of time like Five & Egawa mention will be so helpful because that is where the actual reading and writing learning will occur. We are able to learn better by doing and actually experiencing things. Mini lessons are helpful with guided instruction and gradual release of responsibility, but allowing students a lot of time for independent hands-on work is key to success.
"Status of the class" - recording what each student does during the workshop time each day so teacher can provide help when needed and monitor progress
Workshop ends with group share-builds and reinforces a sense of community among learners
**I like the idea of wrapping up the class with a group share. I am trying to think back to my experience with this but I don't remember doing this too often at the end of classes. I think it is important, though, so that students are working hard throughout the entire class and are also recognized for that hard work by sharing it with the group. This may be tricky to do in certain settings with limited time restraints, though, because I feel like some topics could cause lengthy discussions or questioning time. This may be hard to get around to each student and allow them proper time to share.
TIME: 45 mins, 3/5 times a week
full engagement in reading and writing
PREDICTABLE STRUCTURE/ROUTINE
OWNERSHIP AND CHOICE: choose own books, topics, but can offer teacher guidance
RESPONSE OPPORTUNITIES: even when responses might not seem to make sense, they may indeed be meaningful-"It's this kind of environment that allows us to identify and to build upon students' interests and strengths."
**I LOVE this quote! I remember previous teachers I had that would make me nervous to answer questions or make comments in class. I remember one teacher in particular that wouldn't give any feedback to your comment and would simply nod her head once with a straight face after you gave input. This was so unusual to me and it really bothered me--I wanted her to engage in a conversation with me or acknowledge my input. I will be sure not to do this with my students. I want to create an environment that encourages questions and discussions rather than scares the children away. This open feeling of comfort within a classroom is so important and helps the teacher gain respect as well.
READING WORKSHOP
Read aloud: occur daily, usually read aloud by teacher
Shared Reading: all participants have access to same text: big books, overheads, personal copies
Mini lessons or Demonstrations: planned, focused, discuss elements of reading
Guided Reading: one or two children, small group, whole class, ongoing explicit reading instruction
Independent Reading: students choice of book
Literature Study: reading and discussing books together
Inquiry, or reading to learn: research, make observations
Opportunities for Response: reading journals, letters, group discussions, art, music, drama,
WRITING WORKSHOP
Write Aloud: chart paper, overhead, chalkboard, talking through writing decisions
Shared Writing/Interactive Writing: teacher and student composes together, students help orally while teacher writes
Mini-Lessons: focus on different writing aspects-genre, topic, revise, edit, proofread, etc.
Guided Writing
Independent Writing: select own topic, edit, publish
Opportunities for Response: sharing of drafts, completed pieces with class
2.14 Martin & Thacker, Fletcher & Portalupi, Samway
Martin & Thacker: Teaching the Writing Process in Primary Grades
Four stages of writing process: planning, drafting, editing, and publishing
Variety of materials and options: some like to write on paper, others like to type on computer
Allow time, be patient, create a comfortable environment
Fletcher & Portalupi:
Samway: Writing Workshop with Children Acquiring English as a Non-Native Language
Believe in your children and their capabilities to be writers
Give them time to write, read, and confer
Show importance of writing by demonstrating our own examples of writing and the writing process
clear and organized environment
2.12 Miller, Holdaway, Rasinski
Holdaway: A Fresh Start: Shared Book Experience
"Reading to a group of children in school has little instructional value simply because the print cannot be seen, shared, or discussed"
Enlarge books to share aloud
Sing song to get everyone talking, comfortable
Rasinski: Oral Reading in the School Literacy Curriculum
Oral reading continues to impact student reading development
Still unsure about balance of silent and oral reading
Miller Chapter 3 Reader's Workshop: Real Reading from the Start
Each morning child chooses 3-4 books to put in basket and read. The books aren't necessarily at the child's level in the beginning--that's not important. There is more of a focus on the books being "familiar"
Start with song book--They're fun, children are instantly engaged, words and tunes are easy to learn, build community, children love to take them home and share with family, repeated readings increase phonemic awareness
Mini lessons (for example using sticky notes to mark interesting points, questions in text) and then explicit direction to read and confer
Differentiation & Decentration (2.7)
DIFFERENTIATION: learners start with whole or bigger concepts (like marks on a page that tell a story) and then begin to move toward a specific understanding of how it works (i.e. letters create words that tell a story)
labeling things: house (s), tree (tr), yard (yd)
More exposure and more time being read to allows kids to put letters together. (sydtr)
finger spaces: s yd tr ---Intrinsic motivation kicks in where they WANT others to be able to read their writing
DECENTRATION: learners begin to understand that in order for a wider audience to understand their writing, there is a need for shared conventions
Test invented spelling
Emily Video:
What does she understand about her writing?
She knows that there is different steps, stages in a process. (just like a story that has a beginning, middle, and end.)
Pictures have meaning, represent something--Triggered what she wanted to say
Appropriates what she hears around her
What would come next for Emily?
Labeling her pictures would come next to be able to express herself
DICTATION:
Through dictation, we demonstrate to children what conventional writing (of their own words) looks like. The more we demonstrate, the more kids internalize the properties of conventional writing and take them up for themselves.
-writing on a sticky note instead of on the actual paper so they can still see there's another way to write it but they don't feel like you're correcting them.
LifeLink PSU Bryn Kandel (by bryn kandel)
Dorothy- Beyonce
Scarecrow- Steve Jobs
Tin Man- 50 cent
Lion- Nittany Lion
Toto- Blue Ivy
Glenda- Barbie
Wicked Witch- Chris Brown
Wizard of Oz- Morgan Freeman
“The Wizard of Oz”
Once upon a time in a far away valley
Beyonce got jumped in a dark alley
With Blu Ivy at her side she woke up far away
She met Barbie, the good witch, who came to save the day
Beyonce cried out “There ain’t no place like home”
Barbie said, “Girl twerk down dat yellow brick road, don’t roam”
Down the road she goes, hoping it won’t rain
She ran into Steve Jobs looking for a brain
Down the path they find 50 who ain’t got a heart
Yo boy come wit us we bout to depart
Lookin for some courage, the Nittany Lion comes along
He joined their group and rapped the Penn State fight song
“I’ll get you my pretty” said the wicked Chris Brown
The krew yelled back “Yo woman beater, calm down!”
They arrived at the hood of the Emerald City
Out comes Freeman, granting their wishes real pretty
Wearing dem red boots lined with the fur
Beyonce and Blue Ivy twerked home in a blur
2.7 Bissex, Cooper, Purnell et al
Bissex, Patterns of Development & Watching Young Writers
Patterns of Development
Differentiation: subdividing of what was earlier a diffuse whole into parts with more specialized forms and functions
Decentration involves being able to take another person's point of view, which increases about age seven
Watching Young Writers
Children learn to write by writing every day and for reasons that are real to the child, by being written to, by seeing writing and writers, by asking questions and receiving wanted information about print
Scribbling is a form of writing
Children use their knowledge of speech sounds and of the alphabet, combined with some information requested from adults, to devise a spelling system
Children will learn more & teachers can conclude more information if children can choose their own topics rather than respond to assigned topics
Unfortunately, children often lose their descriptiveness and detail in their illustrations when they are forced to focus on the writing
"Children come to see themselves as they are seen by others."
Cooper, Literacy Learning & Pedagogical Purpose
Dictation vs. Dramatization and the impact it has on young children's psychosocial, language, and narrative development
Dictation: individual child tells-dictates-his or her story to the teacher, who acts as a scribe, editor, and initial audience.
Dramatization: Story acting-dramatization-should happen the same day the story is told.
Making dictation and dramatization regular classroom activities is key, for the stories children tell and act out are synonymous with the lives they lead, and life cannot be relegated to special occasions.
Purnell et al, Windows, Bridges, & Mirrors
The educational value of culturally responsive teaching becomes apparent in view of the vital role that culture plays in how children interpret and respond to the world around them.
A culturally responsive curriculum is designed to recognize and accept the wide range of cultural differences that exist in every classroom--include their life experiences.
Difference should be welcomed and celebrated, creating an atmosphere of unconditional acceptance for all children.
In order for learning to take place, the content must have meaning for the child
How do the ARTS help us? --they provide opportunities to think and learn in new ways, they allow us to communicate when other forms of language fail, and they enrich the spaces in which we live
Clay can be used to enhance alphabetic principles
Culturally responsive teachers create learning environments that respectfully reflect each child's home culture, while inviting children to accept and explore cultures which are unfamiliar to them.
**I think this goes hand in hand with creating a sense of community within your classroom. I love the idea of a window and a mirror. We must first understand ourselves (mirror) and understand our own cultures in order to draw from previous knowledge and reflect on our life experiences. Our life experiences make us who we are today, so we must be able to talk about them and express them. At the same time, we need to accept and learn about others (window). Classrooms and the world in general are made up of so many different people with their own unique experiences. We need to be able to invite them into a conversation so we can not only understand them and where they are coming from, but so we can grow as learners ourselves. If everyone kept their mirrors clean and their windows wide open, the world would be a much friendlier, happier place.