Jarvis Cocker for ELLE Magazine
h
occasionally subtle
RMH
The Stonewall Inn

❣ Chile in a Photography ❣

izzy's playlists!
Keni

titsay
"I'm Dorothy Gale from Kansas"
I'd rather be in outer space 🛸
ojovivo
🩵 avery cochrane 🩵
will byers stan first human second

JVL
noise dept.

Discoholic 🪩
Show & Tell
Today's Document

shark vs the universe
One Nice Bug Per Day
seen from United States
seen from India
seen from Netherlands

seen from Singapore
seen from United States

seen from Italy
seen from United States

seen from United States

seen from Türkiye
seen from South Africa
seen from Latvia
seen from Czechia

seen from Türkiye
seen from Pakistan
seen from United States

seen from Colombia

seen from Singapore

seen from United States
seen from Philippines
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@bumblb
Jarvis Cocker for ELLE Magazine
''what if you regret it'' then you will expirience regret - a normal and unavoidable part of the human expirience.
the more you twist yourself into a pretzel to avoid regret the harder it will hit when it eventually catches up to you.
snoopy of the day
Venetian book cat
[ID: a content cat loaf napping on a pile of hardcover books. end ID.]
Community – 6.04: Queer Studies & Advanced Waxing
[GIF IDs. 2 gifs of the Dean from Community sitting at his desk. He adamantly tells someone, uh, I am not openly anything, and gay doesn’t begin to cover it. End ID]
me when I see a cat if I’m being honest
Moon pixel art with the NES color pallete ✨
https://twitter.com/yeeeerika
My head is a buzzing three star hotel
Lights VI: The Spa (1974), Micheal Andrews / Blank Slate (2008), The National
I wish I took a better pic of this writing in a bar bathroom in toronto bc I think of it so often. Be So Completely Yourself That No One Is Attracted To You Or Wants To Employ You
#OKAY COOL SEE YOU AT WORK TOMORROW
The Bird of A Thousand Voices, installation by Boris Acket at the Vilnius Light Festival in the St. Catherine Church, 𝟤𝟢𝟤𝟨
The Mighty Boosh (2004-07) 2.03 Nanageddon
McDonald's - 47 West 57th Street, NYC, NY (1989)
"A fast-food restaurant that makes the customer want to linger is something of a rarity. The McDonald's on 57th Street in New York City, designed by Charles Morris Mount, is almost unrecognizable as a member of the chain that usually boasts golden arches. Eschewing the corporate colors of yellow, red and orange, Mount chose a high-tech, electric blue and fuchsia color palette. Glass bricks, blue tiles and a reflective ceiling give the space a luminous, underwater quality.
Another departure from the fast-food restaurant formula was the installation of a carpet in the seating area, which Mount felt would soften the environment and cut down on noise. The heavily-trafficked main serving area was tiled in a distinctive blue pattern. Easy maintenance of the tiled area, which must be mopped frequently, was ensured by the installation of a slate ribbon between the carpeted and tiled area. The ribbon protects the carpet and also visually defines the curving border between the two floor treatments. The cost per square foot for this project was reportedly no more than a standard McDonald's." (front of house budget listed in 1989 dollars at $450,000)
Designed by Charles Morris Mount, Jennifer Wellmann, and the team of Silver & Ziskind/Mount
Scanned from Restaurant Design 2 (1990) by Judi Radice and The Best of Neon: Architecture, Interiors, Signs (1992) by Vilma Barr
Tardigrade