he doesn't miss him. please don't put it in the newspaper that he misses him

祝日 / Permanent Vacation

Origami Around

Kiana Khansmith

Love Begins
we're not kids anymore.

izzy's playlists!
art blog(derogatory)
RMH
trying on a metaphor
Not today Justin
he wasn't even looking at me and he found me
AnasAbdin

JBB: An Artblog!
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DEAR READER

ellievsbear

roma★

#extradirty

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@burr-ell
he doesn't miss him. please don't put it in the newspaper that he misses him
I know I've talked about this before and I probably will again but it's just...the resolution of Campaign 3 holds plenty of potential interest for future stories in Exandria, but in trying to have it both ways, we get a story in which Bells do not really have it either way. They are not defined by a love nor a hatred of the gods, in the end. Their fans are obviously heavily skewed towards the latter, but Bells Hells themselves soften from Maybe We Should Kill Them? to an ambivalence that is almost itself ambivalent about being ambivalent, and then just go with something that the Raven Queen whole-heartedly approves of while accepting all of her gifts. Bells Hells openly dislike Ludinus Da'leth, and as stated, after the usual endless waffling characteristic of the party they ultimately decide not to realize his dream. And yet he seems desperately, even pathetically attached to them even as they stumble into foiling his plans permanently. We end with the main figures of the story, both hero and villain, just...there, the latter defeated but in denial, the former telling themselves they probably did the right thing but still lacking the spine to convince themselves this is true.
I feel like this is perhaps why the conversation in C3 fan spaces has primarily moved to the adulation of Ludinus. Unless it's shortly after a new Bells Hells one-shot, in which case the conversation turns to the typical insecure braggadocio about how they're obviously better than any other party, the fandom response for Bells Hells themselves is mostly screenshots and video clips without commentary beyond the usual bland cooing that always accompanied them. It is Ludinus who now occupies the C3 fan imagination. The problem is, there's not much of a remaining story about him to be had. He was a man who spent a millennium working towards the death of the gods. He failed miserably because his plan was completely reliant on either the cooperation of Ruidusborn or the forcible seizing of their powers. He failed to earn the former nor achieve the latter, and it is now likely permanently out of his reach. He seems to cling now to the consolation prize of Catatheosis, and to Bells Hells, who do not seem to care for him at all.
It is the adulation that's most puzzling - it's neither the fond "just a silly guy" failboy type of blorbo-fication, nor the "step on me" villain fandom. It is, frankly, a desperate and pathetic cling similar to his own, to the only significant character who still thinks killing the gods was a good idea, and who was not permanently killed by Bells Hells some time prior to the story's endgame nor is dead at the hands of the unambiguously triumphant Vox Machina and Mighty Nein.
The thing about Ludinus is that once the mystery of his past is revealed, he becomes rather dull. He has the sort of backstory that lets people claim he's sympathetic but which is canceled out by his complete failure to learn a single lesson from it in his thousand years of life. He is single-minded but unprincipled, intelligent on paper yet bizarrely easily foiled, a charismatic cult leader whom no one really likes and really only a couple of people fear. His master plan is to sic an ancient evil on the gods in an event that is all but guaranteed to be even more catastrophic than the inciting incident that led to his own trauma. He reminds me of the protagonist of To Build a Fire, who freezes to death in the Yukon territory, killed by the harsh climate but doomed to that fate by a lack of imagination. Like any cheap grifter he promises something so vague that the suckers born each minute, some during Ruidus flares, latch onto it, and like any cheap grifter he fails to deliver but rather claims it was all part of the plan before absconding with what little he still has.
When the dust has settled, Ludinus, by the time of Oaths and Ash, is a small man hiding behind illusions, with none of the sinister mystique he once wielded. He is a chintzy monument to the sunk-cost fallacy, and only those who have fallen prey to that same fallacy remain at his side.
welcome to the baby lord club cai
“oh no, my audience has begun to guess the big twists of my story and are accurately predicting what will happen!”
incorrect response: write the rest of the story to be as twisty, shocking and counter to expectations as possible, regardless of whether this is a logical or satisfying way for the plot to go
correct response:
can someone elaborate on the “make hoax” and “post angry tweet about “leak”“ part. i’m stupid and don’t understand things
sure!
(you’re not stupid. I posted this thinking it would amuse a handful of mutuals who all knew the context and that would be about it, so I didn’t think about providing any other explanation. I had no idea it would spread this far.)
I’ll start from the very beginning just to be thorough. so this is Alex Hirsch, creator and head writer of Gravity Falls, a show which had a big focus on mystery, conspiracies, codes and ciphers, etc. the whole plot is kicked off by one of the main characters finding a mysterious old journal in the woods, which detailed all kinds of weird and supernatural things, but then ended abruptly with the author saying they had to hide the journal because they were being watched. the central driving mystery of the show, therefore, was the question of who wrote the journal and what happened to them.
now, the thing about Gravity Falls is that, while it must be said that the writers weren’t always quite as sure of their plans as we tend to like to think they are, it is very much a fair play mystery, with legitimate clues to what was going on. but the writers were caught off guard by how quickly the show attracted a dedicated audience, including a lot of people outside the primary presumed demographic, who started solving the clues faster than expected. so some of the fans were able to correctly guess who the author was before it was revealed in the show, and the theory started spreading. this put the writers in something of a panic, because this was THE mystery that the whole story revolved around, with ¾ of the show building up to the dramatic reveal in the middle of season 2. they wanted it to be a mystery that could be figured out, sure, but they weren’t prepared for people to solve it so far in advance of when it was planned to be revealed, which would have really taken away from the big moment. they weren’t going to change the main story itself, but having been caught unaware by how much attention the fans were paying, they wanted to up the ante and make the mystery more complex to solve going forward–but first they needed to buy some time and throw the fandom off the scent for a little longer.
hence, Alex’s plan as described above. they whipped up a fake shot that appears to give away the identity of the author as being another character in the show, put it on a screen in the studio as if it was a real animation frame, took a picture of it, and ‘leaked’ it online. it was initially decided to be a hoax (albeit, I think, presumed to be a hoax originating from outside the production team), until Alex posted this tweet:
…before quickly deleting it (though not so quickly that it didn’t get seen, of course).
it worked well enough to distract most people for a while, and wasn’t revealed as a hoax until a year later, when an episode aired that definitively proved that the supposed screenshot could never have happened, at which point Alex owned up to the whole thing as seen in the tweet above. by then the episode with the real reveal wasn’t far off, and while people did still work it out ahead of time, it was more of an “OH MY GOD I KNEW IT!” moment than a “booooooring, we’ve known that for ages” moment, which of course was what the writers wanted all along.
personally I find this a fascinating approach to dealing with the problem of spoilers, because it doesn’t affect the story itself at all; if you watch Gravity Falls today–or if you were watching it when it aired without any significant contact with the fandom–you’d never know about it. ultimately, the problem the writers were facing wasn’t that some people might guess the answer to the mystery–they never wanted to make it completely impossible to predict–so much as it was that they hadn’t designed the story to stand up to so many people working on the puzzle together, which resulted in a sort of total output of puzzle-solving ability that far outstripped the capability of any one solo human being. so their solution is something that’s very much targeted toward delaying that group problem-solving, without actually affecting the experience of any individual person watching the show.
plus, it’s very in keeping with the overall tone of the show.
and now you know!
if your audience guesses the ending of your story
don’t:
change the ending
do:
gaslight them
happy fourth of july to the philippines ONLY
link to article
hi, filipino here. just want to say that our independence day is june 12, not july 4. july 4 is when the united states government decided that they would recognize our freedom, specifically because it is your independence day and they wanted to cement their cultural hegemony over our country. and because of their influence on our country this was recognized for a time as our independence day. we still commemorate it, but i hope you can understand why we don’t want our independence day to be associated so closely with our former colonizer. it wasn’t even a work holiday for us.
june 12 is the day that we filipinos declared our own independence for ourselves, and that is what we celebrate as independence day
happy june 12 to you
This is the funniest thing i’ve heard my entire life 😭
Truth xD
This is literally me as a kid. Dad used to have the responsibility of giving out the well reports that came in on the friday night to anyone who phoned for the rest of the weekend. The problem was, on saturday mornings, he was doing the food shopping, so I was given a list of approved callers and he’d leave the well report figures by the phone.
Theoretically I was just supposed to list off the numbers. Except. Very early I started parsing the figures and give my own analysis. Apparently engineers and geophysicists got a bit freaked out by a ten year old going ‘It’s not that good, the flow’s really slow compared to last week, and there’s gas pockets really screwing up the flow in the east pipe judging by the pressure report.’
Dad still got that yelled at him at conferences: ‘This is the fucker who used child labour to do well analysis!’
‘Was it wrong?’
‘That’s the not the point!’
We found him- the 20 year old with 10 years experience
i was a little let down by how TLOVM did the Percy/Vex wedding reveal but to be fair i don’t think any writing choice was ever going to hold a candle to a literal god shining a literal spotlight down on Mister I Can’t Be Open About My Feelings Or I Will Die himself and saying “tell me in front of all your friends about how much you love your wife”
Congratulations on the cat
My favorite part is when the kitty runs to the window and looks out like “the outside stuff????? It is inside?????”
i
i had to
Y’all this is a great video to study to observe the body language of a very happy but also very excited cat. Lots of people see videos of excited cats doing things like climb rock climbing walls or get on small boats and think they are angry or scared, when they aren’t. Here’s a good example of happy excitement and tension in a cat where the cat’s pleasure is easy to see. The cat’s tail is lashing and its ears are going backward and forward like crazy, but the cat is not angry, it is merely off its shits because snow is just incredible. This is a wildly playful cat which might play-attack a hand or other animal because it is so excited, but not out of anger. Note the zoomies at the end to burn off some of that energy!
Think about it. When we humans do something fun and very physical, our bodies are often tense, at the ready, and a lot of our body language does look kind of aggressive or even scared. Cats are the same! Animals at play or investigating new things often show some tension, but tension is not the same as anger or fear!
Home.
When I was sixteen years old, I was a very lost little girl.
I am tremendously lucky; my family is open and kind, my parents are loving, my church was liberal and warm, my school was progressive and thoughtful.
But I still remember getting teased mercilessly about how much of a ‘boy’ I was, with my short haircut and my t-shirt and shorts at the pool. I still remember getting mocked for being fat, for being not enough of a girl, for not developing fast enough, for developing too fast. I still can’t question my identity as a woman too much without cracking into a nasty mess of trauma. I was nine, and I wanted to be anything but what I was.
I still recall the pastor at our church crying because of the gay brother she lost to AIDS. I remember people outside of our little circle mocking us for working on his quilt square. I remember sobbing myself, wondering what I would do if I got infected, wondering if the way I was would kill me before I graduated. I was fourteen, and I knew that I was going to die. Young, probably. Certainly alone.
I can replay in my head when, at summer camp, were were tasked with writing monologues including one from the perspective of ourselves, fifty years in the future. I wrote a comedy about robot limbs and virtual pets. My friend wrote about how she would be dead, because something would have killed her. The world would have killed her. AIDS or violence or the government would have killed her. I was sixteen, and I knew none of us would see the other side of twenty. Some of us had pills to make sure it was so.
And then I remember this day, this miracle, magical day, when a girl from my youth group, three years older than me, beautiful and queer and proud, just came to my house. I think she knew, though I never talked about it, I think she could see in me what I was and where I was going.
We never hung out, but she picked me up and she told my Mom we were just going to hang out, and she drove me to a part of town I’d never been before. It was a coffee shop, and it had a bookstore, and it had rainbows painted into the fence, and I knew what that meant. And I was terrified. But N, she was so cool. She was so cool and so amazing and so confident and so self-assured. So I went with her.
She ordered a french press and I had a tea, and we just talked. About life, and philosophy, and all the beautiful, weird things teenage girls talked about. And all around me, there were these people I’d never seen before. There were boys holding hands. There were photos of women kissing on the walls. There were shelves of queer studies texts. There were Polaroids of quilt squares stuck all around the register.
And the longer I was there, the better I felt. And when we left, when the shop closed, I was so regretful to leave, so grateful to be there – I put every dime of my money in the tip jar.
And when I got back to my bedroom, I cried.
Because that place – it was home. Home. Home. It was safe. For all my objectively wonderful, fantastic life, I had never, not once in my life, felt like that. I could say anything. I could do anything. I could be anything.
And there were people there twice my age. Three times! There were old people drinking coffee, holding hands, buying books, obviously not alone and they were like me.
My mom asked why I was crying, and all I could tell her was that I was going to be okay. And that was it, that was the whole story. I was crying because I was going to be okay. Because there were people who lived beyond twenty. Because no matter what else happened, there was a home. I went back, over and over. When school started, I gave my carefully hoarded pills to someone else, but I also asked them if they wanted to come to the coffee shop with me.
That coffee shop is long gone, and N has moved on and we haven’t talked in decades, but that first trip was absolutely essential to my survival, because it taught me there were places out there that’d feel like home. Other queer spaces, ones that were quite explicitly so. Clubs. Parties. College groups. I never really came out, I just started being this person. The world around me was accepting enough that I could. And always, no matter what, if the world got too hard, I could find one of those places. I wouldn’t get hell. I would be home.
Where you go in, and you see someone like you. You see a hundred people like you but not like you, old people, successful people, beautiful people, ordinary people. You feel safe. You go home. Because it doesn’t matter what the place is, what people do there, it’s the people, it’s the strangeness, it’s the things you can not see in your mainstream life that make them special.
These places are so important. And when one of them is violated, even when I don’t know anyone personally affected, I feel like my own home was broken into. I feel terrified.
My family has been relentlessly, endlessly, constantly under siege since long before I was born. It will still be at war long after I die. But there are places like that coffee shop, like Pulse, where I can go to plan and play, to mourn and dance, to be.
I don’t have some big conclusion for this. I don’t have one of my usual messages of hope. I just wanted to say that places like this are important, that we need more of them. Places like this changed me, and for the better. Places like this are where my family lives. And while I will be on my guard, I refuse to be afraid to go there. I will go home, any time, any city, and there is nothing anyone can do to change that. The reward is worth the risk.
If you feel the same – if you can, if you feel safe – please, go to one of these places this week. Go to a club, go to a coffee shop, go to a mixer or an event, hell, go to a thrift store if it’s an explicitly queer one. There are a lot of people that are going to be afraid, this week. Go, please, if you are brave, and make those places weird and wonderful and diverse and home.
I wrote this in 2016, and I meant every word, and I mean it all over again now. And I’ll mean it every time someone invades our spaces, invades our lives, and tries to make us afraid to be ourselves.
SHRIEKING
"If you masturbate you're a filthy gooner" you sound like a fucking nazi and I'm not kidding, why are people so eager to turn into pearl-clutching reactionaries about normal sexual activity
Addendum to this is that if you call normal goddamn women "goonbait" for the crime of Being Women In Public then I think you should get beaten with hammers
"Masturbating and sexual activity in general are not things you should be shaming people for" and "acting like women existing is basically porn is fucked up and dehumanizing" can and should be simultaneously-held viewpoints
Remember when joining fandom as a younger person meant lurking for a bit and figuring out the vibe and etiquette instead of coming in on day one and calling people weirdos for liking weirdo shit in the weirdo factory.
i for one welcome our new lords and masters
oh the raven queen has been ominous vax. likely thing for her to be. you made a deal with a death deity not a rainbow puppy sunshine deity. woman forbid gods do anything.
So I've been thinking about Taryon and his mom in the Vox Machina campaign and why their conversation was so impactful for me, and I keep coming back to this exchange.
I haven’t said anything interesting in a long while. this will continue