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As #MountEtna continues to erupt, here’s a look at the chemistry of the lava and gases it’s spewing out in C&EN: https://ift.tt/2NyO9H2 https://ift.tt/3qJ00FK
As global temperatures increase, so does the risk of #wildfires. This previous edition of #PeriodicGraphics in C&EN looks at the causes and chemical consequences of wildfires 🔥 https://ift.tt/2SBnGwu https://ift.tt/2UMsWBB
Looking at the flashbacks and honestly prior to the fight that got him "killed", there wasn't a single moment where Madara looked like he enjoyed fighting Hashirama. In fact, in the two we actually get to see more than just a single panel's summary, he's either exhausted and nearly considering taking the offered olive branch
or outright angry
And I feel like if he were have any much of a good time during any of this, it would've been shown.
I don't think Madara doesn't enjoy combat or a challenge, we see him drunk on the adrenaline he gets when Gai's beating the shit out of him and even as a child he believes his own skills are worth bragging about, but his finding enjoyment in battling Hashirama all-out specifically comes directly after their final rift after Hashirama becomes Hokage; after, presumably, years of unspoken disagreement over the village and if it would actually work in the long-term, as long as Hashirama dreamed and hoped it would.
How exactly Madara lived the time between Konoha's founding and the day he left, we can only guess, but what we do know is in the end he couldn't take Hashirama's insistence that this was it, that the village was the final stepping stone and the key to long-lasting peace, and no one was listening to his warnings of how it could all still go wrong, so he left.
How he turns his back on Hashirama this time differs from the first time he did it because the first time, the inevitability that they'd have to fight is clearly not something he looks forward to
meanwhile the second time, he's asking for it
And where I'm getting at is that Madara's resigned to the fact that he and Hashirama will never truly be on the same side but he matters so much to him that he'll gladly fight him just to feel any sort of rush or intensity in being with him. If he can't be at his happiest at his side as his friend, the next best thing is to goad him into going at him full throttle so he can at the very least be with him and feel something.
The Haitani Brothers Are The Same Age
Based on canon it appears that both Ran and Rindo Haitani were born in the year 1987.
UPDATE: My estimate for the Haitanis' age gap was off by about 6 months based on the information provided in the second character book.
Ran Haitani's birthday = May 26, 1987
Rindo Haitani's birthday = October 20, 1988
I haven't found information confirming if they are full biological brothers but it seems likely since 18 months is a pretty realistic age gap between siblings.
Hi! I just came by the anon ask about Ruka's and Kyo views of life. I think not many fans know it, but the whole concept of Rengoku's character seem to be based on the Mono no Aware concept, which is very intricate to japanese philosophy. Mono no Aware can be interpreted as "finding beauty in the ephemerality in things" – the most obvious example is the Sakura tree, how it's valuable for it's flowers having short, but beautiful when it's blooming. But it's not just "acceptance of mortality" but also admiring it, wholeheartedly accepting and embracing this fact, which is not something easy for everyone. Also, this concept was very related to samurai and warriors in old times. And since KnY is so full of religious and japanese philosophy, I'm surprised anyone didn't say anything about it, bc that's totally Rengoku's character: a beautiful, short life, that valued life itself so much, even knowing that it doesn't last forever, and embraced this fact. And the fact that it's fated to end, doesn't mean it's meaningless– he may have lived short but his time was enough to impact many other lives; Another detail I noticed is that in the Gaiden'd cover, there are apricot flowers in the background with the flames, and apricot flowers are also related to the "ephemerality of flowers and beauty". And for last, he was born in spring, around when the Sakura blooming is at the peak. So, I'm very inclined to believe that Gotouge created Rengoku with his fate and purpose already in mind... But honestly it's a little detail that makes his character even better
Hi!! Thank you so much for sharing this important and amazing knowledge!! I would be among the fans who did not know this 😅 so I’m really grateful to have this insight shared. I absolutely agree with you, Mono no Aware sounds like our favorite flame boy to a T. Also, if I remember right his name literally translates to something along the lines of “Apricot longevity”, (I looked up the character break down here: https://sekaikokeshi.com/rengokukyojuro-japanesename/ ) I have seen other tumblrs such as demonslayedher mention in collaborative posts that apricot fruit also have a short life once they’re ripened/harvested so Kyojuro is a hardcore representation of his name to me, and I feel like that concept ties really well into Mono no Aware as well (If you haven’t checked out her posts go do it they are super insightful!) This adds so much weight and additional meaning to his conversation with Akaza and his effects on everyone that is really cool! Gotogue really wanted strong symbolism with our boy! I noticed the apricot flowers in the background too and learning they are also related to “ephemerality of flowers and beauty” is so neat! I love thissss. And yeah I agree, Gotogue created Kyojuro probably planning to kill him from the get go based off all his symbolism but this little detail does make his character even better for sure, and honestly I really love that Gotogue gave Kyojuro so much thought. Because yeah she did kill him off and killed him off first but he wasn’t a throw away character for her, she put a lot of thought and work into him and I do think she really cares about this character and really likes him.
I feel like Hanma was raised by a single male relative
Like his maternal uncle had to take him in when Hanma was a toddler because he was the next-of-kin when something happened to his parents. The uncle does kinda care about him because Hanma is his sister's kid but he was honestly too young to suddenly be responsible for a child.
I guess if I had to give reasons for this headcanon they'd be:
He doesn't show any bitterness towards the concept of family, so I doubt he was completely abandoned by his blood relatives.
The outfit he first shows up in, like idk but it just gives "I was raised by someone who doesn't give a shit about clothes and neither do I." Like yeah he cleans up as an adult but let's be real he's just imitating Kisaki's style.
His extreme, novelty-seeking behavior suggests that he did not grow up in a mentally stimulating environment. His first chronological appearance in chapter 205 is him bemoaning his boring life. In this scenario, I doubt the uncle would've provided any activity beyond sending Hanma to school.
No observable feelings about women, positive or negative. Hanma just generally doesn't give a shit about anyone, women included. This could sort of be explained by him being gay or ace but I feel like that's an over-simplification. Take Mitsuya, for example, who's gay-coded but clearly has strong opinions about how women should be treated.
Mitsuya, Hakkai, and Gay Coding
So the Tokyo Revengers' fandom's notorious and rampant homophobia makes this topic almost impossible to discuss anywhere outside of Tumblr... But I at least wanted to touch on it here.
Mitsuya and Hakkai are almost certainly gay coded, and there's a reason it's important.
Mitsuya is gay coded individually. He's written to be read as a young gay teen.
The most compelling piece of evidence to this is his Home Economics class. He is the only man there, seemingly friends with a ton of girls, who all seem to trust and like him.
Note here that Japanese culture isn't American culture - men being casual friends with women isn't as normalized as it may be here, and in most places a man in an otherwise all-woman club would be considered to be trying to "get with" one or more of them. We never, ever hear this about Mitsuya.
In fact, Mitsuya is one of the few TR characters that we see show no interest whatsoever in women. The most notable scene here is the beach scene, Kazutora and Pah-Chin both stare at the women in bikinis, but Mitsuya and Draken instantly dash to the ocean without paying it any attention. This is even pointed out by Kazutora, who remarks on how strange it is that neither of them cared.
("So is Draken gay coded?" My heart says yes, but his relationship with Emma says no. Draken is just desensitised to seeing female bodies.)
And of course, sewing and fashion, very stereotypically feminine things, are Mitsuya's main interests. While it's not exactly progressive to say that effeminate = gay, I implore you once again that this is all being written by an old Japanese ex-gang member, and not a modern day American LGBT teen.
My point is that, though it's a little stereotypical, Mitsuya has many qualities that would liken him to an old-school depiction of a gay teen. Which, in a way, is in line with the old-school aesthetic and worldview of Yankees and Yankee culture.
Now - Hakkai.
Hakkai is not gay coded individually - he's a model, but that's not seen as a particularly effeminate thing, and he's shown to have some interest in girls, seeing as he freezes up talking to them.
However, Hakkai is absolutely intended to be read as having a crush on Mitsuya. Honestly I can't even bring myself to write a paragraph explaining it, so here's a bullet list of things Hakkai has done:
Repeatedly remarked how much he "really likes" Mitsuya, coupled with other characters talking about this. This is not something that happens to any other duo with this frequency.
Set Mitsuya's face as his phone lockscreen.
Immediately thought of Mitsuya when the words "I like him" were spoken.
Said "Who wouldn't fall in love with him" after something that Mitsuya did almost exclusively for his sake.
Immediately upon finding out that it WASN'T about Mitsuya, was completely baffled and confused about how it could possibly be anyone else.
Gave Mitsuya a specialised nickname that consists of shortening his given name and adding "-chan". Given names are seen as more intimate in Japan, while the "-chan" suffix is mostly used for girls, younger relatives, or romantic partners. Mitsuya isn't a girl, and he's older than Hakkai, who looks up to him. So... Again, this is not mimicked by any other duo.
Chose a career based on what Mitsuya wanted to do in an attempt to be close to him.
Then, when he got more famous and busy, still carved out time to visit him seemingly very regularly.
Seemingly ignored a crowd of girls that all wanted to talk to him to make his way to Mitsuya as quickly as possible.
Straight up called Mitsuya "hot".
Maybe some of these things individually could be read as a coincidence, or a joke, but compiling it all in a list definitely shows that this was, more than likely, very intentional.
"But he says he sees Mitsuya like a brother!!" Hakkai looks up to and admires Mitsuya, who, as a child, taught him how to act and inspired him to be better. This is how Hakkai thinks brothers should be, and given his issues with his real brother, it's not a surprise that he's looking for brotherly guidance elsewhere.
However, three things.
Hakkai is very young and inexperienced. At that age, it's not difficult to confuse romantic feelings for familial ones.
Relationships change and grow with people. Many childhood friends-to-lovers feel as if they're siblings when they're little kids, but then transition to a relationship. This is also a VERY common anime trope that seems to only be an issue when they're both boys. 🤔
"Like a brother" is, sometimes, used as a euphemism in East Asian countries to censor or hint at gay lovers.
Mitsuya is almost certainly coded to be gay, and Hakkai is almost certainly written with a crush on Mitsuya in mind.
And why is this important?
Because they're both scrappy, edgy, shitty teenage boys.
Neither of them are misfits or outcasts. Neither of them are weak or dainty or need protection. They're not perverts, or deviants, they're not girly or looked down on. They're loved, respected by their friends. Their friends don't question their interests, or their bonds.
They're allowed to just be two teen boys that happen to be gay.
Two teen boys that happen to be gay, that are accepted at face value for who they are by their friends, no questions or conditions.
Nothing more, nothing less.
You can't pay for that kind of representation.
Alrighty! After spending the last 24 hours reading until my eyes burned I've got some ideas about the direction/overarching plot of Tokyo Revengers.
Manga spoilers under the cut. If you're a Mikey lover, I recommend tissues.
Horikoshi: See, no one judges her for being a woman! She's equal to men! She's cool!
Horikoshi: *almost immediately throws her away because she has too much spotlight.*
Like Hori. You do that to every female character. Remember Midnight, Lady Nagant, Miruko, Mount Lady, Curious... Even La Brava. You simply don't let a woman with a consistent story and we'll written arc take the focus of the manga.
Let’s not forget best girl Magne.. she was done dirty...
And most of them have died or been discarded in horrible ways.
Magne exploded.
Lady Nagant exploded.
Miruko was almost torn apart by nōmus.
Midnight was probably torn apart by villains.
Nana Shimura died in AFO's hands.
Nao Shimura died decayed while running to try and comfort her son.
Hana is actually the youngest character death in the whole series I think, and we saw the terror on her face when she died.
Curious was drop from the sky.
Etc.
And I can tell you many of the bnha women doesn't get the respect they should:
Fans hate on Fuyumi and Rei, two victims of a violent home who are just trying to recover.
Momo is sexualized by Horikoshi, while being a teenager.
Other teenagers like Ochako have also complained about getting sexualized: using tighter clothes, designs that they didn't ask for, etc.
Many mutant characters when they are female have more human traits to convey some sexy look.
Recovery Girl was discarded???? I don't even know where she is and why no one talks about her anymore????
Nana Shimura was already the equivalent of All Might and she is the only female user of OFA so far, and yet she's little hyped.
I don't even want to talk about Eri. She's so sexualized and she's shipped with many bnha characters and 💢☺️ how dare them.
THE DISRESPECT TOWARDS NEJIRE HADO MAKES ME WANT TO SCREAM.
Women are poorly written in bnha when compared to the male characters. And they have always less screen time, their arcs are faster, they get almost immediately beaten, Horikoshi doesn't touch on interesting things involving their stories and yet only uses them to further the plot and then goodbye, chao kakao.
Was Midnight not another close friend of Shirakumo? Was Lady Nagant not a super important piece of the game because she knows how corrupted is the system? Was Magne not another important member of the League of Villains? Wasn't Nana one of the strongest women pro-heroes because she fought AFO himself all alone? Isn't Fuyumi and Rei brave and incredible precious for being able to recover from their abuse enough to try and defende their family once more? Isn't Nejire Hado part of the Big Three?
Mount Lady has one of the best pro-hero developments on the series, so much that she held back Gigantomachia. Miruko is one of the strongest female pro-heroes right now. Curious was an incredible villain (and also the only one to die in that fight btw). Recovery Girl was the one pointing out how the kids were being used as soldiers.
And now Stars and Stripes. She gets a poor introduction, a quick explanation of her story and quirk, some funny laughs about the whole USA thing and the martyr treatment, the same that Toga represents.
Women in bnha are martyrs. And that's exactly why Toga refuses time and time again to become one, because she knows how society treats her. I can argue that along with Uraraka, they are the bets written female characters because they break the cycle. The speak loud and clear, they go against the male characters like nothing is happening, they have "selfish" purposes that are criticized in a woman and they make opportunities for themselves.
And yet, I find greatly unfair that many women in bnha are treated like that. We could have had really amazing arcs with them, interesting interactions, implications, but they are just plot points and nothing more.
But hey, "it's good with even have then" , right?
After meeting mitsuri in episode 22 and reading the pillar impressions from the kny fanbook i feel like mitsuri secretly has a crush on every hashira. She's loyal to obanai, YES! but she does find others attractive too and would date them.
i do agree, she had a lot of love to give. if one of the other hashira asked to date her, i wonder what would she would’ve said.
she loved everyone else, but herself. even with someone as scary sanemi, she still manages to say “ that’s the charm of it! ” she wanted someone to love her just as much as she was able to love others. maybe it could have been she did not want anyone to go through what she did, or she simply wanted acceptance—approval.
being a woman back then, what people thought about you really mattered. and the negative out-weighed the good. she never got over what this man said to her; that is why it was the first thing she flash-backed to when she thought she was on the verge of death.
because of this she hardly acknowledged her self-worth, until kagaya commended her. even then, she struggled with finding confidence. it was as if she unknowingly became dependent on others’ approval for her own source of strength.
she strived to get a husband so that he can love her for her true worth, because she was incapable of doing so. and obanai actually did that. they actually had that in common—neither of them loved themselves.
she never knew obanai even liked her until he just straight up said it—but she probably did have feelings for him that were more powerful than what she felt for the other pillars.
This episode is perfection. It is literally everything I could have asked for. I don’t want to provide spoilers but this is some amazing Kyojuro content and I am so happy we have it because it adds so much to the story for me, it adds so much more weight, so much more to Kyojuro in the very best ways and I just love it so much!!
Also….more excuses and scenes to analyze with Kyojuro 😍😍😍
The Duality of Tanjiro
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Big fan of how despite his kindness and ability to empathize, Tanjiro refuses to take the “talk no jutsu” route. The first time he came face-to-face with Muzan he screamed (in the middle of a crowded street, no less) that he’ll never forgive him, and that he’s going to kill him. He called Akaza a coward and a loser.
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Does Tanjiro feel his enemies’ pain? Yes!
Will this stop him from calling them pussy-ass bitches and cutting of their heads? Absolutely not!
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Tokyo Revengers Theory Time!
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In what I call “Alternate Present One” Naoto’s predecessor was probably Chifuyu or, less likely, Mitsuyu.
Also in both the Original Timeline and Alternate Timeline One, Baji is not dead as a result of the conflict with Valhalla.
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WARNING: One SLIGHT manga spoiler (I mention someone’s present-day hair color).
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The older sibling energy in this one line was so powerful it touched my soul.
I JUST HAD A TERRIFYING THOUGHT
What if
Hood up = lives
Hood down = dies
So like when Takemichi’s consciousness goes back to the past is he in the brain of a 14-year-old? Because that would explain a lot and also suck for him because imagine having a chunk of your frontal lobe taken away but you still gotta plan and strategize and stuff.