Byrdie Vi

Your irritating blonde. Your cute sidekick. Beloved by all. Will probably die mid-season for shock factor and MC rage fuel. Only to come back via asspull. ✨NSFW18+. BDSM/KINK. 30. Bi. She/Her.

[cosmicdraghon]

Aaa I'm still posting this one

It was so much fun doing these drawings, ilyall ❤❤🤧

[the-eydis]

What up sluts??? Twitter is dying so I guess I’ll dust off this bitch now.

This account is 18+ and very Kink oriented!

[bryonieamber]

Something quick and stupid while i work on something even stupider

[hellsdemonictrinity]

Angst/Fluff Prompt List MVPs

This list contains some of my FAVORITE prompts. I tried to make sure it was balanced, but I’m not sure how well I did on that front lol. These are good for ANY fandom! (Please do not steal/repost the list, thank you <3)

 “Stay here tonight.”

 “I’ll keep you warm.”

 “I’ve got you.”

 “You mean too much to me.”

 “I can’t sleep, can I sleep here?”

 “We’ll figure this out.”

 “This isn’t goodbye.”

 “Here let me help you.”

 “Kiss me.”

 “I care about you.”

 “Don’t cry.”

 “Please don’t do this.”

 “You make me feel safe.”

 “I can’t do this on my own.”

 “You have no idea how much I want you right now.”

 “Why are you crying?”

 “Nothing is wrong with you.”

 “Tell me what’s wrong.”

 “Just breathe, okay?”

 “Don’t lie to me.”

 “Who hurt you?”

 “Don’t be scared, I’m right here.”

 “You make me happy.”

 “Don’t be afraid.”

 “Come cuddle.”

 “I’ll be there in a few minutes.”

 “I’m not leaving.”

 “I won’t let anything bad happen to you.”

 “I’ll always be there for you.”

 “You’ve been quiet.”

 “Calm down.”

 “I’m just looking out for you.”

 “No one is perfect.”

 “It’s just you and me.“

 “What’s on your mind?”

 “I think I’m in trouble.”

 “You’re in danger.”

 “I can tell you’re lying.”

 “It’s okay to cry.”

 “Just go away.”

 “I’ll keep you safe.”

 “Are you okay?”

 “Come with me.”

 “I care about you.”

 “Do you hate me?”

 “I’m worried about you.”

 “You look like hell.”

 “It doesn’t matter.”

 “You’re a terrible liar.”

 “Everything is fine.”

 “I don’t wanna be alone right now.”

 “I need help.”

 “I’m not okay.”

 “Talk to me.”

 “What happened last night?”

 “You’re fun to touch.”

 “Stop it.”

 “I made a mistake.”

 “This place is creepy.”

 “Hold still.”

 “We need to talk.”

 “Here take my sweater.”

 “I need a place to stay.”

 “Never stop smiling.”

 “I’ll keep you warm.”

 “Please don’t go.”

 “I hate you.”

 “Get out!”

 “I don’t need you.”

 “I’m not ready to say goodbye.”

 “Carry me.”

 “Do not tempt me.”

 “I missed you.”

 “No one is perfect.”

 “Do you have a problem with me?”

 “Nothing is going to happen to you.”

 “You need to be more careful.”

 “You don’t have to leave.”

 “I don’t feel well.”

 “I didn’t drive all this way to say ‘hey’.”

 “Please don’t hurt me.”

 “I’m on my way.”

 “We’re gonna be okay.”

 “Why didn’t you just call me?”

 “I need to tell you something.”

 “I love your smile.”

 “Are you hurt?”

 “Look at me.”

 “I’m not gonna hurt you.”

 “You need to take your shirt off.”

 “I can’t breathe.”

 “Don’t move.”

 “Are you cold?”

 “Stay there.”

 “I’m a mess.”

 “Please don’t be mad at me.”

 “This is all my fault.”

 “You did what you had to do.”

 “Don’t you ever change.”

 “I love you.”

[moddieeeex]

The Xena Sappho comic is complete!!

Remind me to never tone a comic to this level of detail ever again

[geshertzarmeod]

thinking about Her (Last Chance: the unproduced episode of Xena: Warrior Princess where Sappho was a Gabrielle lookalike and her girlfriend was a Xena lookalike and they had to switch places to fix Sappho and her girlfriend’s relationship after a fight and also it was going to be a musical episode and also X/G were going to kiss)

(script is here)

[nightspires]

everyone please enjoy this post i made

[danji-doodle]

it’s hard to resist this route with this one. 

Instagram

[turnipsturnip]

The true antagonist in this route isn’t Vo, it’s Amara’s armour.

[lumiland]

Cecelia feels like the vampire top that would finger you in front of a mirror, but you can't see her reflection so you're just staring at yourself

;)

[thedemonturnip]

Honestly Ma'am just bite me already

[lucyllawless]

[girl4music]

Plot twist: Gabrielle is totally the top after ‘Ides Of March’.

[lioras]

So, this was me reading Amara's update :

poor MC

poor Amara

poor MC

poor Amara

poor MC

poor MC

poor Amara

oh, Xenia

poor MC

poor Amara

poor Amara

poor MC

poor MC

poor Amara

ok, boomer

poor Amara

poor MC

poor Amara

poor MC

poor MC

poor MC

Well... friends to lovers I guess

NO

[mahousenshi-skeletor]

You ever notice her mask always matches his eyes?

[prokopetz]

If I was going to put the Horrible Goose in a D&D game, I wouldn’t make it some big high-CR threat – it’d just be a regular goose that’s capable of regular goose stuff, with three significant exceptions:

1. It can show up anywhere, even if there’s no reasonable way for it to have gotten there.

2. It seems to have limited ontological intertia. If the players imprison it, it vanishes from its prison when they’re not looking. If they kill it, another goose shows up eventually. It’d be impossible to prove that it’s always the same goose, save for the third notable trait…

3. …namely, that it doesn’t show up in divinations. Like, at all. Predictions don’t take it into account. Scrying on its location reveals an empty room. Spells that would detect it or read its mind act like there’s no valid target present. If the cleric communes with their god and asks about it, their god has no idea what the cleric is talking about. It might take some doing to arrange for the players to become aware of this property, so don’t force it – the opportunity will arise!

There we go. No goofy boss monster tricks, yet it’s guaranteed to drive your players nuts – not even by harassing them, necessarily, but just by existing as they try to figure out what it means, particularly once they learn of the third trait discussed above.

[battlecrazed-axe-mage]

I hate it. It’s going in every game I run forever

[battlecrazed-axe-mage]

You’re absolutely right, I gotta keep it fresh. It’s now a shapeshifter, a different small innocuous animal form in each game. The players are mystified until finally one realizes “is this that fucking goose again” and they finally end my existence

[grandrieux]

Adèle Haenel in House of Tolerance (Bertrand Bonello, 2011)

[burnouts3s3]

Valkyrie Drive: Mermaid, a review

(Disclaimer: The following is a non-profit unprofessional blog post written by an unprofessional blog poster. All purported facts and statement are little more than the subjective, biased opinion of said blog poster. In other words, don’t take anything I say too seriously.) Just the facts ‘Cause you’re in a Hurry! Manufacturer’s Suggested Retail Price (MSRP): 50 USD Digital Copy (MSRP): 17.99 USD How much I paid: 50 USD. Animation Studio: ARMS Licensed and Localized by: Funimation Entertainment Audio: Japanese Audio with Subtitles and English Dub available.   English Cast: Kayla Hardwick as Mamori, Morgan Garrett as Mirei, Brittney Karbowski as Meifon, Janelle Lutz as Akira Hiragi, Monica Rial as Charlotte Scharsen, Roseanne Palmer as Kasumi Shigure, Tia Ballard as Rain Hasumi, Jamie Marchi as Lady J and Cynthia Cranz as Torino. Number of Episodes: 12 Episodes Length per Episode: 25 Minutes on average. 21 Without Intro and Ending song. Number of Discs: 4 Discs in Total. 2 DVD Discs and 2 Blu-ray discs. Episodes per Disc: Episodes 1-7 on the 1st DVD disc. Episodees 8-12 on the 2nd DVD disc. Episodes 1-9 on the first Blu-ray disc with Episodes 10-12 on the second Blu-ray disc along with the special features. Does this come a digital voucher to redeem?: No. This only has the Physical DVD and Blu-ray discs. Also on: Amazon Video, Funimation Now, Funimation’s streaming service that requires a subscription. Bonus Features: Textless Openings, Textless Ending and Trailers for other Funimation Licensed Shows. Episode 3 Commentary. Notable Localization Changes: Meifon, the smuggler character who wears a pink cowboy hat, is given a southern accent by her voice performer, Brittney Kowbalski.   My Personal Biases: I never really invested in the Valkyrie Drive franchise before and never played any of the games the anime is adapting. Sorry. My Verdict: Trashy, lurid, gaudy and with enough fanservice to make even the most perverted of us blush, Valkyrie Drive: Mermaid is sure to give its intending audience the happy ending they want. It’s too bad that in 12 short episodes, there’s just not enough there, emotionally or lore wise, to get invested in unless you’ve already have backhand knowledge of the games. Wait for a sale. A/N: Okay, since I don’t want the moderators to flag this post, I’m going to have to put an explicit warning here. So while I won’t post any nudity, I will have to Age restrict this post just so I don’t get any flak. Valkyrie Drive: Mermaid. a review 

Girls from all over the world have been infected with a mysterious virus known as the A Virus (Armed Virus). These girls are divided into two classes; Extars, who can transform into weapons when sexually aroused, and Liberators, who have the power to wield an Extar’s weapon form, known as Liberator Arms, through a process known as Drive. These girls are brought to separate islands to spend their days completely isolated from the rest of the world until the islands’ Observers, authorized by the government Organisation AAA, ostensibly deem them ready to rejoin society again. Valkyrie Drive: Mermaid follows an Extar named Mamori Tokonome who forms a partnership with the Liberator Mirei Shikishima on the island called Mermaid.(For our friends not fluent in Japanese, Tokonome shares a very similar writing as the word ‘Virgin’ in Japanese, which Togonome is.). Mamori and Mirei are caught between a conflict between the Wärter, the island’s government that lives the castle, Veste, and those fleeing it. With Governor Akira (a supposed male Liberator that’s actually female) trying to be fair, Charlotte getting delusions of grandeur and wanting to rule with an iron fist and Kasumi attempting to be fair to the girls, the Wärter is in constant conflict. Those attempting to flee join up with Ms. Torumi, a kind soul who offers shelter for girls looking for freedom. Meanwhile, a sneaky smuggler by the name of Meifon is trying to earn a profit from the war. Along the way, Mamori and Mirei meet other Liberators and Extars, such as the team Lady J and Lady Rain in which one transforms into a ridable motorcycle. Other liberators, such as Charlotte, have their own harem of Extars and arouse multiple ones to form a multi-part weapon. Let’s get this out of the way. Yes, it IS in fact Soul Eater but with Lesbians. And the show isn’t afraid of being explicit about it. We are talking full-on nudity with lots of exposed breasts flopping around, bouncing and lots and lots of shots of nipples erecting… and hardening… Christ, this makes fanservice driven series like Kannazuki no Miko or Strawberry Panic look like the chaste Maria-Sama ga Miteru. On the technical side, everything is very well done. The animation for both the action and fanservice scenes is well animated, the music flows scene to scene (even if I couldn’t really remember any pieces that stood out) and the voice acting for both the Original Japanese and English dub is well-done. So, if you’re looking for lots and lots of scenes of girls kissing each other, breasts flopping around with the viscosity of jello and scenes of action with naked girls, have I got a show for you. Story wise, I found the series rather lacking. Seasonal shows really need to be careful with their pacing. With a limited 12 episode run, VD:M is already bursting at the seams with an overly long 4 episode prologue establishing the characters, the setting, the divide between the girls going along with Charlotte and Akira’s lawful order, Kasumi’s wavering allegiance and Torumi’s group of rebels and Meifon’s smuggling between the 2 sides. There’s a sense of urgency that the peace can’t last and conflict is unavoidable. But, not so urgent that we couldn’t have two light-hearted episodes involving one girl becoming Kaiju sized and another episode with a beauty contest in a cultural festival.

Boy, this season of Attack on Titan got WEIRD. When the main big bad does rear her head near the final 4 episodes, the show does a good ‘enough’ job establishing the backstory between her and Mirei, but you get the sense that maybe, had the show paced itself better, it would mean more. Yes, the final battle with all the girls joining together at the end is impressive to look at, but emotionally, I just wasn’t feeling it. If the show were as committed to giving me emotional turning points as it was fan service, I would’ve been more impressed. The characters are also rather lacking (writing wise). While Mirei is certainly admirable and one of the most likable of the cast, Mamori doesn’t really change much (character wise). Granted, the show pays lipservice (no pun intended) to the idea that the more courageous Mamori is, the more powerful the weapon she becomes, but there’s never that moment where Mamori ‘saves’ Mirei or gives her the comfort Mirei needs like the way Himeko comforted Chikane at the end. They instead fuse to one super being. It feels like at one point Mamori was supposed to have the final turning point and be the one to rescue Mirei, but Mamori just ends up being captured and put into the damsel role again. I also liked Kasumi and her dubious allegiance with the rebels as well as Meifon, getting into all sorts of trouble for some cash. I’m told by fans of the franchise that in peripheral media, some of the other couples get more character development. For example, the team of Lady Rain and Lady J were actually on opposite sides of a war but intentionally got themselves captured just to be together or that Governor Akira actually has a female lover back on the mainland and longs to be with her. Again, I am not here to judge what’s in an appendix. What’s in the show is in the show and it’s clear the TV producers weren’t interested in those stories to begin with, so why should I?   Funimation Entertainment did the localization for the show. And for the most part, the dub script stays as close as it does to the original Japanese version. Granted, Funimation has always played it loose with dubbing scripts and this is no exception. The English script contains lots of innuendos and sex jokes to make the English viewers chuckle (i.e. “I caught and she pitched.” “Let’s go digging for treasure” “I’m gonna let it all hang out!”) Karbowski adopts a southern accent for Meifon so thick, I thought I was listening to Nico Robin from the 4Kids dub of One Piece. (I’m aware that localizers tend to translate those with Kansai dialect and give them a Southern accent and Karbowski seems to be doing this accent winking to the audience and having fun with it). Special credit should go to Janelle Lutz as Akira Hiragi, managing to perform dual roles as both masculine and feminine variations of the character. The rest of the cast does a good job voicing their perspective roles. Monica Rial does with she can with Charlotte and Cynthia Cranz as Torumi seems to especially fit the role of a motherly caretaker for lost girls. (Yes, I find the fact that one of the characters is voiced by the same performer as Chi-chi and Botan very disconcerting). THE ORIGINAL JAPANESE AUDIO WITH SUBTITLES IS AVAILABLE FOR THOSE WHO PREFER IT. The package includes the OVAs (Original Video Animation) which are short videos of each of the girls revealing motivation and backstory as well as a lot of nudity with nipples becoming more and more erect. Lots of them. What’s weird is that the OVAs are also dubbed with the cast members. Funimation didn’t even dub the OVA for Miss Kobayashi’s Dragon Maid. CAVEAT: It’s very strange that the series suddenly wants to take a more dramatic turn with emphasis on character development and history, but still plays out in a very fanservice driven anime. In some ways, I was enjoying the show more when it wasn’t really about anything and just amped the fanservice up to 11. With the exception of a few characters, I wasn’t invested in the goings on and 12 episodes is too short for me to have nostalgic feelings for Mermaid Island. For 50 USD, Valkyrie Drive: Mermaid is a bit on the steep end. While the animation, music, fight scenes and… PLOT are all well done, emotionally, it doesn’t have much to offer. Then again, I don’t expect emotional substance out of show where half the teenagers become sexually aroused and transform into weapons. Those looking for a happy ending (in both senses of the term) will enjoy this. Verdict: Wait for a sale or rental.