
Game Changer & Make Some Noise

Product Placement
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let's talk about Bridgerton tea, my ask is open
Today's Document
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2025 on Tumblr: Trends That Defined the Year
Sweet Seals For You, Always

roma★

titsay

Kiana Khansmith
hello vonnie
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macklin celebrini has autism
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#extradirty
The Stonewall Inn
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ellievsbear

pixel skylines

seen from Spain

seen from Malaysia
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seen from Malaysia
seen from United States
seen from Argentina
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seen from Chile

seen from Ireland

seen from Spain
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seen from United States
seen from Brazil

seen from Canada
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seen from Bulgaria

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@cameocat
brett whiteley
sleep until you’re okay again
Life is too short to pretend you’re not into some kinky shit
Spiritual friendship! <3
the Panther is a hereditary title, but one still must earn it
Ming Xi by Vanina Sorrenti for 10, spring 2016 styled by Sophia Neophitou
Andreas Franke
The Uncanny Feather
Using biological elements to create fluid forms of movement, artist Kate MccGwire takes bird feathers and assembles them into strange, intertwining forms. Playing with materiality, the artist uses feathers to mimic flowing water or curving scales, creating “images that both attract and disturb the viewer” – an unnerving beauty.
Is it a new creature, or a plant? Perhaps not even a representation of a living organism at all, making the objects exhibited even more uncanny; the fluidity of material yet stable nature of the pieces are like representations of an object in motion, yet frozen in time. The artist is “using the language of nature to create unnatural forms” challenging the viewer’s expectation of the use of material, manipulating it into “undulating, organic, otherworldly form[s]”, neither slick and on objects ready for flight, nor daintily soft and plumy on a pillow surface.
This connection of opposites allows us to think about how our perceptions of materiality and aesthetic influence our expectations of certain materials and objects.
-Anna Paluch