Deux icônes futuristes du passé : Citroën DS21 et Le Concorde 🇨🇵
Claire Keane
Cosmic Funnies

ellievsbear
tumblr dot com
Sade Olutola
Xuebing Du
i don't do bad sauce passes
Sweet Seals For You, Always
styofa doing anything
let's talk about Bridgerton tea, my ask is open
wallacepolsom
Mike Driver
Aqua Utopia|海の底で記憶を紡ぐ
PUT YOUR BEARD IN MY MOUTH

roma★

titsay

oozey mess
NASA
Misplaced Lens Cap
Jules of Nature

seen from United States

seen from United States
seen from Japan

seen from Japan
seen from Netherlands
seen from Denmark

seen from Germany
seen from United States

seen from United States

seen from United States

seen from Brazil
seen from Netherlands
seen from United States
seen from United States
seen from United States

seen from Singapore
seen from Germany
seen from United Kingdom

seen from United States
seen from Türkiye
@canis-majoris
Deux icônes futuristes du passé : Citroën DS21 et Le Concorde 🇨🇵
Badab-e Surt
Georg Wilson (British, 1998) - Strange Pastoral (2025)
Georg Wilson (British, 1998), Strange Pastoral, 2025. Oil on panel, 60 x 50 cm.
Hawk's Nest, 1917 by Daniel Garber (American, 1880--1958)
Knocking on Heaven's door.
Monumental Cemetery of Staglieno
Genoa, Italy
Dec. 2016
Waiting (3)
St Mary’s, Reigate, Surrey.
忍者
Bronze Age Greek (Mycenaean) sword & dagger, 15th century BC
Satyr and Maenad
62–79 AD
Pompeii (Origin)
Fresco
Museo Archeologico Nazionale di Napoli
** Visit my Links page for my other blogs & Facebook Pages
Satyr and Maenad
62–79 AD
Pompeii (Origin)
Fresco
Museo Archeologico Nazionale di Napoli
** Visit my Links page for my other blogs & Facebook Pages
Santiago at the Battle of Clavijo, c.1605 by Vicente Carducho (Italian, 1576–1638)
The end of a dream, c. 1908 by Giuseppe Pennasilico (Italian, 1861--1940)
Hozenji Yokocho (Alley), Osaka, Japan法善寺横丁. Photography by Structuresxx on 500px
a cozy temple
Wistman's Wood located at Dartmoor National Park in Devon, England. Photo by Neil Burnell
These are the veins of mother nature.
The Allegory of Faith (also known as The Allegory of the Catholic Faith) (c. 1670-1672) by Johannes Vermeer (Dutch, 1632 – 1675), oil on canvas, 114.3 cm × 88.9 cm (45.0 in × 35.0 in), The Metropolitan Museum of Art, New York City