Deux icônes futuristes du passé : Citroën DS21 et Le Concorde 🇨🇵
Jules of Nature
occasionally subtle
Stranger Things
Today's Document

if i look back, i am lost
2025 on Tumblr: Trends That Defined the Year
$LAYYYTER
trying on a metaphor

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Product Placement

❣ Chile in a Photography ❣
we're not kids anymore.

Janaina Medeiros
Keni
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AnasAbdin
d e v o n
will byers stan first human second
Alisa U Zemlji Chuda

seen from Germany

seen from United States
seen from Germany
seen from United States
seen from Belarus

seen from United States
seen from United States
seen from Germany
seen from Germany

seen from United States

seen from United States
seen from United States
seen from United States

seen from United States

seen from Germany
seen from Canada

seen from Australia
seen from Argentina
seen from United States
seen from Germany
@canis-majoris
Deux icônes futuristes du passé : Citroën DS21 et Le Concorde 🇨🇵
Badab-e Surt
Georg Wilson (British, 1998) - Strange Pastoral (2025)
Georg Wilson (British, 1998), Strange Pastoral, 2025. Oil on panel, 60 x 50 cm.
Hawk's Nest, 1917 by Daniel Garber (American, 1880--1958)
Knocking on Heaven's door.
Monumental Cemetery of Staglieno
Genoa, Italy
Dec. 2016
Waiting (3)
St Mary’s, Reigate, Surrey.
忍者
Bronze Age Greek (Mycenaean) sword & dagger, 15th century BC
Satyr and Maenad
62–79 AD
Pompeii (Origin)
Fresco
Museo Archeologico Nazionale di Napoli
** Visit my Links page for my other blogs & Facebook Pages
Satyr and Maenad
62–79 AD
Pompeii (Origin)
Fresco
Museo Archeologico Nazionale di Napoli
** Visit my Links page for my other blogs & Facebook Pages
Santiago at the Battle of Clavijo, c.1605 by Vicente Carducho (Italian, 1576–1638)
The end of a dream, c. 1908 by Giuseppe Pennasilico (Italian, 1861--1940)
Hozenji Yokocho (Alley), Osaka, Japan法善寺横丁. Photography by Structuresxx on 500px
a cozy temple
Wistman's Wood located at Dartmoor National Park in Devon, England. Photo by Neil Burnell
These are the veins of mother nature.
The Allegory of Faith (also known as The Allegory of the Catholic Faith) (c. 1670-1672) by Johannes Vermeer (Dutch, 1632 – 1675), oil on canvas, 114.3 cm × 88.9 cm (45.0 in × 35.0 in), The Metropolitan Museum of Art, New York City