Deux icônes futuristes du passé : Citroën DS21 et Le Concorde 🇨🇵
DEAR READER
No title available
let's talk about Bridgerton tea, my ask is open

Discoholic 🪩
🪼
NASA
Sade Olutola
Misplaced Lens Cap
Stranger Things
Three Goblin Art

❣ Chile in a Photography ❣

Product Placement
I'd rather be in outer space 🛸
YOU ARE THE REASON
No title available
Claire Keane
occasionally subtle
h

Janaina Medeiros
we're not kids anymore.

seen from United Kingdom

seen from United States

seen from Germany

seen from United Kingdom
seen from Italy

seen from Türkiye

seen from Brazil
seen from United States

seen from United States

seen from Mexico

seen from Romania
seen from United States

seen from United States
seen from Spain
seen from United States
seen from United States

seen from Singapore

seen from United States
seen from United States

seen from United States
@canis-majoris
Deux icônes futuristes du passé : Citroën DS21 et Le Concorde 🇨🇵
Badab-e Surt
Georg Wilson (British, 1998) - Strange Pastoral (2025)
Georg Wilson (British, 1998), Strange Pastoral, 2025. Oil on panel, 60 x 50 cm.
Hawk's Nest, 1917 by Daniel Garber (American, 1880--1958)
Knocking on Heaven's door.
Monumental Cemetery of Staglieno
Genoa, Italy
Dec. 2016
Waiting (3)
St Mary’s, Reigate, Surrey.
忍者
Bronze Age Greek (Mycenaean) sword & dagger, 15th century BC
Satyr and Maenad
62–79 AD
Pompeii (Origin)
Fresco
Museo Archeologico Nazionale di Napoli
** Visit my Links page for my other blogs & Facebook Pages
Satyr and Maenad
62–79 AD
Pompeii (Origin)
Fresco
Museo Archeologico Nazionale di Napoli
** Visit my Links page for my other blogs & Facebook Pages
Santiago at the Battle of Clavijo, c.1605 by Vicente Carducho (Italian, 1576–1638)
The end of a dream, c. 1908 by Giuseppe Pennasilico (Italian, 1861--1940)
Hozenji Yokocho (Alley), Osaka, Japan法善寺横丁. Photography by Structuresxx on 500px
a cozy temple
Wistman's Wood located at Dartmoor National Park in Devon, England. Photo by Neil Burnell
These are the veins of mother nature.
The Allegory of Faith (also known as The Allegory of the Catholic Faith) (c. 1670-1672) by Johannes Vermeer (Dutch, 1632 – 1675), oil on canvas, 114.3 cm × 88.9 cm (45.0 in × 35.0 in), The Metropolitan Museum of Art, New York City