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Sailor Uranus & Sailor Neptune
RYAN GOSLING "I'm Just Ken" wins Best Original Song at the 29th Annual Critics' Choice Awards (January 14, 2024)
āUsagi-chan, wake up!!ā -
Bishoujo Senshi Sailor Moon: Another Story
(Angel - Super Famicom - 1995)
This is also quite old, but my favorite Sailor Moon art. I really love old anime and remakes! I basically just experimented with this one, drawing frame by frame from the anime. šāØ
Sailor Moon Crystal x PuyoPuyo!! Quest Collaboration
neptune twirling her mirror while singing like itās nothingā¦. RT if you agree
Artist is Takai Biki (from the circle Bousou!! Fuhatsudan), scanned by me from one of my doujinshi.
āAll she ever wanted to be is Tsukino Usagi, but sheāll always be Serenity š„ŗš„ŗš„ŗā
That is literally a post I just saw with so many notes. It makes me so fucking embarrassingly, unreasonably (I am aware) angry. How can the distribution of empathy and compassion, the recognition of loss and labor, be so royally fucked? You are looking at the most privileged being in the universe and think she is the victim? Yeah, Usagi does go through rough things, no one is suggesting otherwise, butāif I may remind you allāthat applies to every Senshi. You know why Usagi has the luxury of wanting to be Usagi? Because she actually has a happy life with a functional family and friends outside the Sailor circle. All the other Senshi are programmed and destined to die for her. Makoto is an orphan. Reiās mom is dead, and her father is estranged. Ami has a single mom who works her ass off to provide for her daughter. None of Usagiās friends, not even Mamoru, gets a fulfilled life beyond making Usagiās dreams come true. They donāt get a present, a functional family. They are written by Guardian Cosmos to wait for the vacancy in their hearts and life to be filled with devotion for Usagi. They are assets with a heartbeat, cosmic capital for Serenity, who has an unlimited ontological credit. No loss Usagi experiences are permanent. And, btw, all Usagi wants in canon is being with Mamoru, and she is. Again and again and again. Canon does not even have the decency to tell us what happens to her friends when Usagi does not need them anymore, because Chibiusa got her own servants delivered and stored for her until she needs friends.
All she ever wanted to be was Kino Makoto, but sheāll always be Sailor Jupiter, and die as a servant of Serenity. Again and again and again.
All she ever wanted to be was Hino Rei, but sheāll always be Sailor Mars, and die as a servant of Serenity. Again and again and again.
All she ever wanted to be was Mizuno Ami, but sheāll always be Sailor Mercury, and die as a servant of Serenity. Again and again and again.
All she ever wanted to be was Aino Minako, but sheāll always be Sailor Venus, decoy of Princess Serenity, and die as a servant of Serenity. Again and again and again.
Does anyone even care how much these souls endure and labor and sacrifice so Usagi can have her prince and her daughter and her 1000 years of reign?
by ryanriller_
art republished with artistās permission // not allowed for AI training
my hands are already dirty.Ā Ā no matter the cost, iāll do whatever i can to get that talisman.
tvtropes + minako aino/sailor venus
āYouāre thinking Iām just a pretty blonde. In my case what you see is definitely not what you get. Sailor V is for victory. Iām Sailor Venus!ā
Hi mom,
do you remember me?
Naoko Takeuchi visiting the Kennedy Space Center in the 1990s and meeting an astronaut! She was visiting the Center to do research for her Sailor Moon side story, "The Lover of Princess Kaguya," which was later turned into the Sailor Moon S Movie.
Decades later, when a plushie of Artemis was spotted in the mission control center during the Artemis II mission, Naoko expressed surprise and delight:
āIn the manga, heās the little cat who sends instructions to the Sailor Guardians from the command room,ā she said. āThat was just a fantasy that existed only in the story, so to think that 30 years later Artemis would appear in NASAās mission control, a place Iāve always admired, is incredible. Iām so jealous. Thank you for watching over humanityās great achievement for ten days. You did a wonderful job.ā
āIām overwhelmed that a classic from 35 years ago is still being talked about around the world,ā she said. āIām so happy. It may have been an immature work, but Iām amazed to realize that classics can become timeless across generations. Manga, anime, live actionāitās such a blessing that this work continues to be shared in so many forms.ā
GO MY LESBIAN USAMAMO ā¼ļøā¼ļø
Paletta the Visual Express Spring 2002 - Princess Tutu interview with Ikuko Itoh and Junichi Sato
Scanned by wiki_featerrands (source)