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Monterey Bay Aquarium

Love Begins
Keni

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🩵 avery cochrane 🩵
Mike Driver

JVL

oozey mess

if i look back, i am lost
EXPECTATIONS

❣ Chile in a Photography ❣
2025 on Tumblr: Trends That Defined the Year
he wasn't even looking at me and he found me
we're not kids anymore.
Show & Tell

roma★

Kiana Khansmith
PUT YOUR BEARD IN MY MOUTH
ojovivo

izzy's playlists!

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@cephalo-bot
Coming soon to a stream near you
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"Everything Appears as it is: Infinite" by Alex Dodge
I feel like it's a really common trope to have a non-biological entity disgusted by squishy bio things like secretions and flesh and stuff but. Wouldn't they utterly lack revulsion to those things? The reason we are repulsed by things like blood and shit and corpses is because they are intimately connected to our bodies, are uncomfortable reminders of our animal mortality, can be vectors of harm, or are a signal of danger. A being made of energy, metal, or plastic does not have the same sympathetic connections to these things that we do, except as a kind of intellectual sympathy for what people they care about fear. Disgust is repulsive, and you can only repel something if it's close to you. I think the things that viscerally repel a non-biological mind are not going to be biological.
Hmm... Maybe not as extreme as a corpse, but if you handed someone composed of mostly metal an extremely corroded piece of copper, I could see them reacting like you just handed them a very moldy orange.
To reach "handed a decomposing roadkill squirrel" level, maybe give them something with identifiable parts similar to what is in their body, like corroded circuit boards, batteries, wire connectors. That's a more direct reminder of mortality.
i think one thing that gets missed in discussions of like. “okay depiction of abuse/problematic dynamics” where the person is on the side of “it's fine to depict problematic things as long as the victim is clearly traumatized/not enjoying it” is that a part of the way in which abuse functions is by changing what intuitively feels good or bad to a person, that is to say, why people stay in abusive relationships is bc your brain can be wired, as a result of sustained trauma, to only feel comfortable or at-home in such situations, and to not recognise that anything is wrong in the first place. that is how conditioning and grooming work, it's how people stay in awful situations for years... and how do you depict that? an abusive relationship is still a relationship, real victims have loved and continue to love those who perpetrate intimate violence against them. you can, from a distance, see and say that the love is wrong and should not exist. but when you're narrating a story from close quarters, you can't effectively differentiate without context, an author depicting as romantic a manifestly abusive relationship and a victim and perpetrator whose inherent sense of themselves, of right and wrong, of boundaries, and acceptable forms of intimacy, has been warped through abuse.
Lolita is a book that appears to be about seduction but is really about rape. The Incest Diary presents itself as the inverse, a book apparently about rape but really about seduction. But this conceit betrays the further truth — call it the secret under the secret under the secret — that sometimes rape and seduction, coercion and desire, are not opposed at all. This is why the question of whether or not a child “wants it” is irrelevant to the morality of pedophilia (something both pedophiles and many reviewers of The Incest Diary overlook): not because children don’t want it — or do want it — but because “wanting it” is itself something so easily formed by adult violence. And not just the declaration of the wanting — what is a child’s “let’s fuck” but a simulacrum of consent? — but the wanting itself. When a victim of sexual abuse says she wanted it, she is telling us about the sort of person the abuse required her to be. The author says that it is only “as if” her sexual obsession is being raped by the man who created her. Here she is hanging back, knowingly, from the bleaker truth: It is not merely “as if” she is sexually obsessed with the man who gave her half her genetic material, fed and clothed her, made her into a thing that would desire him forever. She is sexually obsessed with him. How, indeed, could it be otherwise? Describing her father letting her out of the closet in which he had locked her, she asks, “How could I not love the man who set me free?”
Silent Treatment: The troubling response to a memoir of incest
cable management
Golly Gosh, She’s Hot - this is a rare 1930s European porcelain kinetic sculpture, which has a detachable left leg that can be used as a smoking pipe. The empty seat next to her would be where one placed the tobacco or herb of choice to pack into the pipe.
Descended from a much older Chinese and European tradition of risqué articulated nodding figures, these Naughty Nodders were novelty items designed for storing spices, trinkets or smoking paraphernalia. They are being rediscovered today as examples of mid-century kitsch, pin-up culture and postwar ceramic design. Most commonly found examples are Japanese export ashtrays mass produced during the late 1940s and 1950s post war colonial era.
Married in Mount Airy except it’s me at the Ninja Turtles farmhouse because apparently it’s a wedding venue
#crysobbing
new header :]
Movie Julian is so funny to me, look at him, the actual Worst Guy Ever.
Tonight I'm starting Mini Game Monday over on my Twitch. I'll be playing a short spooky game every week but it'll be a surprise each time. Join me tonight at 8pm EST for an ominous vacation.
Never mind we're streaming at 9pm
Tonight I'm starting Mini Game Monday over on my Twitch. I'll be playing a short spooky game every week but it'll be a surprise each time. Join me tonight at 8pm EST for an ominous vacation.
locket yuri