His defiance will shake the stars

I have become the very thing I swore to destroy

[twilightcitysky]

I think the greater crime than the bad hair is that they turned Anthony into ANGEL Crowley. Astrophysics and all. Zero reference to snakes/ plants/ music/ cars. Crowley fought for 3 seasons to be seen as who he IS and not the angel he used to be, and not to be judged for his fall, and it was all for nothing. "God's best angel" give me a break no wonder he decided to off them both

[nipuni]

Crowley in heaven 😇

[crowleys-hips]

the problem isn't “they didn’t get the ship moment I wanted.” the problem is thematic incoherence.

season 1 and 2 kept hammering the idea that individual lives matter. not replaceable copies. not "close enough." actual people, with continuity and memory and history. Crowley and Aziraphale repeatedly chose imperfect, messy existence over grand cosmic plans. so ending with "the universe gets reset and everyone is replaced by alternate versions" isn't just horribly depressing. it's philosophically backwards. like the story literally abandoned its own argument in the final act.

the Job parallel especially points that out pretty cleanly. The whole emotional weight there was: replacement children are not the same children. new children (even if they had, by some chance, looked and acted Exactly The Same) doesn't fix the tragedy of losing the original children. that mattered to them. so yea, this ending feels less like "hopeful transcendence to tear down The System" and more like “congrats on your happy ending! everyone is dead, but the cottage is cute!" bold creative choice ig. like serving tea with eccles cakes after detonating reality.

my frustration is basically: the story spent years arguing that personhood matters — memory matters, continuity matters, these exact souls matter. and then solved the finale with a cosmic reset that wipes out the very identities the narrative taught us to care about. very much like the nuclear apocalypse they were trying so hard to prevent. it goes against the very thing Crowley was staunchly opposed to during The Flood. against everything they did in the Job minisode. against literally the entire Jim/Gabriel narrative, about Jim not really being Gabriel without his memories. and also, to quote Crowley, "the angel you knew is NOT me."

"but they found each other again! we got them back at the end!" no we didn't. that is NOT them. and to say that they are is kind of insulting tbh. they LOOK similar and maybe have some of the same interests, but just bc a blonde and a red head are into books and astrophysics doesn't make them THEM. their memories, their history, everything they went through together and fought for, the experiences that shaped their characters, those 6000+ years — that's all GONE.

Also. people keep saying stuff like "it was the only right choice" as if there were only two horrible choices? if the story introduces negotiation and moral choice, we'll naturally start imagining alternatives. once “God offers options” enters the chat, people will obviously ask, “wait. why was this the chosen solution?” when they could've gone for idk, literally anything else. God literally offered to put things back as they were. they could've chosen to have THAT universe, THAT world —THEIR world— put back into place and then added their own conditions to tear down Heaven and Hell. they could've chosen to keep their memories. they could've chosen to make everyone human from then on if that's what the writers were so hellbent on. they could've chosen to make God erase her own memory for all i care idfk. but this ending feels like a bad consolation prize.

after EVERYTHING they did, and everything they went through, they deserved SO much better than this. THE WHOLE WORLD did.

New Earth isn't Earth. a Michael Jackson impersonator isn't actually Michael Jackson. The Other Mother isn't the real mother. those new people aren't their original selves. and whoever those guys are at the end are not Aziraphale and Crowley.

[armageddidnt]

The 5 real themes of good omens that the finale completely botched

I know we only had 1 episode and whole plotlines were scrapped but I was just left feeling so empty after the finale given how powerful and moving and profound the themes of season 1/the book were. So buckle up for a long ride let's talk about it

Theme 1: Human Incarnate

The book and the show established that humanity is unique because it is neither purely good or purely bad. From the book: "Most of the great triumphs and tragedies of history are caused not by people being fundamentally good or fundamentally evil, but by people being fundamentally people." This Aziraphale describes as "much better" than either Heaven or Hell

This is one of my favorite sequences in the whole show. And the music is soaring and gorgeous. Adam recalls the things in his life he has come to know and love; his parents, his friends, his dog, his home. He makes it have nice weather all year. Aziraphale could feel that love at the Tadfield Manor. Heaven and Hell tried to create an instrument of destruction. But by putting that inside a human boy, they didn't realize the strength of one boy's love would be strong enough to literally burn the hell out of him. He told Satan himself to shove it and rewrote reality to have the dad he truly loved. The power of humanity's love is stronger than any immortal power could ever be.

This is the idea that would have been so cool for the finale but unfortunately never paid off. As the second coming prepares to destroy Earth again, Aziraphale and Crowley could have teamed up with the power of humanity to reshape heaven and hell for good. Adam and Jesus as the antichrist and christ born to end the world and instead used their humanity to save it. Instead we got the book-of-life arc and humans were literally left to dust

Theme 2: Free Will

Next good omens establishes that angels and demons are just puppets but humans are the ones with real free will because they have the ability to be good or bad. Even with heaven and hell, the humans on Earth always have a choice. In season 2, they agree on this, but Crowley's main grievance is the inequity of it all. Humans have free will but it still isn't fair.

God made angels and demons and humans but the humans never had to follow her 'plan.' Free will and the ability to recognize what is truly right outside the propaganda of good vs evil is what saves the world.

Humans always had free will, even if God was around to kill a bunch of them with floods or take their stuff to win bets or something. Creating a new universe without God wouldn't change that. They would still have free will, just less threats from above/below, I guess. What Crowley's established character really should have wanted here was to fix the inequity inherent in human society. That's what is truly holding them back, not a lack of will. Removing God from the universe doesn't actually solve the root problem here

Theme 3: Our Own Side

This is something Crowley learned very early and spends the whole show trying to teach Aziraphale. That good must be separated from heaven and bad must be separated from hell.

Heaven can do some truly appalling horrors and demons, at least Crowley (and somewhat Beelzebub I guess) have the potential to be kind. 'Their own side' is one where they have the freedom of humanity, to do what is truly right. Aziraphale and Crowley sort of found their way there in the finale, but it was all rushed and Aziraphale never really turned his back on heaven, it sort of just became irrelevant when everything started disappearing. What a beautifully flawed and nice world they could have created together

Theme 4: Love Conquers all

What was it all for? Love. God made Aziraphale and Crowley for each other because she liked to smile at the silliness of their love. The literal only constant in the entire universe. Their love for the world and each other saved it. I think the decision to turn Aziraphale and Crowley's queer love story into a tragedy was the biggest mistake of seasons 2/3. Forcing the soft and romantic comedy of good omens into a queer tragedy was the instant it all crashed and burned. Now everything is tainted leading up to the pain and destruction of it all and the whimsy and lightness is gone. There were moments of it, but it was all leading toward the end. And queer love deserves to not be a tragedy. We have far too much tragic queer love in our society. Yes we got the south downs, but Aziraphale and Crowley never got to experience that freedom. They finally came together just to instantly be destroyed. We deserve happy and fulfilling queer love that is sweet without the bitter parts. Good omens was intended to be a comedy, not a tragedy

And then this was SUCH A COOL IDEA they introduced. Perhaps the first time ever an angel and a demon performed a miracle together. The power of their love could create magic stronger than anything heaven or hell had ever seen. I was so excited to see the wonders they were going to create, they ways in which they could have rebuilt the world better using that love. If they had this kind of power doing a tiny miracle, what could they have accomplished if they really put their minds to it? God herself couldn't have stopped them. And instead, the finale literally revoked Crowley's magic for the entire episode. They sacrifice themselves for a new earth and people that didn’t even exist yet instead of using any of their power to change it. The god awful execution of this theme is probably the biggest letdown of the entire finale imo

Theme 5: Fix It, Don't Replace It

This is so obviously established in seasons 1/2 I cannot believe how badly they missed the mark with this one

Literally shows us the horror of replacing the Earth with all new people. Even children can recognize that just because something is broken, it doesn't mean you throw it away and start all over. They loved the world enough to want to save it. The world is inherently worth saving, flaws and all. If you love something, you don't abandon it. The ENTIRE PLOT of season 1 explores the horrors of humanity and yet humans, Aziraphale and Crowley do everything in their power to save it.

It absolutely blows my mind how directly this scene contradicts the entire message of the finale. Job didn't want new children, he quite liked the old ones. Aziraphale and Crowley didn't want the antichrist's new Earth, they quite liked the old one. We didn't want new human versions of Aziraphale and Crowley, we QUITE LIKED THE OLD ONES. Where the hell did that mentality go when they told God to create an entirely new universe????????????? Season 1 said the world is flawed but it deserves saving exactly as it is. Season 1 said an angel and a demon go off to the ritz together, exactly as they are. The finale said the world is too broken, we have to make it disappear and start over. The finale said Aziraphale and Crowley have too many issues/traumas to be happy, we have to destroy them and start over. That's why as cute as Asa and Anthony's love is, we quite liked them exactly as they were, angel/demon trauma + history and all. They deserved saving too.

Good omens has always been so special to me for how much it pokes fun at but also celebrates the messiness and wonder of humanity and love. The 6-to-1 episodes was a major setback but somehow the finale still managed to drop basically every one of its most endearing and powerful messages. What is the "real world" the finale is trying to make us value? One without a god to screw things up sometimes?? The best parts of humanity always shined through not even despite, but BECAUSE of the heavenly challenges they overcame. It's very clear good omens as a whole was always meant to be a one-season/one-book story. There was so much potential and missed opportunities and I wish we could have had the finale we were all dreaming of. I will always love the world of good omens season 1/the book, so that is the world I'll keep in my heart. And all the nightingales therein

[junkfoodcinemas]

DUNE: PART THREE (2026) dir. Denis Villeneuve

[demadogs]

There are legends of people born with the gift of making music so true, it can pierce the veil between life and death.

SINNERS (2025)

[spindelsart]

Dutch evolution through the years

its been a few years, but I tried to put them in order from the oldest to the newest. its mostly for myself, I think its fun to see the style change by learning more, yet some details remain

[seasonofhorror]

TWIN PEAKS: PILOT

1990, dir. David Lynch

[nightlydisease]

FALLOUT 2x08 'The Strip'

[naughtydogg]

House really said:

[whereareyourightnow]

Fallout | 2x01 - The Innovator

[indigomood]

WALK ON THE WILD SIDE (1962)

[vampsstan]

obsessed with his sad eyes

[bvrningfrost]

cinema is so back.

[davidayer]

IT: Welcome to Derry S01 E07

[davidayer]

IT: Welcome to Derry S01 E07

[ohmovie]

OSCAR ISAAC as Baron Victor Frankenstein FRANKENSTEIN (2025) dir. Guillermo del Toro

[vivemonroi]

I like to think that IT gained its sassy and bitchy personality from Bob Gray, because in 1908 IT acted emotionless, as if it didn’t quite understand humans yet—

but after consuming Pennywise… ooh, it started the whole trolling/rage-baiting campaign against everyone in town

Bro went from “I can’t find my parents. will you help me find them.” to “WHAT’S THE MATTER? DO I HAVE FACE ON MY FACE??”