HOUSE OF THE DRAGON “Driftmark” (2022) dir. Miguel Sapochnik.
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HOUSE OF THE DRAGON “Driftmark” (2022) dir. Miguel Sapochnik.
I miss this.
Oh god, how I miss this.
I always wanted more of this.
I suppose I should get him to drop me off at the bookshop. It burned down.. remember?
You can see the SECOND Aziraphale realizes he’s right, and they can do this.
#okay here we go i just need to get this out there #formulate my thesis if u will #crowley is so much #just #he deserves the world i’m. #look here’s this demön who keeps repeatedly handing over his lil heart #to reference my own tag #on a trashcan lid #just oh so gently stretching it out over and over again through the centuries #in more #run away with me #or less #i’ll give you a lift #grandiose ways #and eVERY TIME #his poor nervous angel freaks out and accidentally smacks him in the face w said trashcan lid #so he scrapes it up n tries again #sometimes in a few decades sometimes hours later #the devotion #god #the bravery #crowley is the bravest lil trashcan pizza server #good omens (via @bourboninthefireplace)
And also, Crowley is just always, so consistently, heartrendingly gentle with Aziraphale. He never pushes.
In fact it’s not until he knows they’ve lost, that the apocalypse is coming, and there is nothing they can do to stop it, that he even suggests that they run away together, and then, even though Aziraphale breaks his heart in that moment, by pushing him away, and ending everything between them, the minute he finds out that Hell is onto him and is coming for him, he goes back to Aziraphale, and apologises, and offers him yet another chance for them to be together.
Crowley loves him so much, and is so frustrated by his misplaced loyalty to a Heaven that is by no means going to be loyal to him, but he gives Aziraphale the space to discover that for himself.
And even here, even now, after everything, with Aziraphale falling back on his old fears and excuses, Crowley just gently reminds him of the truth, and then waits.
Crowley is remarkable in the way he loves Aziraphale so selflessly, so patiently, so tenderly.
cause i’ve been by myself all night long
hoping you’re someone i used to know
Why should i make up a story when i know the truth? Because the truth is either terrible or boring.
Sophie Turner for Harper’s Bazaar UK, May 2019.
But, if it weren’t for my children, I’d have thrown myself from the highest window in the Red Keep. They’re the reason I’m alive. Even Joffrey.
And they never wanted to leave, never wanted to leave.
that awkward moment when the “hero” was no better than the “villain”
Want some irony?
Cersei has no back up plan for Dany attacking the Red Keep with innocents inside.
Dany never believed Cersei would surrender…but Cersei fled and the Lannister army surrendered.
Cersei never believed Dany would attack innocents…but Dany ignored the surrender and slaughtered the common folk.
Cersei turned out more reasonable than Dany expected.
Dany turned out more vicious than Cersei expected.
replaced (cersei) with (dany) and olenna with cersei
Lena’s face in that last gif tells you everything you need to know about what happened.
A lot has been said about D&Ds terrible dialogue writing, but I think the greatest sign of their weakness is that they straight up don’t write the most important parts of their conversations.
Jaime arrives at Winterfell and sees Bran for the first time? Cut away and go straight to the trial! Why actually write that first remeeting or Jaime getting caught at all? Just skip to the trial.
Arya and Sansa finding out about Jon’s parentage? Cut it before the actual reveal. It’s not like this is mind blowing info we would love to see the characters react to or anything.
Sansa asks Jon if he bent the knee for love or for the north? Cut before he responds. Did he just walk out? What did he say?
Tyrion pulls up a chair to hear Bran’s story which is, presumably, what convinces him to later suggest Bran as king? Cut before the actual story, which means we don’t actually know what convinced Tyrion.
Sansa decides to tell Tyrion about Jon’s heritage which is a VERY MAJOR MOMENT for EVERYONE in the story? Cut before she actually reveals it.
Jon kills Daenerys and assumedly some major shit happens? Cut before anyone discovers it and just skip to later so that we don’t have to deal with that scene.
And do you know why they do it? Its so they can avoid the most difficult bits to write and instead let YOU imagine the conversation. It forces the audience to fill in the gaps and do most of the work while they get to just fuck off to the next scene. And this problem shows in their writing on a larger scale because they are allergic to emotional pay off in any fashion, which is why so many character arcs feel weak and so many plot threads are left hanging because they just do not feel the need to tie things up. They’d rather everyone else do the work for them and then praise them for their genius.
i would have died to get you there.
Sophie Turner & Kit Harington | The Last Watch
Sansa Stark: *had her direwolf killed for nothing*
Sansa Stark: *becomes a hostage at King’s Landing*
Sansa Stark: *is beaten and humiliated*
Sansa Stark: *is nearly raped*
Sansa Stark: *is surrounded by liars and killers*
Sansa Stark: *is referred to as the traitor’s daughter 24/7*
Sansa Stark: *has to constantly hear about her family’s deaths with no way to avenge them*
Sansa Stark: *doesn’t even know if Arya is still alive*
Sansa Stark: *cries*
Everyone: I hate her so much she’s so annoying and all she does is cry and she needs to get a grip and Arya actually kicks ass oh my god why didn’t Sansa just stab Joffrey in the neck I would’ve and Arya would’ve oh my god she’s so useless and stupid and weak and
I just wanna say I feel so fucking vindicated. I made this post YEARS ago and now…. here we are. Sansa Stark as Queen of the North. Feels good, fam
I was good. I was very, very good. You are even better.
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